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Shelter SerraAdmiral Byrd Cast Plaster Sculpture by Shelter Serra2004
2004
$10,500
£7,943.97
€9,168.57
CA$14,665.58
A$16,305.32
CHF 8,534.85
MX$199,979.37
NOK 108,670.26
SEK 102,597.60
DKK 68,418.91
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About the Item
Admiral Byrd by Shelter Serra
2004
13”x9”x7.5” inches
Cast plaster
This plaster sculpture is an homage to classical sculpture and the legacy of Admiral Richard E. Byrd. Overshadowed by the birth of Hollywood, he was one of the last great explorers of modern times reaching both the north and south poles by air. This sculpture captures a heroic individual and a forgotten part of American history.
Rear Admiral Richard Evelyn Byrd Jr. (October 25, 1888 – March 11, 1957) was best known as an American naval officer and explorer, a recipient of the Medal of Honor, a pioneering American aviator, polar explorer, and organizer of polar logistics. Byrd claimed that his expeditions had been the first to reach both the North Pole and the South Pole by air. However, his claim to have reached the North Pole is disputed.
Shelter Serra’s paintings, sculptures, and drawings explore mass consumption and cultural identity. He juxtaposes subject matters that are both common and recognizable: a Campbell's Soup Can, a copper plated baseball hat, and a Hermes Birkin bag cast in resin, as examples. By portraying these sculptures of aesthetic contemplation. “Refining an aesthetic and making beautiful objects, whether that be a dress, bag, or sculpture," says Serra, "is a celebration of pure creativity and personal vision.”
Shelter Serra, who is related to minimalist master Richard Serra, has collaborated with the Art Production Fund, Helmut Lang, Converse, and Chanel. Solo exhibitions of his work have been presented at BTW Gallery in Geneva, Anonymous Gallery in Mexico City, Beams B Gallery in Tokyo, and Marlborough Gallery in New York, among other galleries. His work has been included in group exhibitions at institutions such as Philadelphia’s ICA, Maryland Institute of Art in Baltimore, and Urbis Art Centre in Manchester.
- Creator:Shelter Serra (1972, American)
- Creation Year:2004
- Dimensions:Height: 13 in (33.02 cm)Width: 9 in (22.86 cm)Depth: 7.5 in (19.05 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU122724420511
Shelter Serra
Shelter Serra is a multidisciplinary artist whose artworks probe the resonance of imagery and objects he has pulled from the wake of American visual and material culture to reexamine. Serra’s compelling sculptures of ubiquitous or iconic commercial products remade in bronze, resin, copper, or gold, are conspicuous replicas of recognizable forms. Serra’s paintings similarly announce their existence as reproductions of reproductions: halftone dots, hand copied typeface, mimicked printing glitches, the tones of a black and white photograph, or the vibrant colors of a thermograph, signal that the subject has been rendered, filtered through an image-making process employed for a particular end. By reproducing and recontextualizing these images and objects, Serra examines the cultural paradigms which led to their creation and commodification. The utility, absurdity, or desirability of the source image or object is contended with and re-assessed via Serra’s handmade proxies. His recreations provoke a conceptual consideration of the assigned, symbolic status of the original – fashionable, wasteful, threatening, luxurious, lowbrow – they test the limits or longevity of the original’s aura. If Serra’s choice of subject matter is perceived as a commentary on the ‘stuff’ this country generates, it is the viewer who has imposed this subtext. In the form of re-presentations of already manufactured products or reproductions, Serra’s artworks have a symbolic function. They point back to an original, and to the culture that gave that original meaning.
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