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Steve Linn"You Are a Remarkable Woman, Kara Walker" wall sculpture portrait2019
2019
About the Item
Cast glass with graphite and resin-painted aluminum.
Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected subjects and choosing which references to interpret for the piece he then creates. Artist Kara Walker was born in California in 1969. When she was a young adolescent the family moved to Stone Mountain, Georgia, and her father, a painter and professor of art, took a teaching position nearby. Up until that time race was not a big issue in her life, having lived in a progressive, integrated community in California. In Stone Mountain, they still held KKK rallies and in high school she was called the “n” word and told she looked like a monkey.
Walker studied art at the Atlanta College of Art and went on to graduate at the Rhode Island School of Design. She was afraid to use race as a subject matter in her early work because she was concerned it would be perceived as “obvious”. As her self-confidence grew she found her voice, and in 1994 she produced “Gone, An Historical Romance of a Civil War as it Occurred Between the Dusky Thighs of a Young Negress and her Heart”. This cut black paper silhouette mural told a tale of forced sex and slavery in the civil war south. She has gone on to address issues of race and gender equality using these silhouetted, stereotyped historical references to confront persistent modern-day concerns. In this documentary sculpture, Linn has surrounded Walker's cast glass portrait with his version of these expressive silhouettes in homage to her powerful work. The “So Called Queen” reference relates to the fact that even though she is well known and celebrated in the art world, to those that don’t know her she is an anonymous black woman subject to the same prejudices that pervade in our society.
Contact the gallery for information about purchasing, or to inquire about commissioning a custom documentary sculpture portrait.
Steve Linn describes himself as a documentary sculptor, and indeed, his work rests on the meticulous research he conducts on each of his selected subjects and the interpretation of the references he chooses to develop for each one. Yet his definition would seem to leave out the intensity Linn puts into the materiality of the work. His range of preference is vast and often surprising, using wood, glass, bronze, other metals, and now even holograms to depict the clues he gives the viewer about the work and personality of his subject. He most often combines them all and his mastery of each craft is truly impressive.
The subjects Linn chooses for his multi-faceted portraits are often visual artists and musicians he admires, but also sports legends, workmen, and craftsmen (and women). Each tableau contains one or several views of the face or torso, first painstakingly drawn and then most often carved from plate glass or cast from a ceramic original via the kiln-formed glass technique. Tools and objects we would easily associate with the person if known to us are added in a careful composition, but Linn does not stop there. His Portraits series, begun over 50 years ago, now includes more elaborate installations and invites the viewer more deeply into the influences and relationships -- webs that creative humans weave.
- Creator:Steve Linn
- Creation Year:2019
- Dimensions:Height: 59 in (149.86 cm)Width: 59 in (149.86 cm)Depth: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Glen Ellen, CA
- Reference Number:1stDibs: LU71214793722
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