SunKoo Yuh

"Another Connection", Abstract Figurative Ceramic Sculpture with Colorful Glaze

2006

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

Hundida, meaning drowned in Spanish, is a glazed ceramic stoneware of a woman holding her throat and enveloped in her hair. It was made during covid, a time when Rafaela was in early...

Kristen Newell (American, b. 1989) Four Three Two One, 2015 Stoneware, porcelain and acrylic Signed and dated on bottom 16 x 15 x 14 inches Kristen Newell was born in a small town on the coast of Massachusetts, where from a very early age, she demonstrated a strong propensity for the arts. Important additional inspiration came from her family and from the family of a childhood friend, where Kristen found herself surrounded by the work of Paul Manship, her friend’s grandfather and one of America’s greatest sculptors. With increased focus on her art, along with winning numerous awards throughout high school, Newell eagerly enrolled in the arts program at University of Vermont and augmented her studies with a valuable year at the Cleveland Institute of Art. Upon graduation, Newell moved back to Cleveland to begin her art career and started participating in group shows, including River Gallery and the Ohio State...

"Can't Get Her Off My Mind" is an original ceramic sculpture created by Steven Kemenyffy. 43"x30"x14" Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

Yeonsoo Kim, "Look at Me," Colorful red clay vessel, underglaze, 13 x 11 × 13 inches. Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition with bold, con...