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Tobias MartinContemporary British Wildlife Bronze Sculpture 'Sir Humphrey' by Tobias Martin
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
About the Item
'Sir Humphrey' by Tobias Martin is a Solid Bronze Animal Sculpture. The beautiful patina is what brings these sculptures to life and gives each one a character.
Tobias Martin was born in 1972 in Wiltshire, 12 miles from Stonehenge. Influenced by his idyllic rural upbringing, and the forces of nature and magic that permeated his childhood surroundings, these works have something of the mystical about them.
Each piece is approached with precise observation and an acute interest in the minutiae of the subject matter, manipulating the material with a delicacy and lightness of touch. Despite being realised in heavy materials such as bronze, the resulting piece achieves a sense of movement and character that conveys the essential spirit of the animal.
Inspired by the work of Grinling Gibbons and Alfred Gilbert, Martin combines centuries old techniques with modern technology and materials.
He has sculpted professionally for artists, film sets and exclusive interiors, as well as participating in numerous shows internationally including in Belgium, France, Germany, Italy, Ireland, Switzerland, Turkey, UAE, UK and USA.
- Creator:Tobias Martin (1972, British)
- Dimensions:Height: 28 in (71.12 cm)Width: 15 in (38.1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Shrewsbury, GB
- Reference Number:1stDibs: LU8126228572
Tobias Martin
Tobias Martin was born in Wiltshire, 12 miles from Stonehenge. Influenced by his idyllic rural upbringing, and the forces of nature and magic that permeated his childhood surroundings, these works have something of the mystical about them. After graduating from Saint Martin’s School of Art in 1999, he still remains and works in London. His work has been shown within many prestigious, including the Royal Academy. His work can be seen as an attempt to visually articulate a great epistemological challenge: that of the human mind encountering the intellectually imponderable. Each piece is approached with precise observation and an acute interest in the minutiae of the subject matter, manipulating the material with a delicacy and lightness of touch. Despite being realised in heavy materials such as bronze, the resulting piece achieves a sense of movement and character that conveys the essential spirit of the animal. Encompassing elements of sculpture, installation, drawing, performance and video - Tobias’ practice partly relies upon the translation of scientific research methodologies to the processes of art making. This is perfectly applied particularly Tobias’ animal sculptures which capture the characteristic essence of the individual species.
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