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Ulla-Stina WikanderSmall Fruit Press2020
2020
$1,200
£892.60
€1,045.05
CA$1,674.41
A$1,873.71
CHF 978.36
MX$23,035.30
NOK 12,343.17
SEK 11,614.87
DKK 7,796.91
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About the Item
This sculpture titled "Small Fruit Press" is an original artwork by Ulla-Stina Wikander made of needlepoint embroidery and vintage object. This piece measures approximately approx. 11"h x 5"w x 20.5"d.
On her practice Wikander says, “It is rather new for me to be a part of the textile community because I have always regarded myself as a painter and sculptor. While I do not embroider myself, I am always very meticulous when I choose my patterns. Embroidery is very hard to find nowadays, so I often travel to small towns in Sweden to find them. I have a big collection with hundreds of embroideries, organized into boxes by motif. I do not know if it is accepted among textile artists, to cut embroideries into pieces, but I think my work is a bit different. I always have a bad feeling that I am destroying a beautiful embroidery that someone else has made, but the recycling of something forgotten also feels current and good”.
Ulla-Stina Wikander was born 1957 in Kungälv. She is currently living in Stockholm/Kullavik, Sweden and has been working as an artist since 1986. Wikander has shown extensively around the world in solo and group exhibitions including shows in the United States, Sweden and the UK.
- Creator:Ulla-Stina Wikander (1957, Swedish)
- Creation Year:2020
- Dimensions:Height: 11 in (27.94 cm)Width: 5 in (12.7 cm)Depth: 20.5 in (52.07 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Philadelphia, PA
- Reference Number:1stDibs: LU18827205612
Ulla-Stina Wikander
Ulla-Stina Wikander was born in 1957 and raised in Gothenburg. She is currently living in Kullavik/Stockholm, Sweden and has been working as an artist since 1986. For over 15 years she has collected cross stitch embroidery, and today has a big collection with over 100 different designs. These embroideries have been made by women and are often seen as kitsch and regarded pretty worthless. Wikander has mixed feelings for them, sometimes they are very beautiful and she wants to bring them back to life. In 2012 she started to cover ordinary household items from the 70s, like a vacuum cleaner, sewing machine, electric mixer, etc. She finds it interesting to see how these objects transform in a new context; the obsolet, the things we do not want any longer, the old and forgotten things. They become artifacts from a bygone era, disguised, camouflaged and dressed. Wikander gives them a second life and although she cuts the embroideries into pieces, thinks of them as new, and dressed up. She visits flea markets and vintage stores to find cross stitch embroidery and the objects to work with. Some of the small objects, like an iron or a phone take her a day or two to make, but the bigger installations takes weeks to finish. Over the last few years she has been invited to different exhibitions.
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