Unknown

Marble Bust, Ecce Homo, Christ with Crown of Thorns

19th century

A finely carved 16th or early 17th century large hard stone pendant cameo of Christ the Redeemer in profile. Set in period a gilt bronze frame. Possibly Italian. The profile view of...

A fine watercolor by an unknown English artist with a view overlooking the Buckingham Palace garden and its lake, towards the West facade of the Buckingham Palace. In the distance on...

Carl Frederik Aagaard, Sunset over Dyrehaven. Signed C.F. Aagaard. Oil on canvas laid on card box panel. 22×32 cm without frame. A tergo written: "Prof C F Aagaard Sonedgang Jægersbo...

A charming 19th century still-life painted on canvas depicting an 18th century wine ewer, lantern, stoneware tankard with a blue ribbon bow, fork with a sculptured ivory handle, and ...

A fine painting of a group of Spanish flamenco dancing and music playing women outside a house in the garden by Allan Österlind (1855-1938) Österlin...

A still life with fruits and roses painted by the danish painter Emil C. Ulnitz (1856-1933) A fine examples of the Danish still life painting...

These four plaques represent either domestic (a horse, two rams) or exotic animals (a rhinoceros and an elephant). Made on slate slabs cut to shape (a rectangle with concave angles), they are all based on the same narrative scheme: in a frame of Egyptian porphyry, an animal in multicoloured marble is represented advancing on a green marble floor, standing out against a black slate background. These plates were made in Italy, probably in Florence or in Rome, during the 18th century. We think that their primary purpose was to decorate the drawers of a cabinet. Like many other compositions in hard stone, these plaques were inspired by engravings that were a widespread decorative repertoire in the workshops. Three of the plaques presented here were directly inspired by works by Antonio Tempesta (1555 - 1630): the Rhinoceros, the Polish Horse...

"Pair Recumbent Stone Lions" after Antonio Canova (1757-1822) Italian (possibly Florence) Mid 19th Century Alabaster, marble 6 x 9 x 4 inches This is an exquisite pair of Italian alabaster lions on marble bases based on the monumental lions carved by Antonio Canova (1757-1822), the greatest Italian neoclassical sculptor. Canova sculpted the marble lions for the monumental tomb of Pope Clement XIII in St. Peter’s, Rome in 1792 Canova Lions refers to the pair of copies of lion sculptures by Antonio Canova. When Canova created the sculptures in 1792, he installed them on the tomb of Pope Clement XIII. The marble sculptures are some of the most prominent features in St. Peter's Basilica in Rome. Given the intricacies of creating the original Canova lions, some artists created molds and replicated them. A good example is the pair of lion sculptures...

A good antique Italian Grand Tour Bronze and marble bust of Dante Alighieri, circa 1880. The bronze is most likely Florentine and mod...

This is a one of a kind Italian white Carerra marble sculpture by San Diego artist Tony Gangitano. Its dimensions are 10" x 25" x 10". It is on a black granite base. A certificate of authenticity will follow delivery. This sculpture is a representation of Mary and Christ...

Volpato or Cialli manufacture, molded by Lorenzo Weber, Pio VI blessing on horseback during the Cavalcata for the Possession English white terracotta of 45 x 29 x 17 cm, datable to...

ANTONIO MARAINI The Good Shepherd bronze bas-relief cm 44.5 x 15 x 8 signed "A. Maraini" wooden base Antonio Maraini, born in Rome in 1886, was encourag...