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UnknownPair of Exceptional Italian Sphinx Limestone Statues2022
2022
About the Item
Designed as entrance guardians, this pair of mythical lady sphinx statuary display the head and chest of a neoclassical woman and the body of a recumbent lion on a rectangular stone base. Very good condition with light grey patina due to age and ware of time.
A timeless piece for your garden decoration.
Production time 3-4 month
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View AllPair of Exceptional Italian Sphinx Limestone Statues
Located in Rome, IT
Designed as entrance guardians, this pair of mythical lady sphinx statuary display the head and chest of a neoclassical woman and the body of a recumbent lion on a rectangular stone ...
Category
2010s Baroque Figurative Sculptures
Materials
Limestone
Pair of Exceptional Italian Sphinx Limestone Statues
Located in Rome, IT
Designed as entrance guardians, this pair of mythical lady sphinx statuary display the head and chest of a neoclassical woman and the body of a recumbent lion on a rectangular stone ...
Category
2010s Baroque Figurative Sculptures
Materials
Limestone
Pair of Exceptional Italian Sphinx Limestone Statues
Located in Rome, IT
Designed as entrance guardians, this pair of mythical lady sphinx statuary display the head and chest of a neoclassical woman and the body of a recu...
Category
2010s Baroque Figurative Sculptures
Materials
Limestone
The Rape of Sabine Iconic Bronze Sculpture 1930
Located in Rome, IT
Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna)
The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculptures in the world. Three intertwined bodies, two men and a woman, spiral upwards as the woman tries to escape the clutches of the younger man standing over the older one. It is an absolute masterpiece by the Flemish sculptor Giambologna.
After the original in Florence’s Loggia dei Lanzi, Piazza della Signoria...
Category
1920s Mannerist Figurative Sculptures
Materials
Bronze
The Rape of Sabine Iconic Bronze Sculpture 1930
Located in Rome, IT
Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna)
The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculptures in the world. Three intertwined bodies, two men and a woman, spiral upwards as the woman tries to escape the clutches of the younger man standing over the older one. It is an absolute masterpiece by the Flemish sculptor Giambologna.
After the original in Florence’s Loggia dei Lanzi, Piazza della Signoria...
Category
1920s Mannerist Figurative Sculptures
Materials
Bronze
The Rape of Sabine Iconic Bronze Sculpture 1930
Located in Rome, IT
Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna)
The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculpt...
Category
1920s Mannerist Figurative Sculptures
Materials
Bronze
$7,384 Sale Price
20% Off
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Magnificent Italian Baroque sculpture depicting a mermaid seated on the rock.
All the virtuosity of the sculptor unfolds in this carved group. The fantastic creature is featured seated, the upper part of the body darting forward, the head looking upwards. Sophisticated hairstyle with rows of pearls intertwined in her hair, her loose locks fly in the wind and bring movement to the whole sculpture.
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The ornamental richness combined with the great care taken in its execution make it a work in which the splendor of Italian Baroque art unfolds in such characteristic scenic movement.
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Our sculpture was probably part of a decorative monumental palace.
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Giacomo Filippo Parodi (Genoa 1630 – July 22, 1702) was an Italian Baroque sculptor of the Genoese school, who introduced Bernini's aesthetic to Genoa.
In his youth fathers a first apprenticeship with a carpenter, he went to Rome where he became a pupil of Bernini.
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Those kind of objects were present in churches or noble villas, specially during the Baroque times.
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Randolph John Rogers (American, 1825 - 1892) Randolph Rogers' Nydia, the Blind Flower Girl of Pompeii debuted in 1856 to critical and public acclaim, solidifying Rogers’ position as a pre-eminent American sculptor and it remains one of the artist’s most celebrated works today. The subject of Nydia is drawn from Edward Bulwer-Lytton's The Last Days of Pompeii 1834. After touring the ruins of the ancient city in 1833, and inspired by the stories of blinding volcanic ash, he composed the tale of Nydia, a slave who led her master, Glaucus, to safety. Rogers depicts Nydia at the moment that she and Glaucus have become separated in their perilous journey through the rubble and Nydia seeks familiarity in the surrounding chaos, her distress evident in her pained expression. The grace of the sculpture is at odds with the turmoil portrayed; a toppled Corinthian capital lies at her feet and obstructs her next step, indicated by the tilt of her back foot and grip on her walking stick. Examples of this model can be found in major American collections, including The Metropolitan Museum of Art, the Art Institute of Chicago, the Detroit Institute of Arts, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston.
Literature, Millard F Rogers, Jr. Randolph Rogers, American Sculptor in Rome. University of Massachusetts Press, 1971, American Figurative Sculpture in the Museum of Fine Arts Boston. Museum of Fine Arts, Boston, 1986. Joyce K Schiller. "Nydia, A Forgotten Icon of the Nineteenth Century." Bulletin of the Detroit Institute of Arts,
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