Florentine Artist Mascherone fountain Figurative sculpture 18th century marble
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 11
UnknownFlorentine Artist Mascherone fountain Figurative sculpture 18th century marble18th-19th century
18th-19th century
About the Item
- Creation Year:18th-19th century
- Dimensions:Height: 8.67 in (22 cm)Width: 7.49 in (19 cm)Depth: 4.73 in (12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Florence, IT
- Reference Number:1stDibs: LU124025617741
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1958
1stDibs seller since 2019
23 sales on 1stDibs
More From This SellerView All
- Tuscan Baroque Nude Putto Candle Holder 17-18 century gilded woodLocated in Florence, ITOne flame candle holder putto made of gilded wood. Those kind of objects were present in churches or noble villas, specially during the Baroque times. The base is not coeval.Category
17th Century Baroque Nude Sculptures
MaterialsGold
$8,770 Sale Price20% Off - Allegorical mythological figurative bronze from the 19th centuryLocated in Florence, ITMarble-based bronze statuette depicting Cupid, holding an arrow in his hand, walking caressing a lion's mane, lowered in the act of affectionately licking his little foot. The subjec...Category
Mid-19th Century Romantic Figurative Sculptures
MaterialsMarble, Bronze
- Salvatore Albano signed dated 19th century figurative italian marble sculptureLocated in Florence, ITThis marble bust, signed S. Albano dated 1890, belongs to his adult age and to the last years of his life, when he was already very requested and he had a prolific workshop in Florence. It represents a young peasant, portrayed with a simple handkerchief covering her hair and a shirt opened on the neckline to let us a see the crucifix cross, symbol of a sincere and innocent faith (the necklace appears in other is Albano’s works, like in the artist’s sister, Evangeline, Marguerite busts and in the Marguerite sculpture, all of them in private collections). The simple and tender subject is made with an exquisite technique, still quoting De Gubernatis “he can be enviable because he gives to the modelled flesh a singular transparency”, as we can see in the delicacy of the cheeks, nose, chin. His skills especially appear in the details: the locks naturally coming out, the light signs of the eyebrows, handkerchief with his thin folding line, the collar of the shirt bending on itself, the use of the drill for the rendering of the curly hair. Born in a small town in the deep South of Italy by a decent but very modest family, he developed artistic inclination since he was a child by modelling Nativity Scene characters for the people of his neighbour until the1858 when, thanks to the help of some oh his fellows recognising his talent, he moved to Naples to follow the lessons of the sculptor Antonio Sorbillo before starting his training at the Fine Art Academy with Tito Angelini...Category
1890s Realist Figurative Sculptures
MaterialsMarble
- Tuscan Neoclassical Mythological Figurative objet d'art alabaster bronzeLocated in Florence, ITAlabaster temple with Corinthian capitals decorated with swans and flower ornaments. At the centre, a bronze statue representing the Queen Omphale dre...Category
Early 19th Century Other Art Style Nude Sculptures
MaterialsAlabaster, Bronze
$6,139 Sale Price20% Off - Bassorilievo celebrativo allegorico in bronzo dell'aviazione italianaBy Bruno InnocentiLocated in Florence, ITThis bronze relief ( 29 x 29 cm, plexiglass pedestal 41 x 41 cm) is a model for a commemorative medal dedicated to the Italian Air Force. At the centre there is the Allegory of the ...Category
Mid-20th Century Other Art Style Figurative Sculptures
MaterialsBronze
- Bruno Innocenti Young Lady Portrait Bust 1959 plaster castBy Bruno InnocentiLocated in Florence, ITBruno Innocenti was a pupil of Libero Andreotti and, afterwards, he became his assistant. When Andreotti died, Innocenti took his place as Sculpture teacher at the Art Institute of F...Category
1950s Post-War Figurative Sculptures
MaterialsPlaster
You May Also Like
- The Rape of Sabine Iconic Bronze Sculpture 1930Located in Rome, ITFine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna) The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculptures in the world. Three intertwined bodies, two men and a woman, spiral upwards as the woman tries to escape the clutches of the younger man standing over the older one. It is an absolute masterpiece by the Flemish sculptor Giambologna. After the original in Florence’s Loggia dei Lanzi, Piazza della Signoria...Category
1920s Mannerist Figurative Sculptures
MaterialsBronze
- The Rape of Sabine Iconic Bronze Sculpture 1930Located in Rome, ITFine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna) The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculptures in the world. Three intertwined bodies, two men and a woman, spiral upwards as the woman tries to escape the clutches of the younger man standing over the older one. It is an absolute masterpiece by the Flemish sculptor Giambologna. After the original in Florence’s Loggia dei Lanzi, Piazza della Signoria...Category
1920s Mannerist Figurative Sculptures
MaterialsBronze
- The Rape of Sabine Iconic Bronze Sculpture 1930Located in Rome, ITFine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna) The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculpt...Category
1920s Mannerist Figurative Sculptures
MaterialsBronze
- Bust of Pope Innocent XI Odescalchi by Domenico GuidiLocated in New Orleans, LAThis monumental bust is a museum-quality example of Roman Baroque sculpture. Crafted by the legendary Domenico Guidi and carved from Carrara marble, the impressive portrait captures the visage of Pope Innocent XI, Benedetto Odescalchi (1611-1689). It presents a larger-than-life example of Guidi’s remarkable skill as a sculptor, which ultimately made his workshop one of the most important in Rome during his age. Today, his works are rarely found on the market, particularly his extraordinary works in marble. Pope Innocent XI was born Benedetto Odescalchi into an Italian noble family of prominent bankers. Spending his early years in banking, he eventually turned to the law, earning his doctorate in 1639. His background would serve him well in his service to the papacy, and he became known as a frugal and devout member of the Church. In 1676, he was unanimously elected Pop after the death of Clement X. During his nearly 13-year reign, he instilled his own personal ideals of austerity and frugality onto the Church, with a deep commitment to reform and piety. He is captured here by Guidi in his traditional Pope’s mozzetta and camauro cap. A wide stole is draped over his shoulders, ornamented by acanthus leaves and the coat of arms of the Odescalchi family. It displays Guidi’s mastery over the chiaroscuro effect, particularly in the high level of contrast in his cheeks and his eyes, which Guidi achieved through various methods of high polish. A very similar portrait sculpture of Pope Innocent XI by Guidi can be found in the collection of the Royal Castle in Warsaw. The Warsaw bust belongs to a series of portraits of popes which the Odescalchi family commissioned from Domenico Guidi in the 1690s. Compared to that example, the present bust is far more dramatic, with deeper cut lines and a more precise expression. It is likely that the present piece was seen by the Odescalchi family, who ordered a similar one to be made. The piece was almost certainly intended to be displayed in a niche, given its dramatic cutting and its roughly carved back. Others of Guidi’s busts can be found in important collections throughout Italy, England and the United States, though many of these are lesser bronze repetitions. A bronze bust of the Pope Alexander VIII by Guidi is currently in the collection of the Victoria & Albert Museum (London), while a terracotta version of the same is in the Los Angeles County Museum. A bronze of Pope Alexander VIII can be found in the Princely Collection of Lichtenstein, and his impressive marble papal bust of Clement IX graces the pope’s tomb in Santa Maria Maggiore. The present bust of Pope...Category
17th Century Baroque Figurative Sculptures
MaterialsMarble
- Pair of 19th Century Busts by Albert Ernest Carrier-BelleuseBy Albert-Ernest Carrier-BelleuseLocated in Santa Fe, NMSigned: A. Carrier-Belluese Two large bronze matching busts of an unknown male and female 22 x 10 x 11" male 23 x 10 x 9" female Both show signs of wear with their age but are in fa...Category
19th Century Baroque Figurative Sculptures
MaterialsMarble, Bronze
$6,800 Sale Price43% Off - Renaissance Era Marble Figure FragmentLocated in Newport Beach, CAAn extraordinary 17th century, hand-carved, solid Carrara marble, life sized figure fragment on raised base of the same. The subject is swaddled in a luxurious, gathered robe and tun...Category
17th Century Baroque Figurative Sculptures
MaterialsMarble