Unknown

Saint Sebastian Lombard school. Italian Renaissance Carved alabaster.

1500

Catalan School of the 13th century. Bishop statue in polychrome wood. Large polychrome wooden statue representing a holy bishop carrying a crosier and ma...

Large catalan Virgin of the Annunciation in polychrome wood. Our Virgin is represented in the phase of the Conturbatio, Mary expresses her amazement a...

Large romanesque capital with water leaf in red Verona marble. This type of capital is typical of 12th century Cistercian abbeys and represents a tr...

Rare Vierge à l'Enfant en bois polychrome de tradition romane, région du Fenouillèdes, représentant une Virgo Lactans. Avant cette découverte, seules 3 vierges allaitantes médiévales...

Antique Saint Sebastian Sculpture, Antique Saint Sebastian Statue, Antique Religious Sculpture, Religious Antique Sculpture, Antique Religious C...

Beautiful carved 17th Century Wooden sculpture of Saint Sebastian. Original polychrome and very good condition. North Italy Nothing is known about St. Sebastian's youth other than...

"Polychrome carved wooden sculpture of Saint Sebastian, late 16th century. JUAN DE JUNI" Attributed to: Circle of Juan de Juni (Valladolid School) Date: Circa 1580-1600 Material: Carved wood and gilded polychrome (estofado) Dimensions: 73 x 33 x 21 cm Origin: Spain Description: A powerful late Renaissance depiction of Saint Sebastian, masterfully carved in wood and richly polychromed and gilded (estofado technique). This Spanish sculpture, probably from the late 16th century, displays expressive anatomy, emotional tension, and dramatic movement—stylistic traits strongly associated with the school of Juan de Juni, a leading figure in Castilian sculpture of the period. Sebastian is depicted half-naked, tied to a tree trunk, with traces of blood and arrows, symbols of his martyrdom. The sculpture demonstrates a high level of craftsmanship, particularly in the modeling of the torso, the twisted posture, and the naturalistic treatment of the face and hair. The piece retains much of its original polychromy and gilding, with some expected age-related losses. It has undergone preventive conservation treatment to ensure its structural stability while preserving its historical authenticity. Condition: Generally good condition considering its age. Some loss of polychromy and gilding is visible, particularly on the torso and base, but the sculpture retains a remarkable degree of originality. A professional restoration was carried out to strengthen and preserve the structure. Provenance: Private collection, Spain. Juan de Juni (circa 1507-1577) was a renowned sculptor and architect of French origin, probably born in Joigny, Burgundy, France. Although born in France, he spent most of his career in Spain, where he became one of the major figures of 16th-century Spanish religious sculpture...

Carved wood Saint Sebastian Origin : Southern Germany Period : c. 1510-1520 Measures: Height : 146 cm Width : 67 cm Depth : 30 cm Walnut Good condition According to Jocobus de Varagine’s Golden Legend Sebastian was born in Narbonne where he was promoted head of the first cohort by emperors Maximian and Diocletian who were fond of him. One day as Marcellin and Marc were condemned because of their Christian faith Sebastian urged them to not give away. He would then convert many Roman soldiers before being reported to Diocletian. The emperor had him tied against a post in a middle of the Field of Mars and pierced by the soldiers’ arrows. Sebastian did not die and recovered thanks to Irene’s good care. Once he had recovered from his injuries he went to the palace to critized the emperor’s attitude towards Christians. Sebastian was beaten to death. Following the common iconography Saint Sebastian is here depicted leaning against crooked tree with his arms tied with ropes. His peaceful face presents a straight nose and small lips framed by his hair locks. His head turned to the right side is slighlty tilted backwards as if he was gazing at the sky. Saint Sebastian body’s is gracefully presented in contrapposto. Almost completely naked a single piece of draped cloth is tied on his right hip and fall over his left knee. The carved folds give the fabric the realness of a heavy cloth. The arrows wounds are still visible. The saint’s anatomy with its bulging muscles and protruding ribs illustrate the sculptor’s skills. The right arm’s movement enlivens the sculpture. The artist who authored this sculpture knew how to breathe grace and life to his work through the expression of the saint’s face...