Viktor Schreckengost

Golf (Wall Plaque)

1930-1

Polo (Wall Plaque) Polychromed ceramic, c. 1930-1931 Signed with the artist's initials: VS recto Cowan Pottery stamp verso References And Exhibitions: Designed by the artist while working for Cowan Pottery in 1930. One of Cowan's clients, an interior designer, requested plates decorated with different outdoor activities. Others in the series included "Swimming," "Tennis," "Golf," and "The Hunt." Condition: with the usual craquelure Size: 11 1/4 inches in diameter Industrial design democratizes high style, and Mr. Schreckengost was widely considered among the most democratic industrial designers. He made, quite literally, the stuff of life — things found routinely in homes, backyards and garages in this country and around the world. He designed bicycles for Sears and everyday china for American Limoges. He designed children’s toys and pedal cars; flashlights, furniture and fans; lawn chairs, lawn mowers...

Illustrated: "Walt Kuhn, Painter, His Life and Work, by Phillip Rhys Adams, page 67, plate 27, Courtesy of Kennedy Galleries-Kuhn Estate Kuhn’s sculptures were collected by the noted early modernist collector John Quinn (1870-1924). Among the works in Quinn’s collection was the icon Brancusi Portait of Mlle Pogany, the work that inspired Kuhn to create the wood carving “Mask” (FA10815). Mlle Pogany was chosen by Kuhn for exhibition at the Armory Show, 1913. Other sculptures by Kuhn are in the collections of the Smithsonian Museum and the Heckscher Museum. The group of 15 wood carvings came from the estate of the artist to his daughter Brenda Kuhn. The Kuhn Estate (Brenda) originally worked with Kennedy Galleries of New York who published a detailed illustrated catalog of offerings from the estate in 1967. The estate left Kennedy Galleries some time prior to 1983. They established estate representation with Barridof Galleries of Portland, Maine in partnership with Salander O’Reilly Galleries Inc. of New York. This partnership published a monograph catalog on the artist in 1984. Of our group of 15 works, three of the early c. 1913 examples have Salander O’Reilly labels affixed to them. The group of works were involved in the Salander O’Reilly bankruptcy liquidation where they were bought from. There have been several related examples that have come to auction since the year 2000. In 1912, Kuhn was one of the founders of the organization Association of American Painters and Sculptors, the organizing body for what became known as The Armory Show, 1913. The Heckscher Museum exhibition, European Modernism, as Told by Americans, gives insight in to Kuhn’s travels, artistic associations and the influences on his artwork. “In 1912 Kuhn traveled through Europe securing loans from artists and dealers to represent Impressionism, Post Impressionism and the newer strains of art like Fauvism and Cubism. Inspired by these developments, Kuhn tried out Fauvism and Cubism for himself.” “Kuhn would later become an adviser to collectors like John Quinn and Lillie Bliss, a supporter of the Armory Show and later one of the founders of the Museum of Modern Art.” Quinn acquired seven Kuhn sculptures in wood, bronze and gilt bronze which are listed in his estate inventory. This work is directly inspired by an Archipenko sculpture, Negress (La Negresse...

Dancing Figure Wood carving with pigment, c. 1913 Unsigned Provenance: Kuhn Heirs, Maine Kennedy Galleries, New York, until 1983 ...

Deco Woman Crayon on paper, c. 1920 Signed in ink lower left: "Wm. Sommer" (see photo) Provenance: Estate of the artist Edwin Sommer (the artist’s son) Jose...

Woman in a Fur Wrap Pen and ink heightened with white, c. 1920 Signed in ink lower right (see photo) Estate stamp verso (see photo) Provenance: estate of the artist Borghi & Company, New York Condition: excellent Sheet/Image size: 11 1/8 x 8 1/8 inches Rudolph Bauer 1889-1953 "Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay...

Preliminary Study for Cretan Dancer Bronze Graphite on tracing paper, 1930 Unsigned Note: The bronze sculpture measures 24 1/2 x 33 5/8 inches and is signed and dated 1930 on the base (see image on right). It is currently being offered for sale by Taylor Graham Gallery in New York. (see photo) “The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.” Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12. Image size: 6 1/2 x 6 1/2 inches Condition: Repaired tear in the lower left corner (see detail photo) Boris Lovet-Lorski Lithuanian/Russian/American 1894-1973 Sculptor, painter, and printmaker, Boris Lovet-Lorski was born in Lithuania in 1894. His mother died when he was age three. His father was affluent and owned real estate. Boris grew up in a privileged environment. He studied architecture and then fine arts at the Imperial Academy of Art in Petrograd, Russia (now Saint Petersburg). Following the revolution in 1917 and its aftermath, Boris immigrated to Boston to live with his brother. In the 1920’s, his stylized, Art Deco inspired sculptures, lithographs, and paintings proved to be popular among the American elite. He exhibited frequently, holding his first solo exhibition in Boston, 1920. In the following years, Boris exhibited in New York at Marie Sterner Gallery, Jacques Seligmann Galleries and Wildenstein and Company. He lived in Paris from 1926 to 1932 where he befriended Joseph Hecht, and was exposed to the works of Pablo Picasso, Ossip Zadkine, Contantin Brancusi and Aristide Maillol. In 1932 he returned to America where he became a citizen later in the decade. Lovet-Lorski exhibited in the United States, South America, Europe and Asia. He was a member of the Society of Independent Artists (New York), the National Academy of Design (New York), and the Lotos Club (New York), as well as several Parisian salons. His work is in the permanent collections of numerous museums including the Musée Luxembourg, Bibliotèque Nationale, and the Petit Palais in France, the British Museum in London, the Metropolitan Museum in New York, the National Gallery in Washington, the Los Angeles County Museum of Art. (A more extensive list of his works in museums follows) He is considered one of the most successful and recognized sculptors of his generation. His creative influence can be seen in many of his contemporary artists. He died in Los Angeles in 1973. Regarding his iconic Art Deco sculptures of Cretan Dancers: “The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.” Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12. Lovet-Lorski created sculptures of the following major figures I.J. Paderewski, Prime Minister of Poland Arturo Toscanini, Italian Conductor Lilian Gish, Actress President Franklin D. Roosevelt Mrs. M. C. Niarchos, wife of Stavros Niarchos President Abraham Lincoln James Forrestal, Secretary of...

Keith Murray Pottery 6" matte green vessel. Excellent condition, normal wear on the bottom. We also have a larger collection of Keith Murray pottery in large Moonstone and Bombe, celadon polished glaze bowls and many others. Please contact for further details and photographs. Keith Murray was both an architect and industrial designer, considered one of the most famous industrial designers for art deco ceramics. This green piece photographed, has a matching one in yellow. Each are 950.00 or $1700. for the pair. We have an extensive collection of his pieces, many not illustrated here. Please inquire for further photographs. All from Keith Murray designed for Wedgwood in the 1930' and illustrated in the book "Wedgwood Ceramics...

Jean Cocteau ( 1889 - 1963 ) " Bélier aux cornes jaunes " vase cylindrique . Hauteur 24cm Année 1958 . ouverture 11 cm . Tirage à 15 exemplaires N° 13 / 15 . signé Jean Coc...

Jean Cocteau ( 1889 -1963 ) Vé : (& Astrology ) ( Blue variant ) . 1958 . 4éme variante : terre incrustée blanche et bleue Size : 7 cm . Signed underneath . Astrology : Pendentif ...

Edris Eckhardt (American, 1905-1998) Earth, c. 1939 Signed on base Glazed earthenware 20.5 x 7.5 x 7 inches Born in Cleveland, Ohio January 28, 1905, Edris was given the name Edythe Aline Eckhardt. After graduating from Cleveland's East High she enrolled in the painting program at Cleveland School of Art. While enrolled in school she worked part-time at Cowan Pottery where she learned production techniques and firing schedules of various ceramic materials. She switched her choice of study at CIA to sculpture and graduated from Cleveland's School of Art in 1932. Edythe changed her name to the non-gender-specific name Edris in her mid-twenties after being passed over for an award to study sculpture in Europe for one year. Following graduation Edris studied sculpture with Alexander Archipenko in Woodstock, New York. She returned to Cleveland that same year. She was hired as a faculty member of Cleveland School and taught at the institution for 30 years. From 1935-1942 Ms. Eckhardt was the head of the Ceramics and Sculpture division of the Federal Art Project (later known as Works Progress Administration - WPA) of Cleveland. During this time frame she won first prize of the 1936 Cleveland Museum of Art May Show for her Alice in Wonderland figure, third Prize in the 1937 May Show for a Song of the South...

Artist: Rachel Hubbard Kline Title : Eleanor Rhino Whiskey Cups Materials : Porcelain, Underglaze, Glaze, Decals Date : 2018 Dimensions : 4" x 3.25" x 3.25...

Two Figures (Mother and son) 9" x 17" terracotta sculpture, signed lower left mounted to wood panel, 15 1/2" x 23 1/2" George Aarons (born Gregory Podubisky, in St. Petersburg, Russ...