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Yann GuillonDanseuse Envolée by Yann Guillon - Bronze sculpture, ballet, woman, dancerContemporary
Contemporary
$2,637.25
£1,959.11
€2,200
CA$3,662.13
A$3,996.23
CHF 2,096.09
MX$48,535.54
NOK 26,181.31
SEK 24,742.65
DKK 16,748.37
About the Item
Danseuse Envolée is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 25 cm × 10 cm × 5 cm (9.8 × 3.9 × 2 in). This artwork is available with a blue/green patina.Height of the sculpture with the base and shaft: 45 cm (17.7 in).
The sculpture is signed and numbered, it is part of a limited edition of 8 editions + 4 artist’s proofs, and comes with a certificate of authenticity.
Yann Guillon’s relentless study of the human figure often informs his exploration of recurring themes, as seen in his “small acrobats and dancers” series. Here, he uses the bodies of athletes and gymnasts as a pretext to break free from strict proportional rules and the pursuit of perfectly defined forms. Many of his works retain a raw, unfinished quality, preserving the spontaneity of the gesture that gives them life.
The human body occupies a central place in Guillon’s practice.
Through these depictions of athletes and dancers in moments of intense effort, he highlights the tension, contortion, and dynamic energy inherent in movement. In his bronze sculptures, Guillon captures not only physical strength but also the subtle grace and mystery of each individual. His direct carving technique, combined with ventures into abstract sculpture, allows him to explore new visual languages and expand the expressive range of his work.
- Creator:Yann Guillon (1962, French)
- Creation Year:Contemporary
- Dimensions:Height: 9.85 in (25 cm)Width: 3.94 in (10 cm)Depth: 1.97 in (5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803116981312
Yann Guillon
Depictions of the human body play a predominant role in Yann Guillon’s work. In these bodies captured in full effort, particularly athletes and dancers, the artist seeks to accentuate the tension and twisting to invite us to see this energy, through which the bronze sculptures express some of the mystery and grace of each human being. His direct carving technique and his forays into abstract sculpture allow him to explore other languages and other registers in sculpture. “When I’m working, I try to keep the first movement, the first energy from the feeling of the sculpture, so I always try to stand back, to work on several sculptures at the same time, to find a balance between raw, spontaneous sculpture and at the same time a finished sculpture.“
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