Guiilaume Antoine GrandJaquet

Pair Of Sculptured Vase In Specimen Marble 18th by GrandJaquet Guillaume-Antoine

after 1800

Thepainting accompanied by an expertise drawn up by prof Ferdinando Arisi that wrote: This pilgrims' stop is a typical work of Paolo Monaldi active in Rome be...

A Giallo Antico (Giallo Numidia ) marble grand tour model of a bath with ferine feet standing on a squared Violet Marble two order base. The work from the workshop of Benedetto Bosch...

A very interesting Coat of arms, sculpted in white marble with symmetrical structure and double scroll decoration as well as acanthus leaf carvings. With central depiction of a lily ...

A very interesting Italian white marble statuary sculpture of Saint Jospeh with Jesus Christ as child, Italian school of the 19th Century. Saint Joseph portrayed in full, with the li...

a very interesting and beautiful pair of obelisks carved in a warm and precious red marble the Red France Languedoc Incarnat, used for important and uinque decoration in the Versaill...

A classical roman archeological style, sculpture head depicting Emperor Maximinus Thrax; the head standing on a pin centered on a square metal base carved in an aged statuary marble...

Hand carved Carrara marble head of a cherub's face surrounded by wings. Later mounted on metal base.

GIOVANNI BATTISTA LOMBARDI (ITALIAN, 1822-1880) A fine marble statue titled Susanna al Bagno sitting on a revolving pedestal carved in relief with...

This monumental bust is a museum-quality example of Roman Baroque sculpture. Crafted by the legendary Domenico Guidi and carved from Carrara marble, the impressive portrait captures the visage of Pope Innocent XI, Benedetto Odescalchi (1611-1689). It presents a larger-than-life example of Guidi’s remarkable skill as a sculptor, which ultimately made his workshop one of the most important in Rome during his age. Today, his works are rarely found on the market, particularly his extraordinary works in marble. Pope Innocent XI was born Benedetto Odescalchi into an Italian noble family of prominent bankers. Spending his early years in banking, he eventually turned to the law, earning his doctorate in 1639. His background would serve him well in his service to the papacy, and he became known as a frugal and devout member of the Church. In 1676, he was unanimously elected Pop after the death of Clement X. During his nearly 13-year reign, he instilled his own personal ideals of austerity and frugality onto the Church, with a deep commitment to reform and piety. He is captured here by Guidi in his traditional Pope’s mozzetta and camauro cap. A wide stole is draped over his shoulders, ornamented by acanthus leaves and the coat of arms of the Odescalchi family. It displays Guidi’s mastery over the chiaroscuro effect, particularly in the high level of contrast in his cheeks and his eyes, which Guidi achieved through various methods of high polish. A very similar portrait sculpture of Pope Innocent XI by Guidi can be found in the collection of the Royal Castle in Warsaw. The Warsaw bust belongs to a series of portraits of popes which the Odescalchi family commissioned from Domenico Guidi in the 1690s. Compared to that example, the present bust is far more dramatic, with deeper cut lines and a more precise expression. It is likely that the present piece was seen by the Odescalchi family, who ordered a similar one to be made. The piece was almost certainly intended to be displayed in a niche, given its dramatic cutting and its roughly carved back. Others of Guidi’s busts can be found in important collections throughout Italy, England and the United States, though many of these are lesser bronze repetitions. A bronze bust of the Pope Alexander VIII by Guidi is currently in the collection of the Victoria & Albert Museum (London), while a terracotta version of the same is in the Los Angeles County Museum. A bronze of Pope Alexander VIII can be found in the Princely Collection of Lichtenstein, and his impressive marble papal bust of Clement IX graces the pope’s tomb in Santa Maria Maggiore. The present bust of Pope...

Signed: A. Carrier-Belluese Two large bronze matching busts of an unknown male and female 22 x 10 x 11" male 23 x 10 x 9" female Both show signs of wear with their age but are in fa...

This lamb is also featured in my statue of Saint David. It conveys such character and gentleness that I decided to present it as a sculpture in its own right. I lays on a base of bla...

Joan of Arc is depicted here at a solo exhibition in St. Edwards chapel at St. David's Cathedral, South Wales. Hand carved from a solid block of Carrara marble imported from Italy, Davies used traditional tools also used by the master sculptors of the renaissance. She is life size and expresses purity of soul as you see her in Divine contemplation. This portrait bust sits proportionately on a marble socle, the design of which is from the classical Ionic order.