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Idan ZareskiCoolfoot 502019
2019
About the Item
- Creator:Idan Zareski (1968, French, Israeli)
- Creation Year:2019
- Dimensions:Height: 7.4 in (18.8 cm)Width: 10.2 in (25.91 cm)Depth: 19.7 in (50.04 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU161429058082
Born in Haifa, Israel in 1968, Idan Zareski has had a non-conventional yet surprising journey. Very young he was immersed in multiple cultures and lived
a cosmopolitan life between Africa, Europe, the United States and Latin America. At the age of 38 he decided to stop everything to follow his passion, sculpting. Idan gained rapid international recognition with his Bigfoot Family and the permanent exhibitions of his monumental sculptures worldwide.
While encouraging cultural awareness and tolerance around the globe, the
Bigfoot Family achieved a recognizable notoriety throughout their universal
message of unity. Candid and laid-back, Idan's sculptures demonstrate his
innate talent to represent emotions. The artist manages to capture moments
in such a way that we feel naturally connected to his touching, and graceful
work."I don’t plan or organise, I don’t draw sketches. my experiences and
raw emotions serve as my only guide. When I work, I feel in absolute
communion with a force greater than myself”
By combining his ideas with materials such as Resin or Bronze, Idan
creates bodies in movement balanced or frozen in space: sculpture projects
that will be finalized in his workshops in either France, Portugal, or Florida.
The artist never took any art or anatomy course, he instead follows his
instinct and emotions rather than any drawings or sketches: ninety percent of
his creations are shaped in less than one hour. The memories of his
childhood, mostly spent in Africa, represent his main source of inspiration:
the artist recreates that to which he has been a witness while leaving space
for improvisation Each one possesses his own characteristic while still
keeping a common familiar symbolism: these big feet, which represent our
roots, and our attachment to the same planet, the Earth. According to the
artist,no matter what our race or color is, where we live or who we are, we
are all enslaved to our paradisiac planet, our home”.
This idea of unity among the human race is something Idan Zareski wants
to express through his work. The artist diverts and transforms the human
anatomy in his sculptures: amplification of body parts, relaxing attitude,
dramatization, pop and generous colours varying from metallic purple to
bright green. These elements contribute to surprising the audience, while
portraying a tranquil, peaceful message. A more detailed observation of the
sculptures reveals a reflection and critique of our own humanity: these family
members all carry an awareness message about cultural differences and
origins to bring us the Bigfoot Family Project.
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From Wikipedia, the free encyclopedia
Melissa Zink
Born 1932
Kansas City, Missouri
Died 2009 (aged 76–77)
Taos, New Mexico
Nationality American
Occupation(s) Artist, Sculptor
Melissa Zink (1932-2009) was an American artist. An active member of the Taos, New Mexico art scene, she blended storytelling with sculpture, and described the enchantment of books and the imaginary worlds they evoked as the focus of her work.[1] Critics lauded her as a "late bloomer" because she only began to exhibit and sell her multi-media works of ceramics, cast bronze, and collage, when she was in her forties.[2] She became known for her "three-dimensional stories" and "dream-like dioramas" in clay, interior scenes that blend whimsy with surrealism.[2][1] Later she cast large bronze statues of human figures embossed with texts drawn from dictionaries and illuminated manuscripts.[2] In 2001 she won a Governor's Award for Excellence in the Arts from the state of New Mexico.[3] In 2021, one of her works featured in a special exhibit at the New Mexico Museum of Art entitled, "Southwest Rising: Contemporary Art and the Legacy of Elaine Horwich," which featured a group of artists in the 1970s and 1980s who together launched a movement described as "new Western art" or "Southwest pop".[4]
Education and career
Melissa Zink was born in Kansas City, Missouri. She attended the Emma Willard School, Swarthmore College, the University of Chicago, and the Kansas City Art Institute.[5] She later admitted that her professors' efforts to push her and her peers towards abstract expressionism during the 1950s deterred her from pursuing a career in art.[2] Instead she worked for many years by designing picture frames and operating an embroidery and craft shop while continuing to paint and experiment with various media in her free time.[6] In her forties, she married Nelson Zink, who encouraged her to pursue her artistic ambitions.
The owner of the Parks Gallery in Taos, which represented her for many years, described her works as aiming to replicate through multi-media art the "book experience, that altered state of consciousness we enter when engrossed in a book."[7] Though known primarily for her clay dioramas and bronze figural sculptures, in later years she also created multi-media, collage wall hangings that incorporated fabrics and painted elements.[1]
In 2000 Zink represented New Mexico at an exhibit of women artists called "From the States" held at Washington, D.C.'s National Museum of Women in the Arts.[1] In 2006 the Harwood Museum of Art in Taos staged an exhibition on her work.[8] In 2009, following her death, the Taos Art Museum and Fechin House staged a memorial exhibition entitled, "Melissa Zink: Her Singular World."[9]
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