Javier Calleja

Do Not Touch (Colour)

2020

Resin, steel, string and acrylic paint Edition of 1000 Unsigned and unnumbered New, as issued. Minor imperfections may appear due to the nature of the materials Sold in original pack...

Resin, steel, string and acrylic paint Edition of 1000 Not signed or numbered New, as issued. Minor imperfections may appear due to the nature of the materials. Sold in original pack...

Acrylic on plastic foils, collage. Due to the individual design, each copy of the edition is unique Edition of 5 Numbered, titled and dated on the front, signed and dated on the back...

Cast opaque grey resin Edition of 500 Numbered on the accompanying box Excellent condition with faint marks on the nose, ear, the back of the sheet and on the base. The box is in ver...

Do Not Touch (color) Cast resin multiple in colors with steel, string, acrylic on canvas, with its original box Signed Javier Calleja in black ink and numbered 52/250 (on the revers...

Thierry Job was born in Marseille, France and currently lives in San Miguel de Allende, Mexico. He studied art at the School of Beaux Arts in Paris. His wo...

Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds...

African-American artist Nathan Lee's mixed-media sculpture, 'Phoenix,' explores the idea of resurrection and reinvention. The figure reaches for an unseen goal having been reborn fro...