Items Similar to "Every hope is a glimmering burden" -- Sculpture by Jenny Day

Jenny Day - "All the way down" -- Sculpture by Jenny Day

Jenny Day - "Many happy returns" -- Sculpture by Jenny Day

Jenny Day - "Neck and Neck" -- Sculpture by Jenny Day

Jenny Day - An offering

Jenny Day - Enough to make a feast

Linda Stein - American Contemporary Mixed Media Sculpture - Linda Stein, Knight of Promise 558

Want more images or videos?

Request additional images or videos from the seller

1 of 12

Jenny Day
"Every hope is a glimmering burden" -- Sculpture by Jenny Day
2023

Name: "Every hope is a glimmering burden" -- Sculpture by Jenny Day
Brand: Jenny Day
Price: 7827.13 AUD
Availability: InStock
Rating: 5 (36 reviews)

$5,000

£3,742.23

€4,333.27

CA$6,949.18

A$7,827.13

CHF 4,053.39

MX$95,057.37

NOK 51,487.41

SEK 48,840.15

DKK 32,332.16

Shipping

Retrieving quote...

The 1stDibs Promise:

Authenticity Guarantee,

Money-Back Guarantee,

24-Hour Cancellation

About the Item

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the University of California Santa Cruz. Her exhibition record most recently includes the Phoenix Art Museum, Blue Star Art Museum, in San Antonio, TX, Arte Laguna in Venice, Italy, Czong Institute for Contemporary Art in Korea, and Elmhurst Museum in Chicago, IL. Day's work has been supported by an Elizabeth Greenshields Grant in 2018, Contemporary Forum Artist Grant from the Phoenix Art Museum in 2017, a Barron Purchase Award in 2016 and through participation at the Ucross Foundation, the Jentel Foundation, Playa Foundation For The Arts, Kimmel Harding Nelson Art Center, and the Armory Art Center. Jenny Day lives and works in Santa Fe, New Mexico and is represented by Ferrara Showman Gallery. "Every hope is a glimmering burden" exemplifies Jenny Day's signature portrayal of surreal perspectives on life, memory, and culture. "Every hope is a glimmering burden" is featured in Jenny Day's 2024 solo exhibition at Ferrara Showman Gallery. The artist says of her work… I walked in the Mohave desert. Listened to the bees as they hummed and sucked from yellow creosote flowers. I watched the desert blur by as I drove eighty-miles per hour on I-40. I couldn’t hear the bees. The Mohave backdropped a science-fiction film I watched from my couch, the familiar recast as alien. I dreamt the desert, distorted, California pushed up against Florida, the swamp pouring in. I pulled up photos on my phone. Digital, long strings of binary, framed and backlit on the little screen, compiled with other places. Which Mohave am I remembering? The paintings acknowledge a distancing. The built environment as landscape, the landscape as construct, the whole of the construct shattered by a fragmentation. A scattering of attention. The ruins of human intentions sunlit and wholly glorious in their decay. Abandoned or half-abandoned and remembered and recorded and replicated and distorted each step of the way. The body of work skips like the dream. Fairbanks, Alaska blurs into California Superfund sites. Historical buildings I’ve walked through mate with Instagram photos. Hybridized places emerge, white space mimics the frames of our tiny machines. Pencil marks left in, masking tape, signal the painting as object, mediated, layers away from representation. The paintings are created in longing, possibly mourning. Imagining an innocence of vision that might never have existed, rejecting it, recognizing the impossibility of an unaltered connection to place. The places are there still. Anxiety followed me. The escapist reflects and distorts its shadow world, the real, a funhouse mirror that names the traumas as it blows past them, slyly referential. The work suggests that magic is possible; while anchoring itself in the grotesque, inedible foods, a conglomeration of garbage. A blissful, almost psychedelic, reverence for nature exists, but the fantasy’s origins leach through in the details and distortions. The animals are often translucent, reflective. Nature persists, proliferates, and transforms. Relentless flowers push up against the edges of paintings, attempting to smother and subsume, animals and people oblivious to any threat; the threat always present.

Creator:

Jenny Day (American)

Creation Year:

2023

Dimensions:

Height: 21.5 in (54.61 cm)Width: 26.5 in (67.31 cm)Depth: 18 in (45.72 cm)

Medium:

Stoneware,Glass,Epoxy Glue,Glaze

Movement & Style:

Contemporary

Period:

21st Century

Condition:

Gallery Location:

New Orleans, LA

Materials

Stoneware

Jenny Day
Enough to make a feast, 2021

$10,000

"Gas Can" -- Sculpture by Jenny Day

By Jenny Day

Located in New Orleans, LA

Category

21st Century and Contemporary Contemporary Sculptures

Materials

Stoneware, Glass, Glaze, Paint

Category

2010s Contemporary Figurative Sculptures

Materials

Copper

Sunni Mercer
'April Requiem', by Sunni Mercer, Sculptural Assemblage, Mixed Media, 2021, 2021

$3,000 Sale Price

40% Off

Linda Stein, Heroic Vision 568 - Contemporary Art Bronze Sculpture Edition

Located in New York, NY

Heroic Vision 568 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. This sculpture is made of bronze and is from an ed...

Category