Lou Rankin

“Dog”

Bronze sculpture signed signed R. Sandifer Alford in cast to skirt, and with plate titling Katie to base Provenance From the Gene Worrell Collection, Virginia Museum of Animal Art ...

This is an Theadora Zacker (20th century) original marble sculpture . In good condition. Measures 19x6

Felipe Castaneda, signed marble sculpture of Beautiful Nude Woman Felipe Castaneda, Mexican, born,1933, is an internationally renowned sculptor whose ar...

C.J. ULRICH Fish fossil in excellent condition measures 18x12

Matt Devine 1763 Study #1 Steel w/ Powdercoat on Concrete Base (Indoors/Outdoors) 18" x 9.5" x 9" Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Bor...

Concrete Sculptural Planter inspired by En Iwamura Vessels 8 inch Tall / Hand casted and pigmented. 1 of 1 (Last picture is not actual vessel, it is a different variant but is pict...

The concrete works of David Umemoto stand as studies about volume. At the juncture of sculpture and architecture, these miniature pieces evoke temporary buildings or monuments standi...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...