Bronze Sculptures

Original Aircraft Sculpture - Created in Bronze 2nd in the series of the Herringkel in the Aerogenic series of sculptures, This piece is a mela...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

TECHNICAL INFORMATION Harry Bertoia Spray 1979 (year completed) Steel wire, bronze 37 h x 13 dia in. Sold with a certificate of authenticity from the Harry Bertoia Foundation and a...

"Equine Spirit II" Bronze sculpture 23" x 14.5" inch by Ibrahim Abd Elmalak Equine Spirit II, 1997 Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

Francisco Narváez Forma (BFM-002), 1956 Bronze (1970) Edition of 25 30 x 8 x 10 cm 11.8 x 3.1 x 3.9 in. LITTERATURE Registro General de la obra de...

"Club" is a bronze cast sculpture made by Kiki Smith in 1992. The artwork is 33 x 8 x 6 inches and weighs less than 50 lbs. The work is signed and dated, lower middle, "Kiki Smith 19...

Flight is a limited edition bronze sculpture, plated in brass. The minimalist and streamlined bird in flight symbolizes freedom.

"POINTER (K Back)" by John Van Alstine Slate, Bronze, Pigmented Steel Stone, Metal, Sculpture, Abstract, Contemporary, Outdoor, Industrial, Industry, Nature, Orange, Red The sculpt...

Francisco Narváez Forma (BFM-049), 1956 Bronze (1970) Edition of 25 30 x 8 x 10 cm 11.8 x 3.1 x 3.9 in. LITTERATURE Registro General de la obra de...

Numbered and limited to 12 copies ( 8 + 4 ) Artwork signed Authenticity: Sold with certificate of Authenticity from the gallery Invoice from the gallery Sculpture: bronze, metal, bro...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

This organic shape seems to morph into various shell like forms across it's length. I created this piece using wire armatures and stretching lycra fabric over the frame and then coa...

Signature is along the bottom edge of the sculpture. The marble base can be substituted for steel for an outdoor setting. The edition is 1/24 with 2 artist proofs. Semaphore Woman II...

This small desktop bronze sculpture suggests the sweeping battle dress of a Samurai warrior. The piece is available in various sizes and finishes (shown in the images 3-6), includin...

This small bronze is an edition of 12 and is available in brushed nickel as well. It is one of a series of organic anthropomorphic figures intimating human gestures or moods. Sever...

A 2023 recipient of the Vermont Governor’s Award for Excellence in the Arts, Leslie Fry is represented in this show with fantastical sculptures of female hands, titled the “Cuffed” series. Tensely poised and mannered gestures, inspired by Parmigianino and Caravaggio, cascade into blooms and barnacles, creating a mesmerizing visual dissonance. This elision of romance and rigidity both draws attention to the limitations of the female form and liberates it from the constraints of reality. Leslie Fry’s works have been exhibited internationally at such venues as Kunsthaus in Hamburg, Zwitscher Machine Gallery in Berlin, Hangaram Art Museum in Seoul, Windspiel Galerie in Vienna, Couvent des Cordeliers in Paris, Artists Space and Wave Hill in New York, deCordova Sculpture Park and Museum near Boston, and Centre des Arts Visuels in Montreal. Her public sculptures have been commissioned in New York, South Korea, Montreal, Florida, Wisconsin, and Vermont; public collections include Tufts University, Songchu International Sculpture Park, Freehand New York, Kohler Arts Center, Tampa Museum of Art, Fleming Museum of Art, Musée d’art de Joliette, and St. Petersburg, Florida’s Museum of Fine Arts. Fry’s M.F.A. is from Bard College, and her B.A. is from the University of Vermont, with a Foundation year at the Central School of Art in London. She currently lives and works in Winooski, VT. Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from Mannerist paintings by Parmigianino and Caravaggio, and are ink-washed onto vintage tablecloths...

A 2023 recipient of the Vermont Governor’s Award for Excellence in the Arts, Leslie Fry is represented in this show with fantastical sculptures of female hands, titled the “Cuffed” series. Tensely poised and mannered gestures, inspired by Parmigianino and Caravaggio, cascade into blooms and barnacles, creating a mesmerizing visual dissonance. This elision of romance and rigidity both draws attention to the limitations of the female form and liberates it from the constraints of reality. Leslie Fry’s works have been exhibited internationally at such venues as Kunsthaus in Hamburg, Zwitscher Machine Gallery in Berlin, Hangaram Art Museum in Seoul, Windspiel Galerie in Vienna, Couvent des Cordeliers in Paris, Artists Space and Wave Hill in New York, deCordova Sculpture Park and Museum near Boston, and Centre des Arts Visuels in Montreal. Her public sculptures have been commissioned in New York, South Korea, Montreal, Florida, Wisconsin, and Vermont; public collections include Tufts University, Songchu International Sculpture Park, Freehand New York, Kohler Arts Center, Tampa Museum of Art, Fleming Museum of Art, Musée d’art de Joliette, and St. Petersburg, Florida’s Museum of Fine Arts. Fry’s M.F.A. is from Bard College, and her B.A. is from the University of Vermont, with a Foundation year at the Central School of Art in London. She currently lives and works in Winooski, VT. Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from Mannerist paintings by Parmigianino and Caravaggio, and are ink-washed onto vintage tablecloths...

One of a series of pieces in a style of biomorphic abstraction "Oracle' shows 4 separate elements in a moment of equipoise. This is an edition of 12 and has a satin brushed finish.

"Discovery 2018-3" by Kug Kyung Oh Medium: Bronze Edition: 2 of 6 Dimensions: 19.5 x 19.5 x 89 cm / 7.7 x 7.7 x 35 in Year: 2018 "Discovery 2018-3" by Kug Kyung Oh is a profound medi...

A civil engineer for 30 years, Holmes has been exhibiting and selling his sculptures since 1975 in the United States, Europe, South America, and Asia. He is now very well-known for h...

Bronze sculpture by a renowned American artist - Shray Shray continues her exploration of her bronze works using a black patina that recasts her sculpture's impact on negative spac...

Bronze Black Sculpture 'O.T. 2' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze black sculpture Bronze patinated Certificate of authenticity Numbere...

Nocturnal by Perrin & Perrin, Galerie Negropontes in Paris, France. Limited Edition, Bronze Sculpture Martine and Jacki Perrin sculpt together as one, forming a duo enriched by thei...

Bronze sculptor, Shray, is one of the few working artists today who employs the rare Subtractionist technique. Like Michaelangelo, who released the human form in stone, Shray unveils...

A civil engineer for 30 years, Holmes has been exhibiting and selling his sculptures since 1975 in the United States, Europe, South America, and Asia. He is now very well-known for h...

A civil engineer for 30 years, Holmes has been exhibiting and selling his sculptures since 1975 in the United States, Europe, South America, and Asia. He is now very well-known for h...

Sculpture Bolero By Perrin & Perrin, Galerie Negropontes in Paris, France - Limited edition in Bronze Martine and Jacki Perrin sculpt together as one, forming a duo enriched by the...

Bronze sculpture

Fruit Étranger Two by Perrin & Perrin, Galerie Negropontes in Paris, France. Limited Edition Bronze Sculpture Martine and Jacki Perrin have formed an inseparable artistic duo since...

53 high x 29 x 9.5 cm Bronze on a Jesmonite composite base. Unique Stamped with monogram signature and uniquely numbered 884 The natural bronze edges of the “marquise” shape are fine...

26 high x 12 x 11 cm Bronze on a Jesmonite base Stamped with monogram signature and uniquely numbered 864 Unique The two distinct colourings are separated by natural bronze edge in a...

30 x 30 x 18cms high Bronze on a stainless steel base. Edition of 9 variations Stamped with monogram signature and uniquely numbered 287, 9/9 on underside of base. The edges in natur...

Dutch, b. 1938 Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been described as an artist-mystic whose work -- with i...

Bronze Sculpture 'O.T.I' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Bronze Polished Certificate of authenticity Numbered and signed ...

Dutch, b. 1938 Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been described as an artist-mystic whose work -- with i...

Bronze Sculpture 'Danza II' by Carola Eggeling Abstract sculpture with beautiful curved lines and golden skin. Polished bronze sculpture Signed and numbered by the artist Limited e...

Bronze Black Sculpture 'O.T. II' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze black sculpture Numbered and signed artwork Limited edition of 9 Me...

White Bronze Sculpture 'KAYA' by Carola Eggeling. Abstract sculpture with beautiful curved lines. German bronze sculpture Bronze Lacquered Color : Glossy White Certificate of authe...

Black Sculpture 'Wandobjekt' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Finish: Black Bronze Patinated Certificate of authenticity Nu...

Sculptures 'Wandobjekt' by Carola Eggeling Abstract sculpture with beautiful curved lines. Set of 3 German aluminum and bronze sculptures Finishes: - Aluminum white lacquered - Al...

White Bronze Sculptures 'OPUS' by Carola Eggeling. Abstract sculptures with beautiful curved lines. German bronze sculptures Bronze Lacquered...

Abstract bronze sculpture

Classical mythology is fraught with stories of sexual misdeeds by Zeus, King of the Gods. Often Zeus would fall in love with a mortal woman and then transform himself into an animal ...

Original Aircraft Sculpture - Bronze- Deep Sea Green Patina Part of the Aerogenic series of bronze sculptures, a progression in the HERRINGKEL seri...

Original Aircraft Sculpture Cast in Bronze on a mild steel base, the sculpture is patinated in a rich “Christmas Island Crab Red “ patina to emphas...

Abstract sculpture depicting the Greek myth of Leda and the swan. Edition 2 of 7.

Jim’s of Lambertville is proud to offer this artwork by: Val Bertoia (born 1949) Val Bertoia was born in Santa Monica, California in 1949. In the 1950s, his family moved from Cali...

Abstract sculpture

5 unique forms combine in this sculpture in a style best described as anthropomorphic abstraction. This is an edition of 12 and is also available with a color shift paint seen in th...

This piece of brushed bronze is an edition of 12. The style I have in mind here could be described as organic abstraction. Each of the individual sculptures is assembled in a sligh...

Lina Condes is a contemporary American - Ukrainian artist known for her stick figure sculptures, earned her MFA in Fine Arts, Interior and Furniture Design from Kiev University of T...

Lina Condes is a contemporary American - Ukrainian artist known for her stick figure sculptures, earned her MFA in Fine Arts, Interior and Furniture Design from Kiev University of T...

Stamped with the artist’s monogram, dated 94 and numbered 6/6 (on the reverse) Bronze, on York stone base Executed in 1994, this work is number 6 from an edition of 6. Provenance: ...

Lina Condes is a contemporary American - Ukrainian artist known for her stick figure sculptures, earned her MFA in Fine Arts, Interior and Furniture Design from Kiev University of T...

"Terracotta" by Joel Perlman Abstract sculpture in bronze Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While minimali...

Maqueta Armonía de Volúmenes y Espacios -La Hoyada- BMPC-002, 1980(1982) Edition /25 Bronze 48 x 37 x 26 cm 18.8 x 14.5 x 10.2 in. ABOUT THE ARTIST Narváez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narváez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narváez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narváez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narváez’s public output continued with works such as the statue of Fermín Toro, La Educación, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narváez, Maderas, Piedras y Bronces” (Francisco Narváez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narváez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narváez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narváez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narváez is a path: the path that Venezuelan sculpture...

Set of 12 KAWS Bronze set Edition 248 of 250 *Sizes Vary* Alone Time At This Time BFF Clean Slate Good Morning Here Today Passing Through Seeing Shelter ...