Metal Sculptures

Matt Devine 1763 Study #1 Steel w/ Powdercoat on Marble Base (Indoors Only) 24" x 10" x 8" Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Born and r...

"Off Set" by Richard Heinrich Abstract, Large-Scale Outdoor Metal Sculpture in steel Pictured with "Flying Home" at Uncommon Ground IV, Bridge Gardens, Brid...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all of Ilanit`s works, this work is ba...

Gary Kahle (American, 1942- ) Metal abstract sculpture on black base, Hand signed and dated 1984 25 1/2" H x approximately 18" W x and 12 1/2" D. Proven...

Artwork made with birch, acrylic, satin lacquer & metallic gold venetian plaster UltraMarine is a mixed media wall sculpture. Made from acrylic washes on birch, MDF and gold metallic Venetian plaster paint. Finished with an elegant satin clear lacquer to enhance the wood grain. The multiple opacities of navy and indigo are almost denim-like in color and allow the brown wood grain to add texture and interest to the piece. Ultramarine takes on the abstract form of a soaring building or perhaps a church spire or other tall building in form. Ultramarine is a monochromatic piece which is minimalistic in nature, so the form, composition and the balance of the piece trump a definitive subject matter. However, the shape is reminesent of mid-century modernism, the sputnik design movement and futurism. The result is an elegant wall sculpture...

Astian Rey "TRANSFORMATION OF THE UNIVERSE"

"Hamilton Co. Rockslide" by John Van Alstine Green granite, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and...

Artist Commentary: The piece was originally commissioned by a son for his mother. Her property in Mont Tremlant, Canada was an ideal setting for this piece. Truly a piece of sculpt...

Untitled, 1975 Bronze ED. 1 of 6 20 x 6 x 4 in Literature: Le Minotaure. Cardenas 1925-2001. May 15 - June 15, 2003. Illustrated on page 9 of the catalog.

Kristina Fjellman, a Minnesota-based visual artist and performer, seamlessly blends sculpture and performance art in her captivating work. She has garnered recognition with exhibitio...

Beautiful table top sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. There is a large sculpture of his in Rabin Square in the heart of ...

George Nama Genre: Avant-Garde Subject: Abstract Medium: Solid Metal Painted White and Black This is very heavy and solid. I don't think it is bronze. it might be aluminum or steel. ...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all of Ilanit`s works, this work is ba...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...

"Resistance pt.2" Abstract Sculpture 49 x 11 x 11 in Ed. 1/1 by ILLYA TIGOIS Unique sculpture Medium: steel & acrylic paint (varnish) ABOUT THE ARTIST Illya Trofymchuk is a Ukrai...

"Celebration de Cinquante" is a wall sculpture made of fold formed, forged and fabricated bronze and patina. Approximately 45 by 210 by 4.5 inches. The shape and size of the install...

Ferran Soriano - Sculptor (Barcelona, 1944) Ferran Soriano has been exhibiting his works of art since 1970 around the world (in Spain, Europe and the USA). He has got works of art in...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut metal covered with automotive paint and comes re...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all of Ilanit`s works, this work is ba...

"Flare" by Kevin Barrett Unique bronze, abstract tabletop sculpture Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Bronze M...

"Synopsis" by Elsbeth Halvorsen Vever (American, b. 1929). Box sculpture combines aluminum, sand, bone, glass and a magnifier. Signed "Elsbeth Vever 1982" on verso. Image, 24.50"L x 13.75"H x 4"W. Using bone as the central image Elsbeth has assembled an optical and visual experience. One view is the magnification and juxtaposition of the floating effect of the curvature in the stainless steel background; stand back and it's a hologram effect. The first image shows clearly the hologram effect available to the eye of the viewer. From a review of her show of box constructions in Providence, Rhode Island: "Viewing her box constructions is a lot like a walk in the moonlight. What we know, or think, to be true in the hard brightness of daytime reality dissolves into an amorphous space of multiple possibilities and perspectives." Born in Purdys, New York, Elspeth Halvorsen is the daughter, granddaughter, and mother of professional artists. She has studied at prestigious academic and artistic institutions includingthe New School for Social Research, the Art Students League, and the Académie de la Grande Chaumière. In 1955, she moved to Provincetown, Massachusetts, establishing her home and studio in the former residence of Mark Rothko. Provincetown not only remains her home but also acts as a personal, social, and artistic source of inspiration for her work. Shortly after arriving in Provincetown, Halvorsen and her husband, the late Tony Vevers...

Hitromemut (Uprise) Beautiful large sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. There is a large monumental version of this in fro...

Title: Lantern Column I Year: 1998 - 2014 Medium: Mold blown glass, cast polymer, steel, cast iron Size: 41 3/4" inches Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

Gold From the series, Elements, this sculpture references the proliferation of gold mines in third world countries. ARTIST'S STATEMENT Michael Davis My sculptures and installations...

This deep ocean blue-coloured steel wall sculpture is one of a series of contemporary works created by Marlene Hilton Moore. Inspired by ancient ‘singing’ vessels they are intended ...

Named "Inside", this large woven airy sculpture is created by Delphine Grandvaux in reference to the lockdown period and is entirely hand-knitted fr...

"[Masakazu Kobayashi's] woven Waves in dyed threads rank[s] among the most perfect in aesthetic effectiveness ever produced by contemporary weaving….This Japanese way of conjuring up such transparency with threads, of perceiving the thread itself as something creative is highly artistic. They celebrate aesthetic beauty in a way no one can elude.” From “Textile Art and the Avant-garde,” Erika Billeter (Contemporary Textile Art: the Collection of the Pierre Pauli...

​"Casa De La Serpiente" - House of the snake, 29/60, 1996 aluminum, paint, signed.​ Edgard Negret was born in 1920-2012 Colombia. He studied at the Scho...

Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, and sculptural furniture. He was the subject of a 2009 retrospective at the Museo del Palacio de B...

"Sojourner" by Bill Barrett Fabricated bronze Bill Barrett is considered a central figure in the second generation of American metal sculptors and is internationally known for his a...

Always drawn from life and most often constructed in re-claimed steel, Iain Nutting’s sculptures reflect his belief in the importance of the conservation of animals and of the natura...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

MATT DEVINE "Pump House" 36" x 36" x 7" Aluminum with Powder Coat (Indoor/Outdoor) Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Born and raised in ...

"Urban Scene" is a painted steel sculpture by Ralph Wickstrom created in 1997. Deceivingly thin the sculpture is made up of straight lines and right angles...

The nautilus never fails to fascinate. This sculpture is my interpretation of its beautifully articulated shell using dichroic glass and stainless steel. I have employed a minimal...

Steel on the concrete base 1/1 Units

"Guided Spirit" by Kevin Barrett Painted steel on a stainless steel base This sculpture measures 76"h and rests on a 28" steel pedestal for a total heigh...

"The Arts Council of Great Britain asked Richard Hamilton to organise a Duchamp retrospective at the Tate Gallery in 1966. The almost complete works of Marcel Duchamp opened on 18 Ju...

Ana GUITEL NIGRI, Universe 1, floor sculpture, Stainless steel, spiritual levels, minimalist sculpture

In this bronze sculpture the artist (unknown) has welded together a group of totems or monuments into a unified piece. T Neo-Dada Abstract Sculpture: Assemblages In contrast, abstra...

"MAOLA 7" Steel Wall Sculpture 43 x 28 x 4 in Edition 1/1 by ILLYA TIGOIS Unique sculpture Medium: steel & acrylic varnish The "MAOLA" project is a series of works aimed at allowi...

The modern Sculpture " Siqiniq ” is a unique Totem made from a burnout mold by David Marshall in 2021, sand cast in aluminium in our foundry, handcrafted by the Artist in his work...

Double sided artwork, consists many color layers, colors will change when you pass by the object, during the day or the incoming light. One side witth hand crafted "crystals" one si...

The aesthetic is contemporary; the creation of this imposing outdoor sculpture is due to the collaborative vision of two innovative artists-- Francis Muscat and Mark Puigmarti—Puigca...

This small glazed porcelain sculptural vessel by Jon Puzzuoli features a light blue-green palette and a wave pattern over the surface of the piece. The flared neck is finished with 1...

Artwork made with acrylic, enamel & lacquer on MDF Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NY...

"Lyra Series 27" by Bill Barrett Cast bronze Bill Barrett is considered a central figure in the second generation of American metal sculptors and is internationally known for his ab...

"Resistance pt.1" Abstract Sculpture 49 x 11 x 11 in Ed. 1/1 by ILLYA TIGOIS Unique sculpture Medium: steel & acrylic paint (varnish) ABOUT THE ARTIST Illya Trofymchuk is a Ukrai...

Carole Eisner's indoor sculptures, averaging two to four feet tall, are made from a welded collage of drops and cut-out steel pieces from the same series of scrap she found in a Conn...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

"Muse #3" by Hans van de Bovenkamp Stainless steel Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been described as a...

Always drawn from life and most often constructed in re-claimed steel, Iain Nutting’s sculptures reflect his belief in the importance of the conservation of animals and of the natura...

Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...

Couple in love synchrony

Element, landscape, sunset, mountains, aerial perspective. It is like hills that disappear into the distance illuminated by the morning sun. Made by hand molding of living metal, fra...

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

Always drawn from life and most often constructed in re-claimed steel, Iain Nutting’s sculptures reflect his belief in the importance of the conservation of animals and of the natura...

Chris Wood’s "Gloaming" is a captivating kinetic light sculpture that plays with transparency, reflection, and the fluidity of color. Using precisely arranged dichroic glass elements...