Wood Sculptures

Sculpture Close to Heart 2 Limited edition of 12 Mediums: old pine, steel, acrylic hand painted, oil CLOSE TO HEART - Collection Working on the series I used a “wood with history”...

Alexander Liberman STOI V, 1986 Wood with paper and paint 97 1/2 × 28 × 37 inches This work is hand signed twice by Alexander Liberman: Signed on the side as well as the underside an...

Made to order. Requires 4-8 weeks processing time depending on the request and the artist's current waitlist. Please contact the gallery, TurningArt, for more information. These wall sculptures created by artist Nikki Rudolph...

Artwork made with Mahogany on MDF painted with metallic gold gloss automotive enamel The inspiration for this piece in terms of design and color came from the mid century modern mov...

Sidney Gordin Untitled, 1958 Incised with initials Welded Steel 15 x 10 1/2 x 6 inches Provenance: Eric Firestone Gallery, New York On October 24, 1918, Sidney Gordin was born in Chelyabinsk, Russia. He spent his early years in Shanghai, China. At the age of four, he moved with his family to New York. Gordin’s nephew, Eliot Nemzer recalls that when Gordin was a child he attended “a dinner party with his parents. Someone showed him a book of pictures that when thumbed through quickly made the image appear to move. This person then gave him a wad of blank papers and something to write with. Sid created a similar type of moving image with his materials. All the adults at the party became quite excited [and] praised his efforts. Sid told me he thought this was a pivotal experience in guiding him towards his vocation.” During his formative years at Brooklyn Technical High School, he briefly contemplated the idea of becoming an architect; yet, by the time he enrolled at Cooper Union, he was determined to become a professional artist. There, he studied under Morris Kantor (1896-1974) and Leo Katz...

Black nylon over panel keywords; use of common materials, assemblage, abstract sculpture, wall-sculpture, process-oriented, abstract art, line, form and color, black, monochrome scu...

No.091122 is an abstract walnut wood, India ink and walnut ink patina sculpture by French sculptor Thierry Martenon. Marked by its vertical form and symbolic motifs, this piece echoe...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

25cms high x 25 x 25 Painted wood turning on a yew base Stamped with monogram signature and uniquely numbered 860 Unique Rotating the sculpture allows the spectator to choose a favou...

Artwork made with latex washes, enamel, birch, MDF & lacquer Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art ...

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...

Slight Pyramid, 3D Abstract Reclaimed Wood Wall Sculpture, 2019 28" x 28" x 3" (HxWxD) A three dimensional wall-hanging sculpture of a low-relief pyramid made from the sustainable ma...

Artwork made by acrylic & texture on solid maple, with matte clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age a...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...

This small-scale bronze of the General Napoleon by American artist Doris Jarowsky is an excellent example of the sculpture of the 1960s. The sculpture i...

This sculpture consists of two pieces. The dimensions of each piece are: 51x8x8 cm and 47x8x8 cm respectively. At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Born: 1978, Cape Town, South Africa. Lives and works: Edinburgh, Scotland. Jonathan Freemantle...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and sensual experience of his work covertly explores sexuality, gender traditions, sex, and race. "My artistic mission is to stimulate productive public conversation around these topics." "Humpty Dumpty...

Panier-maison II, Stéphanie Jacques, wood, willow, raw clay coated and limewash, 17" x 20" x 15", 2010. This contemporary abstract mixed media sculpture was done by Belgian artist, ...

Artwork made with acrylic on solid maple and matte clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-cen...

A central figure in the California Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptures, wall pieces, and installations since the 1970s. Referring to his choice of materials, Dill explains: “I was influenced by [Robert] Rauschenberg, Keith Sonnier, Robert Smithson...

Alfred Van Loen 1978 (1968 in casting?) signed 18 1/2" x 5 1/2" abstract stainless steel sculpture "Grand Kabucki", mounted on wood base, overall size 21 1/2" x 7" If there are any ...

Pigmented satin lacquer on solid poplar Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism to make...

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...

HEATHER ZUSMAN is a wood sculptor and artist originally educated in fine furniture making. Born and raised in California, she sought training at Waters and Acland Furniture School in...

No.210624 is an abstract sculpture in wood by French sculptor Thierry Martenon. A group of textured, pointed, and curved sculptures reminiscent of a forest of sculptural forms. The a...

Infinite Dream II encapsulates the essence of boundless potential, where each dream carries infinite possibilities. Crafted with Mahoni wood, this sculpture represents strength and r...

Artwork made by acrylic on solid maple, matte clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century ...

'Untitled Wallpaper Abstraction #46 (floral cuboid)' 2025. Found wallpaper collage on wood form, 46.5 x 34.5 x 6 in. is a multicolor, abstract geometric sculpture featuring carefully...

charcoal on paper mounted to silk foam core and wood Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a metaphor for naturally occurring systems of reproduction and growth. When Pomilio begins a piece, he doesn’t know where it will lead; although his tools and marks are precise, the layering, repetition, rotation, and distribution of basic shapes are improvised to emulate a single cell dividing and compounding into a complex form. The process of cell growth influences Pomilio’s practice and is emphasized through his own process, the use of erasure, faint outlines, opacity and translucency, and deliberate marks. The resulting compositions are balanced, unified, and harmonious. His work is included in the collections of the University of Arizona Museum of Art, Baylor University Martin Museum of Art, Dupont Corporation, University of Michigan...

Artwork made with spray acrylic on poplar with gloss clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-c...

Blue Copper – 24" x 24” x 1” Wood, paint, lacquer on MDF- Wood, paint, wax on MDF Blue Copper is a discreet and elegant minimalist contemporary wall sculp...

painted cedar Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explori...

Megan Klim's mixed media work juxtaposes several materials on one picture plane.  She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Megan Klim's mixed media work juxtaposes several materials on one picture plane.  She highlights their inherent qualities to create surface tension which sparks a conversation and in...

"Butterfly Effect No. 1" by Norman Mooney Edition of 10 + 2AP Apple plywood In 1994 Mooney moved from Ireland to New York City and has been exhibiting locally and internationally fo...

Part of Zammy Migdal's newest works these abstract unique square framed installtions are white on white with mounted three dimensional elements on French linen and framed to hang on ...

Achtung III Cherry, MDF, acrylic, lacquer on MDF 57” x 63” x 2” Achtung III is a vibrant large-scale mixed media wall sculpture. Made from solid American cherry hardwood and with pa...

The Madame X works exemplify Eric Johnson’s passionate embrace of the sensuality of form. The sculptures are imbued with abstract bursts of color beneath pristine surfaces, which appear to undulate as one moves around their double-helix curves. Seen together, the series is a celebration of the exquisite harmony of depth, structure, color, and lovingly polished surfaces, somewhat blurring the line between painting and sculpture. Interestingly, the Madame X series was inspired by a painting by John Singer Sargent, and pays homage to Sargent’s portrait of the same title, which scandalized the Paris Salon of 1884. While Parisians were shocked by the slip of a dress strap and the alabaster complexion of the portrait’s subject, Johnson was inspired by the sinewy, vertical curves of Sargent’s composition. At the nexus of the L.A. art scene for nearly forty years, Eric Johnson’s work bears a distinctly Southern California hot-rod, materials-based aesthetic. Early on, Johnson was drawn to artists whose work also grew out of L.A.’s surf and car culture sensibilities. Utilizing new materials and industrial products, like resin & plastic, artwork of impossibly slick, sleek character began to emerge and was termed “Finish Fetish”. Johnson’s work is next generation heir to this work, and carries forward the DNA of such legendary Light and Space, Finish Fetish, artists as Craig Kaufman, DeWain Valentine, Billy Al Bengston, Larry Bell, Tom Jenkins and Tony DeLap. Eric Johnson’s works are also acutely personal representations of his life. A severe neck injury, and struggle with intense spinal pain, served as the initial catalyst for his exploration of structural forms, which are also informed by his ancestral heritage - Scottish, Cree Indian, and perhaps a boat-building urge from the Norse. His father, a race-car driver and expert in custom car fabrication, passed on a passion for cars and their restoration. Scouted into the Air Force during the Vietnam war as a fencing instructor (though he never served), Johnson discovered he was color-blind during an eye-exam. Surprisingly, this ignited an interest in color and experiments with layering automotive pigments and clear resins, which Johnson continues with in this series, fabricating molds, which allow him to do multiple iterations of the same shape while investigating variations of color. Eric Johnson attended Valley College; California Institute of Art and received his Masters of Fine Arts degree from University of California at Irvine. Johnson’s work is in many public and private collections, including: Oakland Museum; Laguna Beach Museum; Museum of Art and History (MOAH); Lancaster, CA; C.B.S. Broadcasting, New York, NY; Digital Domain, Venice, CA; Mary Barnes...

Artwork made with acrylic on birch on MDF and metallic enamel & waxed finish Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, includin...

Artwork made by pigmented lacquer on MDF Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Texas C...

Artwork made by acrylic on birch, satin lacquer with copper enamel backer Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age...

Artwork made by ipe, cherry, mahogany, walnut, boat nails, acrylic & reclaimed suede Scott Troxel has exhibited his work at numerous fairs and exhibitions ...

Judith Brown, American "Reveler" Steel sculpture of a body in motion, dancer Signed with initials Initialed "JB" Base: 11" X 6" X 1.75" Sculpture: 16" X 10" X 10" Judith Brown (December 17, 1931 – May 11, 1992) was an American dancer and a woman AbEx sculptor who was drawn to images of the body in motion and its effect on the cloth surrounding it. She welded crushed automobile scrap metal into energetic moving torsos, horses, and flying draperies. "One of the things that made Judy stand out as an artist was her ability to work in many different mediums. Some of this was by choice, and sometimes it was by necessity. Her surroundings often dictated what medium she could work with at any given time. After all, you can't bring you're welding gear with you to Rome ."Brown attended Sarah Lawrence College in Yonkers, New York (B.A., 1954), where she learned to weld from her teacher, Theodore Roszak, a pioneering abstract expressionist sculptor. Her style similar to Leonard Baskin and John Chamberlain. Figurative abstract expressionism. Brown's work was exhibited widely throughout the United States and Europe, featured in group shows at the Museum of Contemporary Crafts, the Boston Arts Festival, The New Britain Museum of American Art, and many other galleries and museums. Brown's one-person exhibitions include shows at Zygos Gallery in Cyprus and Galeriea de Antonio Souza in Mexico City, as well as galleries and museums in Vermont, Florida, and New York City. Brown's artwork was also displayed in windows at Tiffany's and Bonwit Teller in their New York City department stores. In addition to displaying her work in exhibition settings, Brown received many public and private commissions throughout her career. Her public commissions may be found in many U.S. states including New York, Vermont, New Jersey, Virginia, Georgia, and California; and she has work currently housed with several museums and corporations including the Pepsi Company, Marriott Corporation, Dartmouth College, Vermont Law School, Jewish Museum, and the Museum of Dance. Select Commissions Mural Sculpture, Lobby, Louisville Radio Station WAVE Fountain, commissioned by Architectural Interiors, New York City Model, designed and executed for Festival of Two Worlds, Spoleto, Italy Sculpture, designed for Electra Film Productions, NYC Noah's Ark, exhibited at Bronx Zoo, New York City, at Rochester Museum and Science Center, Rochester, New York, and at Hopkins Center, Hanover, New Hampshire Store Windows, executed Tiffany & Company Windows, New York City, Christmas 1957, 1959, 1962, October 1969, Spring 1979, and October 1980 Wall Sculptures: for Youngstown Research Center (1963-4), commissioned by Youngstown Steel Company, Youngstown, Ohio; for Hecht and Company, Landmark Shopping Center, Alexandria, Virginia, Daniel Schwartzman, Architect; for Lobby, 570 Seventh Avenue, New York City, Giorgio Cavaglieri, Architect; for Lobby, Cities Service Company's New Research Center, Cranbury, New Jersey; for Ottauquechee Health Center, Woodstock, Vermont Eternal Lights: for Congregation Beth-El, South Orange, New Jersey; for Congregation Sharey Tefilo, East Orange, New Jersey Menorahs: commissioned by Architect Fritz Nathan for the Permanent Collection of the Jewish Museum, New York City; commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts; commissioned by Jules Scherman, of Wisteria Press, Inc., New York City Altar Cross, commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts Landscape, Memorial Piece for Gustave Heller, YM-YWCA, Essex County, New Jersey Memorial Plaque for Robert A. Ferguson, Westchester County Airport, Purchase, New York Sculpture for Vice President's office, Atlantic Richfield Company, New York City Bronze Relief Sculpture for Gymnasium Lobby, South Richmond High School, Staten Island, New York, Daniel Schwartzman, Architect Poster, Stratton Arts Festival, Stratton, Vermont Medallion, commissioned by Brandeis University National Women's Committee, New York City Model for Fountain for the Plaza at Windsor, Vermont Bronze Sculpture, commissioned by Intramural, Inc. for Building Lobby, N/E Cor. 79th Street and Second Avenue, New York City Presentation Piece, commissioned by Graphic Arts Associates of Delaware Valley, Philadelphia, Pennsylvania Wall Mural, Noah's Ark, Roosevelt Hospital, New York City 1977: Designed and executed Hanes Hosiery "Million Dollar Award"; Designed and executed "Old Spice" Smart Ship Award 1978: Commissioned to design and execute the "Walter White Award" for the NAACP for presentation to Hubert Humphrey; Commissioned to design and execute the Award for the Honorees of the National Board YWCA's First Tribute to Women in International Industry 1979: Designed and executed Jewelry for the Museum of Modern Art, New York City; Designed and executed limited edition of Mazuzas for Brandeis University-National Women's Committee, New York City 1980: Bronze Cross commissioned for St. James Episcopal Church, Woodstock, Vermont 1982: Eubie Award, New York Chapter of the National Academy of Recording Arts and Sciences 1985: Two Sculptures, Marriott Hotel, Orlando, Florida 1986: Two large Sculptures for indoor reflecting pools, Palm Desert Hotel, Palm Springs, California; John Portman, Eight Sculptures for Peachtree Plaza Hotel, Atlanta, Georgia; John Portman, Beach House, Sea Island, Georgia 1987: Loan Installation, DeCordova Museum, Lincoln, Massachusetts 1988: Eleven foot outdoor Sculpture for Front Plaza, River Court, Charles River, East Cambridge, Massachusetts, H. J. Davis Development Corp.; Tomie dePaola, Outdoor Sculpture of Bird, New London, New Hampshire 1989: Room Screen, 51/2 feet, Rita Moreno, Los Angeles, California; Martha Graham Award for presentation to her in Boston, Massachusetts 1990: Fireplace Screen, Sharon Mills, Chattanooga, Tennessee Selected exhibitions 1957: "The Patron Church", Museum of Contemporary Crafts, New York City 1958: Dallas Museum of Art, Dallas, Texas; The Jewish Museum, New York City 1959: Detroit Institute of Arts; Pennsylvania Academy of the Fine Arts, Philadelphia 1962: National Academy of Arts and Letters, New York City 1963: Arkansas Arts Center, Little Rock, Arkansas; Newport Art Association, Newport, Rhode Island 1964: "West Side Artists", Riverside Museum, New York City; "The Crafts and Worship", Dallas Museum of Art, Dallas, Texas; Hopkins Center, Dartmouth College, Hanover, New Hampshire 1966: "Recent Acquisitions", Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; Byron Gallery, New York City 1967: Byron Gallery, New York City; Southern Vermont Art Center, Manchester, Vermont; University of New Hampshire, Durham, New Hampshire 1968: New Britain Museum of American Art, New Britain, Connecticut; "Exhibit of Encaustic Drawings", Kanegis Gallery, Boston, Massachusetts 1969: Graham Gallery, New York City 1970: "Birds and Beasts", Graham Gallery, New York City 1971: Art Gallery of Ontario, Toronto 1972: Brandeis University, Waltham, Massachusetts; SUNY, Plattsburgh, New York 1973: Fairleigh Dickinson University, William Penn Memorial Museum, Harrisburg, Pennsylvania; Sculpture in Tiffany & Co. Windows, New York City 1974: DeCordova Museum, Lincoln, Massachusetts; Hopkins Center, Dartmouth College, Hanover, New Hampshire; Library Art Center, Newport, New Hampshire 1975: "New England Women", DeCordova Museum, Lincoln, Massachusetts; "Animal Sculpture", New Britain Museum of American Art, New Britain, Connecticut; "From Vermont: Past to Present", Gallery 641, Washington, D.C.; Art Association of Newport, Rhode Island; Brattleboro Museum and Art Center, Brattleboro, Vermont 1976: The 41st International Eucharistic Congress, Philadelphia, Pennsylvania; Montshire Museum, Hanover, New Hampshire 1977: Group Show sponsored by Artists Equity, Union Carbide Building, New York City; Institute for the Arts of the Archdiocese of Washington, Gallery Kormendy, Alexandria, Virginia; Contemporary Arts Gallery, Loeb Student Center, New York University, New York City 1979: "Judaica II" sponsored by the YM-YWHA of Metropolitan New Jersey, West Orange, New Jersey; Special Exhibition of Sculpture, Tiffany and Company, New York City; The Brattleboro Museum, Brattleboro, Vermont; Fleming Museum, University of Vermont, Burlington, Vermont; Visual Artists' Coalition, Connecticut College for Women 1980: One man shows: New York University, Contemporary Arts Gallery, Washington Square Park, New York City; St. Gaudens Museum, Cornish, New Hampshire; Tiffany and Company Windows, New York City; Group Show: "The Figure", sponsored by Pratt Institute 1983: One Man Shows: Howard Monroe Gallery, Chapel Hill, North Carolina; Alwin Gallery, London; Group shows: "Regional Selections", Hood Museum of Art, Dartmouth College, Hanover, New Hampshire 1983/5: Participant in Outdoor Sculpture Installation at Rose Hill Campus, Fordham University, New York City 1984: Helen Day Art Center, Stowe, Vermont 1985: DeCordova Museum, Lincoln, Massachusetts; Hopkins Center, Dartmouth College, Hanover, New Hampshire (Best in Show Award) 1986: The Women's Museum, Washington, D.C. (Sculpture acquired for permanent collection) 1987: Tiffany's Windows, Tiffany and Co., New York City 1988: One Man Show: Southern Vermont Art Center, Manchester, Vermont 1989: One man show: National Museum of Dance, Saratoga Springs, New York; Group Show: 4th International Contemporary Art Fair, London; Tiffany's Windows, Tiffany and Co., New York City 1990: National Museum of American Jewish History, Philadelphia, Pennsylvania She was included in the 2024 show 100 Women of Spirit at Galerie Zürcher, New York Greenwich Village. Artists included April Vollmer, Carrie Johnson, Francine Tint and Victoria Palermo She was included in the show Sparkle - Jewellery Sale...

Zephyr Wood, paint, lacquer on MDF + birch on MDF with enamel & wax finish 24" x 24” x 1” Zephyr II is a mixed media wall sculpture. Made from oils on birch, wax, MDF and copper spray enamel. Finished with a hand waxed process. Zephyr II is a complex and sophisticated monochromatic piece which is minimalistic in nature, so the form, composition and the balance of the artwork trumps any definitive subject matter. With flowing Art Deco inspired lines and midcentury feel, Zephyr feels at once modern and retro. The bold copper background...

In 1968 Waddell joined the University of Montana art faculty, teaching sculpture and design. For eight years he lived in Arlee MT, teaching at the Universi...

Sculpture Close to Heart Limited edition of 12 Mediums: old pine, steel, acrylic hand painted, oil CLOSE TO HEART - Collection Working on the series I...

Artwork made by acrylic on birch, stain & satin lacquer finish Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Ar...

Bronze on oak base Edition of 9 variations Stamped with monogram signature and uniquely numbered 416, 7/9 The raised bronze patterns are finely rubbed and lacquered which will preven...

Artwork made with spray acrylic on poplar with gloss clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-c...

Artwork made with MDF, pigmented lacquer & cherry wood Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair i...

46ms high x 40 x 15 Painted wood turning on an oak base Stamped with monogram signature and uniquely numbered 863 Unique Rotating the sculpture allows the spectator to choose a favou...

Artwork made with birch, wax and acrylic washes Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, ...

Original Contemporary Sculpture Wood, plastic whale, plastic squid, dyes, pigmented finish, clear finish Artist's Commentary: "The sperm whales of the world consume more squid each year by mass than the mass of the human population of the planet. It's a lot of squid. They're almost constantly hunting squid. What you may not have known is that there is some evidence giant squid...

Astian Rey "DAWN"

Artist Commentary: Woodcutter and Runaway consists of three carved log figures in a rectangular wood structure. There is a male log figure (the woodcutter) on tree stump pedestal...

Leafed resin freely rotating on a scorched oak base Unique Stamped with monogram signature and uniquely numbered 793 The pulverised metal leaf is lacquered for protection Turning th...

Artwork made with Suede Venetian paint, latex, Cedar wood, MDF & wax Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Ot...

This is an original wooden sculpture with hand painting on both sides. it does not appear to be signed or numbered and does not currently have any label. I believe this might be the ...

painted wood Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explorin...

HEATHER ZUSMAN is a wood sculptor and artist originally educated in fine furniture making. Born and raised in California, she sought training at Waters and Acland Furniture School in...