Frederick William MacMonnies

Gold, Pan of Rohallion, Bronze, Sculpture

1890

A lively and important work that would bring animation to any interior. Though he has been called “the world’s best public sculptor,” by art critic Ken Johnson, Tom Otterness’ playfu...

Antoine-Louis Barye was acclaimed as the finest sculptor of the French Animaliers School. As a 19th century sculptor he was an advocate for both naturalism and romanticism. This rear...

A unique wall piece that is a great gift for any avid gardener or lover of horticulture. Sit Hamo Thornycroft would become one of the youngest members of the Royal Academy, achieve the Medal of Honour at the Paris Exhibition in 1900, and be knighted in 1917. Working in a transitional style between that of the neo-classicists of his parent’s generation and the Modernist style of the 20th century, Thornycroft carved out a niche as a figurative sculptor and noted modeler of public monuments in and around London. Toogoods and Sons, Ltd, established in the early nineteenth century, had, by the turn of the century, grown to become the largest seed company...

This joyous in the round bronze can turn on its base, making for dramatic presentation and enjoyment that is interactive. It is based on the idea of the Three Graces which is often an allegorical subject in sculpture. Wein has done a contemporary feeling interpretation of this classic theme. Piece itself measure 12 1/2 inches and sits on a 3 1/4 inch base and is attached to its base at two points and it is a revolving or rather turning base. The two points on which the toes touch and are secured are striking for how little of the bronze touches the base. It is Fourth in an edition of 13. Albert Wein...

Max Kalish was an important and highly collected American sculptor desired for his depictions of the working man. Here we see a miner taking a break. Kalish was adept at conveying ...

Barrett is one of America's outstanding living sculptors. A sculptor who works on large scale and major commission and outdoor works, his smaller indoor maquettes have been avidly c...

Marble-based bronze statuette depicting Cupid, holding an arrow in his hand, walking caressing a lion's mane, lowered in the act of affectionately licking his little foot. The subjec...

A bronze sculpture by Allan Clark originally casted in 1927. A nude figure sculpture of Parvati, the Hindu goddess of love. Artist: Allan Clark (after), American (1896 - 1950) T...

Randolph John Rogers (American, 1825 - 1892) Randolph Rogers' Nydia, the Blind Flower Girl of Pompeii debuted in 1856 to critical and public acclaim, solidifying Rogers’ position as a pre-eminent American sculptor and it remains one of the artist’s most celebrated works today. The subject of Nydia is drawn from Edward Bulwer-Lytton's The Last Days of Pompeii 1834. After touring the ruins of the ancient city in 1833, and inspired by the stories of blinding volcanic ash, he composed the tale of Nydia, a slave who led her master, Glaucus, to safety. Rogers depicts Nydia at the moment that she and Glaucus have become separated in their perilous journey through the rubble and Nydia seeks familiarity in the surrounding chaos, her distress evident in her pained expression. The grace of the sculpture is at odds with the turmoil portrayed; a toppled Corinthian capital lies at her feet and obstructs her next step, indicated by the tilt of her back foot and grip on her walking stick. Examples of this model can be found in major American collections, including The Metropolitan Museum of Art, the Art Institute of Chicago, the Detroit Institute of Arts, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston. Literature, Millard F Rogers, Jr. Randolph Rogers, American Sculptor in Rome. University of Massachusetts Press, 1971, American Figurative Sculpture in the Museum of Fine Arts Boston. Museum of Fine Arts, Boston, 1986. Joyce K Schiller. "Nydia, A Forgotten Icon of the Nineteenth Century." Bulletin of the Detroit Institute of Arts, Born in Waterloo, New York, Randolph John Rogers became an expatriate* sculptor of idealized figures, portraits, and commemorative works in Neo-Classical* and Realist* styles. He worked in clay, plaster, marble and bronze, and lived both in Italy and the United States. He made 167 examples of Nydia in two sizes (varies depending on base height) 36" and 54'. Rogers was raised in Ann Arbor, Michigan, and as a young man did woodcuts* for the local newspaper, The Michigan Argus, and also worked as a baker's assistant and a dry goods clerk. In 1847, he moved to New York City, where he hoped to find work as an engraver*, but failing to do so, worked in a dry goods store owned by John Steward...

Charming early 1900s alabaster sculpture of a young maiden, seated nude on a stump. This work dates to the period when the artist was active in Italy, during this time Ceccarelli's w...

Agustín Cárdenas Le Repos Passionné, 1989 Bronze. Ed. 7/7 60 x 145 x 51.5 cm 23.6 x 57 x 20.2 in. The artwork is accompanied by a certificate of aut...

Roman verdigris bronze oil lamp. Flying cranes with running Mercury. After the original found in Pompeii. This lamp base would originally have had small oil lamps...