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Pierre Le Faguays
"Deco Dancer"

Circa 1932

$3,850List Price

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“Art Deco Dancer”
By Allan Clark
Located in Southampton, NY
Beautiful original bronze sculpture of a female nude dancer in the Art Deco period. Circa 1930. The artist is the well known American sculptor, Allan Clark. Signed in the base by th...
Category

1830s Art Deco Nude Sculptures

Materials

Bronze

“The Archer”
By Pierre Le Faguays
Located in Southampton, NY
Stunning, original Art Deco bronze of a male archer by the well known French sculptor, Pierre Le Faguays. Condition is very good. Verde green finish over bronze patina. Slight rubbed...
Category

1930s Art Deco Figurative Sculptures

Materials

Bronze

“Adam and Eve”
Located in Southampton, NY
Very rare Art Deco three dimensional terracotta sculpture of Adam and Eve by the Austrian artist, Virgil Rainer. Hand painted by the artist. Signed bott...
Category

1920s Art Deco Figurative Sculptures

Materials

Terracotta, Plaster

“Longchamp”
Located in Southampton, NY
Original colored lithograph of the horse races at Longchamp in Paris, France. The lithographs is done in a classic Art Deco style. Condition is excellent. Circa 1980. Edition size ...
Category

1980s Art Deco Figurative Prints

Materials

Archival Paper, Lithograph

“Flapper Girl”
By Richard Emil Miller
Located in Southampton, NY
Bold and well executed charcoal on archival paper attributed to the American artist, Richard Emil Miller. Signed lower left “Miller”. Consistent with other known signatures of the a...
Category

1920s Art Deco Figurative Drawings and Watercolors

Materials

Charcoal, Archival Paper

“Eden”
Located in Southampton, NY
Original hand cast bronze dual figure of a hollow dressed torso of a male and female representing Adam and Eve in the Garden of Eden. The bronze sculpture is attributed to the American sculptor Judith Shea. This piece is a maquette for a life size bronze executed by this artist that is located in an outdoor space in Buffalo, New York. Both are titled “Eden” and were done in 1987. Condition is excellent. Unsigned. Label on the bottom of the thick pine base states the artist and title of the artwork. Provenance: A Long Island, New York collector. Judith Shea has been a notable presence in the New York art world since the 1970s. Trained as a designer at Parsons, she soon found the fashion industry too restrictive and abandoned it in favor of making art. For her first solo show, at The Clocktower in 1976, Shea made a work based on color theory, using transparent silks in a spectrum of colors, worn by a live model. Other early work referenced clothing and its construction, first as flat, minimalist pattern and later as molded draping over implied, absent figures. In the 1981 Whitney Biennial, Shea showed three simple forms that evoked iconic clothes of the 1950s and 60s—the overcoat and the simple sheath dress—which hung from the wall as if on hangers. Five related works were included in the Hirshhorn’s Directions 83 survey. All of these works evoke human presence, felt as absence, as if the clothes were placeholders for missing persons. Thinking about her earlier clothes-based works, Shea has said that she “was looking for characters, for personae, really, to occupy them. I used clothes as stand-ins for people.” With the support of NEA grants, Shea began to learn bronze casting, and she was able to also spend time in Paris studying the statuary of its parks and gardens. This research led to several hollow-figure compositions from the 1980s that were designed to be sited in public spaces, such as Eden (John Hancock Tower, Chicago), Shepherd’s Muse (Oliver Ranch), Shield (Sheldon Museum of Art), and Without Words (Walker Art Center). In the 1990s, after a residency at Chesterwood—the site of Daniel Chester French’s studio in Stockbridge—Shea began to use woodcarving to make monumental public sculpture. The first of these full-scale wooden figures were shown in 1992 at the Whitney Museum at Phillip Morris in New York. In 1994 her wooden equestrian statue The Other Monument, a monumental image of a black man on a black horse, was installed at Doris Freedman Plaza in New York, in the same plaza as the William Tecumseh Sherman...
Category

1980s Post-Modern Figurative Sculptures

Materials

Bronze

“Eden”
$3,400 Sale Price
29% Off

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