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Olga SabkoSans nom2023
2023
$8,000
£6,146.10
€7,061.80
CA$11,252.99
A$12,642.23
CHF 6,605.59
MX$154,304.34
NOK 83,871.64
SEK 78,947.48
DKK 52,697.80
About the Item
After studying book design, printmaking, and illustration at the National Technical University of Ukraine, and having worked in mediums of linocut, etching and oil painting, Olga Sabko continued her studies at the Beaux-Arts de Paris where she delved into lithography and monotype techniques and developed her sculpture practice, focusing primarily on ceramics.
Olga's artistic approach revolves around the elusive concept of time and its impermanence. Rather than engaging in philosophical reflections on the nature of time, she explores its tangible traces. Her sculptures attempt to give form to time and its contents, while also expressing her physical and emotional relationship with it.
A key element of Olga's work is the embrace of uncertainty. Her sculptures evoke perpetual movement, with forms that remain fluid and undefined. They embody a state of constant transformation, representing physical existence in an uncertain space-time. Olga intentionally leaves her sculptures unfinished, raw, and devoid of color, allowing the material itself to speak, free from imposed aesthetic or emotional intentions.
Her creative process emphasizes experimentation and attentiveness to the material. Harmony emerges through poetic accidents that shape her organic forms. This approach extends beyond sculpture to other media, as seen in her lithographic works, where intuition and chance come together to capture the spatio-temporal essence of creation.
Olga’s artistic approach is centered around the elusive concept of time and its impermanence. Rather than engaging in an ontological reflection on the nature of time, Olga prefers to approach the subject through the physical marks it leaves. Her sculptures are an attempt to give form to time and its contents while also formalizing her physical and emotional relationship with it. One of the key aspects of Olga's work is uncertainty. This lithographic print suggests perpetual movement, and their forms are not definitive. Instead, they express a constant movement through several visual and sensitive dimensions, representing a physical existence in an uncertain space-time. She intentionally leaves her sculptures unfinished, raw, and without any particular color, allowing the medium to express itself without any aesthetic or emotional will imposed upon it. Olga's artistic process is all about experimentation and listening to the material. Harmony arises from the poetic accidents that form these organic shapes. This approach is not limited to sculpture but extends to other media, as evidenced by her lithographic work, which combines intuition and accident to capture the spatio-temporal context of creation.
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