Paul Stankard

Paul Stankard Paperweight lamp worked glass signed, brilliant color unique

The sculpture, Banquet II - Time Capsule Project , is one of the pivotal pieces in Shizico Yi's sculpture casting project. By engaging with raw materials, familial possessions, and t...

Katherine Jackson lives and works in Brooklyn. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

A renowned edition by Joseph Beuys by the title ‘Rose for direct democracy'. These works are collected by major museums: another exemplar is currently in the Museum of Contemporary A...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...