
Bubble Yum - Tropical Punch l - Bodega Series - Sculpture - Acrylic, Wood. 2020
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Stacy KiehlBubble Yum - Tropical Punch l - Bodega Series - Sculpture - Acrylic, Wood. 20202020
2020
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This painting by Linda King Ferguson, like all of her work, Depicts an abstaction of the female body. An oblong pink shape jutts out from the top of the diamon-shaped canvas. A teard...
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EQUIVALENCE 124- Acrylic on cut Linen - Red, Pink Abstract Geometric Painting
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This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is dominated by a horizontal vesica piscis shape. The two intersecting circles are a dark salmon orange and a deep wine red (left to right). The canvas at the intersection of the two circles has been cut and peeled back to reveal that the back of the painting has been painted pink. While the trangular shape above the interseccting circles has been painted an ashy brown, the lower section has been left raw.
Her Equivalence Series began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...
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2010s Hard-Edge Abstract Paintings
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VERSO EQUIVALENCE 1 - acrylic, staples, pine wood, cut linen -Abstract geometric
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This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes.
Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...
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This piece comes framed and matted.
Untitled is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered a...
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