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Drew LeshkoFather and Son Used Tires2016
2016
About the Item
"Father and Son Used Tires" is a wall-hanging paper sculpture by American artist Drew Leshko measuring 12”h x 22.125”w x 8”d. It is made from paper, enamel, acrylic, basswood, wire, clay inkjet prints, plaster, plastic, pastels.
About the Artist // Drew Leshko is a Philadelphia, Pennsylvania-based artist. Working from observation and photographs, the artist painstakingly recreates everything from building facades to campers at a miniature 1:12 scale. The scale is familiar for some viewers as standard dollhouse spec; the treatment to Leshko's work is widely different. The minute detail of his work includes city detritus such as dumpsters and pallets, which are commentary of the ideas of what is worth preserving. Accumulations of typically overlooked details and minutiae like acid rain deposits and rust become beautiful adornments.
Leshko’s work has been exhibited in galleries, and museums both nationally and internationally. His work is included in permanent collections including the Dean Collection (NYC), the Hosner Collection (LA), West Collection (Philadelphia), Iron State Development’s corporate collection (Hoboken), Urban Nation Museum (Berlin), and many private collections throughout the world.
- Creator:Drew Leshko (1983, American)
- Creation Year:2016
- Dimensions:Height: 12 in (30.48 cm)Width: 22 in (55.88 cm)Depth: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Philadelphia, PA
- Reference Number:1stDibs: LU18822379391
Drew Leshko
Drew Leshko is a Philadelphia, Pennsylvania-based artist. By carving, cutting, and layering varieties of paper and wood, Leshko creates documentary studies of architecture from his neighborhood in an attempt to create a three dimensional archive of buildings that are in transitional periods. The work examines gentrification and history, how historical relevance is determined, and most importantly, what is worth preserving. Working from observation and photographs, the artist painstakingly recreates building facades from his neighborhood at a 1:12 scale. The scale is familiar for some viewers as standard dollhouse spec; the treatment to the buildings is widely different. The minute detail of his work includes city detritus such as dumpsters and pallets, which are commentary of the same ideas of what is worth preserving. Highlighting quick fixes and simple solutions, Leshko’s work begs the viewer to build their own ideas of why and when these changes had been made. Accumulations of typically overlooked details and minutiae like acid rain deposits and rust become beautiful adornments.
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