Jill Parisi

Colorburst Pinwheels, Pinned Paper Flowers in Green, Pink, Yellow, Purple

2014

In this framed wall sculpture, hand-colored intaglio prints on loktah tissue and hand-colored digital prints on kozo paper cut to mimic botanical shapes and pinned with entomology pi...

A bright and colorful paper sculpture of a fantastical botanical form in vibrant teal blue, reddish orange and light lime green and yellow. Composed of hand-colored etchings on hand-...

In this bright and colorful paper sculpture, a fantastical botanical form in light orange with dark burgundy, magenta and light brown in the center is composed of hand-colored digita...

In this bright and colorful paper sculpture, a fantastical botanical form is composed of dense layers of thousands of elements in purple, hunter green, golden yellow, light green and...

In this bright and colorful paper sculpture, a fantastical botanical form in vibrant teal green, dark magenta with gold and marbled pink, green, yellow and blue is composed of hand-c...

This delicate drawing is made with silverpoint on prepared archival board. The exploration of ephemerality, and the fragility of nature, its textures and movement, is the focus of this work by Margot Glass. The exquisite beauty of a group of simple feathers, often overlooked or considered mundane, is discovered and elevated through close examination and exquisite drawing by the artist. Signed and titled on verso and initialed on recto, lower right corner. Framed in a silver frame, 10 x 8 inches (unframed), 12 x 10 inches (framed). Glass draws with pure silver not only for the delicacy of line the metal point provides, but also for the allure of using a semiprecious metal as a drawing material. Working on an archival board allows the gleam and luster and delicate reflective silver properties of the metallic medium to present as soft and textured against the ground. The surface is primed with traditional silverpoint ground. The silverpoint ground is slightly chalky when dry to provide a subtle toothy surface to grab the silver particles. Glass is interested in the tradition of using nature as idealized ornament in art and design while seeking to carefully observe as accurately as possible in all the irregularity and imperfection. The metallic lines enhance the decorative qualities of the filigree patterns formed by the minute details in each object. Her compositions are tightly cropped to bring the subject as close to the edge of the picture plane as possible. Margot Glass’s work been exhibited widely in the United States and internationally. Glass’s education includes studies in the Brown/RISD Exchange Program, Brown University...

Pumpkin Object (White) & Pumpkin Object (Yellow), 2016 Yayoi Kusama The set of two painted cast resin multiples Each stamped on the base Accompanied by the original boxes Diameter:...

Technical Information: Claes Oldenburg Miniature Soft Drum Set 1969 The complete set of 9 sewn screenprinted elements on canvas, some with washline, wood, plastic buttons, rope, metal eye screws and spray enamel with wood base covered with screenprinted paper in colors 9 3/4 x 19 x 13 3/4 in. Artist's Proof - A.P. XVI Initialed and numbered in black ink on the bass drum...

These four botanical specimens from the herbarium of A. Brun were hand-picked, pressed and preserved in the late-19th century. Each plant specimen is elegantly presented within a fine hardwood frame and includes a hand-written taxonomy card with the plant’s scientific name, family, habitat, and date collected. Originally used to document the plant diversity of a particular geographic area, herbariums wonderfully preserve the beauty of nature, making them quite a captivating and charming addition to any wall. From the collection of Frances and Gary Comer.

This piece titled "Please Stand By" is an original artwork made from crocheted cotton string, glue, and enamel paint by Caitlin McCormack. This piece measures approx. 15"h x 15"w x 1...

“Salon (13)“ is a collection of 13 small-scale works by artist Heather Nicol. The installation of 13 assemblages is variable. The artist will personally consult with the buyer and can be on site for the installation. The 13 mixed media pieces include delicate lighting elements that shift and change via arduino electronic devices, or utilize picture lights throwing a soft roll of light across the artwork. These works are linked through their wiring, which is enveloped in a white umbilical cord-like fabric casing, creating an organic, unifying code of display. Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme park...

“Specimen“ is a mixed media piece by artist Heather Nicol, and measures 16x13x3“. Part of a body of work known as Salon, this particular assemblage is co...