Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Katherine Jackson
Katherine Jackson, Little Oil Seeing Red, 2020, Glass Wood Steel, Plexi, LED

2020

About the Item

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Two of the oil can sculptures depicted here are sold. Please contact the gallery for specific prices on individual prices and smaller light boxes sold with the sculptures. Prices range from $675 - $2050 including a small lightbox for individual sculptures. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers are buried in China. As a print, the work becomes a map in itself -- of a burial site, and of the painting, whose multi-layered surface reflects the layered earth of the burial site. Katherine Jackson lives and works in Brooklyn. Her work has been exhibited extensively in galleries in New York City, elsewhere in the US, Rome and Berlin. It has been shown in numerous exhibitions focusing on art & technology and art & light. She has had solo shows at Bennington College and Hobart & William Smith Colleges. Her large scale installation/exhibitions have been placed in various public spaces in Manhattan and include: a 6 month, multi-piece exhibition (celebrating the 100th Anniversary of the New York Public Library) at the Mid-Manhattan Library; a 6 month multi-piece exhibition in the windows of the NY Tenement Museum; and a multi-windows exhibit for the100th Anniversary of the Manhattan Bridge. Recently, her installations and individual pieces have been exhibited at ODETTA, NYC, Park Place Gallery, 1 GAP Gallery, An installation of hers will be included in a sculpture show at the Venice Architectural Biennale 2021.
  • Creator:
  • Creation Year:
    2020
  • Dimensions:
    Height: 9.5 in (24.13 cm)Width: 12.5 in (31.75 cm)Depth: 6.5 in (16.51 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Some of the sculptures within this grouping have been sold. Please contact the gallery for options as the artist is creating more as the glass studio continues to reopen.
  • Gallery Location:
    Darien, CT
  • Reference Number:
    1stDibs: LU17226665682

More From This Seller

View All
Katherine Jackson, Little Oil Seeing Red, 2020, Glass Wood Steel, Plexi, LED
By Katherine Jackson
Located in Darien, CT
There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...
Category

2010s Conceptual Still-life Sculptures

Materials

Glass, LED Light, Pigment

Katherine Jackson, Necropolis, 2020, Photographic print on aluminum
By Katherine Jackson
Located in Darien, CT
Katherine Jackson lives and works in Brooklyn. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...
Category

2010s Conceptual Still-life Sculptures

Materials

Glass, LED Light, Pigment

Katherine Jackson, Little Oil 19, 2020, Photograph on aluminum
By Katherine Jackson
Located in Darien, CT
There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Little Oil 19 is a digital photographic print on aluminum for the flat files. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...
Category

2010s Conceptual Still-life Sculptures

Materials

Glass, LED Light, Pigment

Katherine Jackson, Little Oil_Vitrine 2, 2019, Glass, Steel, Wood, Plexi, LEDs
By Katherine Jackson
Located in Darien, CT
Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...
Category

2010s Conceptual Still-life Sculptures

Materials

Steel

Katherine Jackson, Suspension of Disbelief II, 2015, Graphite, Paper, Framed
By Katherine Jackson
Located in Darien, CT
Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...
Category

2010s Conceptual Still-life Sculptures

Materials

Glass, Graphite

Katherine Jackson, Suspension of Disbelief, 2015, Graphite, Paper, Framed
By Katherine Jackson
Located in Darien, CT
Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...
Category

2010s Conceptual Still-life Sculptures

Materials

Glass, Graphite

You May Also Like

Banquet III-TimeCapsuleSeries-Resin Casting UK Awarded Artist-Conceptual Artist
Located in London, GB
The sculpture, Banquet III - Time Capsule Project , is one of the pivotal pieces showcased in the 2016 London exhibition titled “ White. It is within an on-going project by Shizico Y...
Category

2010s Conceptual Abstract Sculptures

Materials

Metal

Japanese Contemporary Art By Kojun - Shiko 3
By Kojun
Located in Paris, IDF
Lego, bayberry wood, copper wire, cashew lacquer, gold leaf This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...
Category

2010s Conceptual Still-life Sculptures

Materials

Gold Leaf

Japanese Contemporary Art By Kojun - Mujo Silver
By Kojun
Located in Paris, IDF
Cardboard, silver leaf, gilder’s bole This work was created for an exhibit as part of the artistic unit SHIKŌ, a collaborative effort between sculptors Kanji Hasegawa, Isaji Yugo, a...
Category

2010s Conceptual Still-life Sculptures

Materials

Silver

Japanese Contemporary Art By Kojun - Shiko 15
By Kojun
Located in Paris, IDF
Gold leaf, concrete, wood, copper wire W220 × D65 × H40 mm + W60 × D35 × H75 mm (concrete) This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...
Category

2010s Conceptual Still-life Sculptures

Materials

Concrete, Wire, Gold Leaf

Japanese Contemporary Art By Kojun - Nirvana
By Kojun
Located in Paris, IDF
Lego, gold leaf, Styrofoam, paper, cardboard, gilder’s bole This work was created for an exhibit as part of the artistic unit SHIKŌ, a collaborative effort between sculptors Kanji H...
Category

2010s Conceptual Still-life Sculptures

Materials

Foam, Cardboard

Japanese Contemporary Art By Kojun - Shiko 1
By Kojun
Located in Paris, IDF
Lego, bayberry wood, discarded wood, copper wire, cashew lacquer, gold leaf, dried leaves This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...
Category

2010s Conceptual Still-life Sculptures

Materials

Plastic, Driftwood, Wood, Lacquer

Recently Viewed

View All