Lee Wells

Shredding the Classics

2015

TMI, 2017 Neon, transformer 72 x 30 in (183 x 72 cm) Edition 1 of 3 := (equal by definition) is a body of works that explores in a whimsical way, how language is formed, transform...

Matthew the Fervid, 2017 Printmaking and mixed media on paper and re-board 165x121x68cm Lina Pigadioti-Tzima (b. Athens 1967) studied at Parsons School of Art & Design in Paris (BFA...

Konstantinos Stamatiou Untitled, 2015 
acrylic paint with recycled plastic bottles and straws 57 x 15 x 20 cm

Carla Gannis is an artist who lives and works in Brooklyn, New York. Her work examines the narrativity of 21st century representational technologies and questions the hybrid nature o...

This piece titled "Bonus Zone" is an original artwork made from screenprinting on wood by Luke O'Sullivan. This piece measures 33”h x 9”w x 9"d "Surprise and luck are always present...

"Sometimes you are drowning in your own words" - Steve Maraboli Inspired by Maraboli´s famous phrase, this piece was hand made in the heart of Mexico City. It transmits the weight o...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Sherry Owens Almost a Symphony, 2019 Bronze, patina, brass nails, paint 16 5/8 x 12 1/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...