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Theda SandifordUpcycled Grocery Basket Sculpture: 'Convenience Basket 1/6'2022
2022
$500
£379.76
€438.75
CA$700.77
A$784.29
CHF 409.34
MX$9,564.31
NOK 5,238.99
SEK 4,959.38
DKK 3,274.34
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About the Item
“Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making techniques. Meticulously collected materials, transformed by their collective memory become “social fabric” weaving together contemporary issues and personal narratives.
100-foot extensions of rope, twine, and yarn impeccably wrapped, woven, tied and embellished with recycled beads, ribbon, lace, tape and bottle cap bobbles lures you into my hue-imbued, enmeshed installations symbolizing natural hair. These bold albeit whimsically twisted and locked forms gingerly invite the audience into off the-wall conversations about micro aggressions against black women and their hair.
Community art making is also key to my process. Multi-disciplinary experiences pairing people, food, wine, music and art, create a safe space to explore themes such as equity & inclusion, sustainability and personal wellbeing.”
-Theda Sandiford
- Creator:Theda Sandiford (1970, American)
- Creation Year:2022
- Dimensions:Height: 10 in (25.4 cm)Width: 14 in (35.56 cm)Depth: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU422310845672
Theda Sandiford
Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors were in the music business as a sales & digital marketing executive. After years of ground breaking digital work for musicians, she began applying digital and analog art processes to develop her own artistic self-expression as a means of art therapy “Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making techniques. Meticulously collected materials, transformed by their collective memory become “social fabric” weaving together contemporary issues and personal narratives.
100-foot extensions of rope, twine, and yarn impeccably wrapped, woven, tied and embellished with recycled beads, ribbon, lace, tape and bottle cap bobbles lures you into my hue-imbued, enmeshed installations symbolizing natural hair. These bold albeit whimsically twisted and locked forms gingerly invite the audience into off the-wall conversations about micro aggressions against black women and their hair.
Community art making is also key to my process. Multi-disciplinary experiences pairing people, food, wine, music and art, create a safe space to explore themes such as equity & inclusion, sustainability and personal wellbeing.” -Theda Sandiford
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100-foot extensions of rope, twine, and yarn impeccably wrapped, woven, tied and embellished with recycled beads, ribbon, lace, tape and bottle cap bobbles lures you into my hue-imbued, enmeshed installations symbolizing natural hair. These bold albeit whimsically twisted and locked forms gingerly invite the audience into off the-wall conversations about micro aggressions against black women and their hair.
Community art making is also key to my process. Multi-disciplinary experiences pairing people, food, wine, music and art, create a safe space to explore themes such as equity & inclusion, sustainability and personal wellbeing.”
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'My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints.
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After taking a stroll through St. Georges Botanical Garden in St. Croix USVI this gold spray painted shopping cart part woven with webbed polyurethane ribbons, deconstructed Fresh Direct bags, bottle caps, vintage scarf, plastic grocery mesh and paracord came together.
“Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making techniques. Meticulously collected materials, transformed by their collective memory become “social fabric” weaving together contemporary issues and personal narratives.
100-foot extensions of rope, twine, and yarn impeccably wrapped, woven, tied and embellished with recycled beads, ribbon, lace, tape and bottle cap bobbles lures you into my hue-imbued, enmeshed installations symbolizing natural hair. These bold albeit whimsically twisted and locked forms gingerly invite the audience into off the-wall conversations about micro aggressions against black women and their hair.
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Dispose of any emotional traumas that no longer serve you, in this mini emotional baggage cart.
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