Renaissance Sculptures

This remarkable, deeply evocative fragment is a hand-carved piece of religious statuary from 16th Century France. It depicts the torso of a serene figure, likely a Saint or Archangel...

Oleg Auzers was born in Latvia, Riga into an old family of artists. He created his first toy ship at preschool age while visiting his grandfather Vilis Liepins in Limbazi. As a teena...

Wooden sculpture depicting Saint Catherine of Alexandria Provenance Lower Rhine or Southern Tyrol Late 15th century (circa 1480) Linden wood (single trunk, hollowed back), trac...

Carved wooden sculpture - Saint Robert. Italy, 16th century. 54 x 30 x h 112 cm. Entirely carved and painted wood with traces of polychrome and gilding. - Inscribed on the base: "...

Piccola terracotta a soggetto mitologico firmata sul retro sulla base "Zambini", che per la grafia (in particolare la Z che ricorda una F) permette di identificar...

Piccolo gruppo in marmo raffigurante una scena con putti e leoni che si sussuegono a tutto tondo, Rinascimento italiano, 16 secolo. Nella scultura rinascimentale del XVI secolo, l'a...

Representation of the San Domenico di Camerino Altarpiece, painted by Carlo Crivelli in 1482, and made by Antonio Pandiani in the 19th century.

Mounted as lamps and cast by Ferdinand Barbedienne after models by Alexandre Falguiere and Paul Dubois. Both statues are signed on the bases. These fine torchères are reductions of...

Corpus Christi in argento massiccio, bottega orafa toscana, prima metà del 17 secolo. La figura del Cristo, realizzata a fusione a cera persa e sapientemente rifinita a cesello, app...

Bronze statue of young goatherder by Oscar Gladenbeck. circa 1900. Signed "Oscar Gladenbeck Friedrichshagen". period sculpted artist sculpture collectio...

Bronze Edition of 2/8. Emil Kazaz’s sculptures hold a commanding presence, distinguished by their dynamic figurative language and masterful craftsmanship. Working primarily in bronze...

A polychrome and gilt plaster statue of the Blessed Virgin Mary. The quality of the original gilding and the handling of the folds in the clothing are exceptional. A wonderful statu...

16th-century Florentine sculptor, greyhound in pietra serena. This fascinating sculpture, which has come down to us in a fragmentary state, depicts a dog, an elegant greyhound crouch...

Beautiful linden wood carving depicting a Pieta. France, Burgundian-Flemish current, late 15th to early 16th century. This theme is not found in the Bible but is derived from apocr...

Provenance: James Byrnes, Los Angeles (1917-2011) Giusto Le Court was born Josse or Justus de Corte in the Flemish city of Ypres. His father Jean was a sculptor and presumably his earliest training was with him before he entered the studio of Cornelis van Mildert. The young artist was clearly influenced by the dominant Flemish sculptor of the time, Artus Quellinus the Elder, with whom he may have worked on the decoration of the Amsterdam City Hall. Following the lead of many northern artists he travelled to Rome, perhaps more than once, before settling in Venice around 1655. It was there, as one of a colony of expatriate artists, that he made his name as a sculptor. One of his first Venetian commissions was for the monument to Alvise Mocenigo in the Church of San Lazzaro dei Mendicanti, where Le Court sculpted the marble figures of Strength and Justice. He also collaborated with the celebrated architect Baldassare Longhena, most famously for the high altar of Santa Maria della Salute, where he carved the multi-figured altarpiece depicting the Queen of Heaven Expelling the Plague. The present marble sculpture depicts the infant Saint John the Baptist, reclining, wearing his traditional hair-shirt, embracing a lamb, and holding the bottom of his attribute, a reed cross. Attached to his shirt is a baptismal cup, with which he would become associated later in his life. Veneration of the infant Saint John the Baptist was prevalent throughout Italy and images of the saint in childhood—often called “Giovannino,” or little John...

Carved wooden sculpture - Saint Maurus. Italy, 16th century. 54 x 30 x 110 cm (21.5 x 11.5 x 43.5 in). Entirely carved and painted wood with traces of polychrome and gilding. - In...

Pair of carved, gilded, and painted wood sculptures - Flag-bearing lions. Venice, late 16th century. 40 x 30 x 75 cm. Made entirely of carved, gilded, and painted wood. They depict...

Pair of carved wood sculptures - Archaic lions. Italy, 18th century. 30 x 12 x 17 cm high each. Made entirely of finely carved wood. - This item is sold with a certificate of aut...

Bronze inkwell with a dark patina. Northern Italy, 16th-17th century. 11 x 11 x h 22 cm. Made in two parts entirely of lost-wax cast and patinated bronze. The container is richly d...

An evocative, 14th century, carved wood statue of a seated Mary with the Christ child in her lap. The piece with a beautiful patina featuring polychrome paint traces. Now mounted on ...

D. BRUCCIANI & CO (19th Century) St Cecilia Polychrome painted plaster bust with mould lines visible (probably later painting) 47 cm., 18 ½ in. high Dom...

Large Saint Sebastian finely carved in alabaster. The saint is attached to a column surmounted by a capital, beautiful soft features and superb hair wi...

Wonderful sculpture of a Twisting Male Torso in carved stone by contemporary New York City artist Martin Glick. Born in 1944, Martin Glick resides in Pomona, New York, just outside of New York City. He was taught by Conger Metcalf...

Questa statua in terracotta in eccellente stato conservativo considerata l'età e la fragilità del materiale, raffigura un putto nell'atto di soffiare, colto in una posa di intenso p...