American Impressionist Art

Heavily textured still life of a bouquet of carnations by an unknown artist, Singed "Gavincy" possibly. This background of this piece has layers of texture created by paper squares a...

“Shelter Island Yacht Club” is an oil painting by Kelly Carmody. It depicts sailboats at rest alongside a dock in full sun. A yellow under-tone peeks through, creating an overall war...

Pacific Grove looking to Big Sur Ocean by Matola Crashing waves and Cypress Trees and a woman in the sun on the Pacific Grove to Big Sur Coast. Painted in 1983 by California artist n...

Leigh Ann Van Fossan's "Nightwatch" is an original, handmade oil painting that depicts a lone sailboat floating in the darkness as their lights and the stars cast glimmering reflecti...

Beautifully soft yet expansive landscape of a river winding through the coastal bluffs of Big Sur, California, by Ken Lucas (American, 20th Century). This pi...

Significant 1940s work titled "Toiler's House" by George Demont Otis (American, 1879-1962). Titled "Toiler's House on the bottom left and signed "George Demont Otis" on the bottom right. Presented in a black wood frame. Image size, 12"H x 18"W. Otis was born in Memphis, Tennessee where he was orphaned at age six and was raised by his grandmother in Chicago...

Jim Beckner's (US based) "Meadow" is an oil painting that depicts wide open green clearing against a dense lush forest and shrubbery with just a slice of sky peeking from behind the ...

Wonderful mid century portrait of woman named Charlotte by Irinia Belotelkin Roublon (Russian/American, 1913 - 2009), circa 1960. Signed lower right corner and on verso. Unframed. Image size: 14"H x 11"W. Irina Belotelkin Roublon, née Roudakoff, was born in Elisavetgrad, Ukraine to the Russian noblesse ancienne, descendant of Catherine the Great, she was a student at the Mariinsky Noble Ladies' Institute , Novocherkassk, Russia. She was orphaned at the time of the Russian Civil War after her father, General Paul Roudakoff, was fatally wounded in battle; 5 days later her mother died of typhus. Still unaware of her parents' death, and after witnessing her two sisters' deaths from starvation, the young Irina, then 8 years old, made her way over 1,000 kilometers, alone and through many privations to Moscow and the Estonian embassy there, with whom her Estonian uncle Volodya Blonsky had made arrangements. After a year in Moscow, and appeals to the Estonian consul, Irina was aided in a dramatic escape from the Soviet Union, to her aunt Anna Blonsky Lassburg (1882–1940) and her husband Doctor Genrick Lassburg in Tallinn, Estonia. Eventually, after in 1929, traveling through Ellis Island and admitted as a student, of voice studies, she joined her brother who had settled, in 1923, in the United States. Irina came to San Francisco during the Second World War, Among Irina's devotions were ballet and opera. She often entertained friends Rudolf Nureyev, Mikhail Baryshnikov, and Sergei Leiferkus when they were in town. Natalia Makarova and Yuri Possokhov were often guests at Irina's Russian Christmas and Easter parties. From the early 1960s through the late 1980s, Irina studied and prolifically created still life and portrait paintings in oil and water color, excelling in flower compositions. She held studio and feature exhibitions; she competed and won prizes. Her work is in holdings throughout the San Francisco Bay area, Europe and Russia. In 1965 she undertook private study with two prominent Russian painters, including Serge Ivanoff; she executed a portrait of her two masters. She cherished her portrait as executed by Serge Ivanoff. Among her most accomplished pieces are those of iris and the large white Matilija...

Subtly-toned autumn scene by Sydney Cooper (American, 19th-20th C.). This is piece is composed of subdued fall tones - tan, pale green, and coppery reds. A blue stream cuts through t...

An impressionist portrayal of a longhorn standing in a pasture looking at the viewer. The grass around the longhorn shines a vibrant green in the warm sunlight of the scene. By Linda...

Elkhorn Slough - California Landscape in Oil on Canvas Gorgeous oil painting landscape of Elkhorn Slough, Elkhorn, California by B. Skinner (American, 20th Century). Two cranes are ...

Rocky Inlet (France) Oil on canvas, relined, c. 1915 Signed: K A Buehr, lower right (see photo) Created during the artist's time in Giverny and Normandy Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibitiion at the North Franklin Street Gallery. Provenance: Gift of the artist to his wife, Mary Hess Buehr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Gallery Condition: Craquelure to the paint surface (normal with aging of 100 years) Relined Canvas size: 11 1/8 x 14 1/4 inches Frame size: 16 x 19 inches “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

"Quiet Fields of Winter" by Bernard Corey is a beautiful landscape that showcases his exceptional talent for depicting tranquil, rural scenes throughout New England, particularly in ...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Portrait of a woman with green eyes that are highlighted by the light green background by Monterey California-area artist Patricia Gillfillan (American, 192...

Alpha Appeman Bancroft (1898-1984) was a female American Impressionist painter and wife of Albert Stokes Bancroft. Both were active in Denver, Colorado, and known for their Impressio...

This painting depicts an impressionistic scene of Peonies in a Blue Vase, a poetic piece with beautiful details. The work reminds us of Claude Monet, with impressions similarly captu...

American painter Paul King was born in Buffalo, New York on February 9, 1867. Mounted in a carved, gold leaf frame. This painting ships from San Diego, CA.

Robin Hill, Australian (1932 - ) - Study of The Green Chimney Oil, Year: 1992, Medium: Oil on Canvas, signed, Size: 8 x 11 in. (20.32 x 27.94 cm), Frame Size: 11 x 14 inches

This artwork "Sonoma County Landscape" 1901, is a watercolor on paper by noted California artist Elizabeth Hoen, 1868-1955. It is signed and dated at the lower right corner by the artist. The artwork (image) size is 6 x 7.5 inches, framed size is 12.5 x 13.65 inches. Custom framed in a gold frame, with beige matting. It is in excellent condition. About the artist: Born in Santa Rosa, California to a pioneering California family, Elizabeth Hoen was known for her watercolor paintings, many of them landscapes, in impressionist style. Her father, Berthold Hoen started a trading post in the Carillo adobe, the first building erected in the Sonoma Valley. He also helped survey and lay out the city of Santa Rosa. Elizabeth Hoen is not only the first painter to have their work cataloged into the Sonoma County Museum’s collection, but she was also a prolific artist in California in the late 19th and early 20th centuries and maintained a studio during a period when California art was largely dominated by men. She was from an important family in early Sonoma County history. Her father, Berthold Hoen, purchased land from the Carrillo family that would one day be...

Lily's and Glass Vase by Patricia Gillfillan Painterly study of a Glass vase and Lillys by Monterey California-area artist Patricia Gillfillan (American, 1924-2016). Oil on canvas. ...

Richard Heichberger (American, B. 1945) Dawn in the High Country, 1990 (Big Bear) Oil On Canvas Signed lower center Titled and dated in frame plate and on the verso Canvas: 12 X 15 ...

Gorgeous pair of two 1920's watercolor portraits of Gibson girls, one in blue and one in pink, by Charles Hollman (Dutch, 1877-1953). Each portrait renders...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Johann Berthelsen (1883 – 1972). Born in 1883 in Denmark to artistically inclined parents, Johann Berthelsen would become a widely successful singer, teacher, and painter. After his parents divorced, his mother brought Berthelsen and his siblings with her to the United States in 1890, eventually settling in Wisconsin. At eighteen, Berthelsen moved to Chicago in the hope of becoming an actor, but a friend at the Chicago Musical College convinced him to audition at his school. Berthelsen received a full scholarship and enrolled at the college, where he was awarded the Gold Medal twice. After graduating, he had an active career traveling across the United States and Canada performing in operas and concerts, before joining the voice faculty at his alma mater in 1910. In 1913, Berthelsen became the voice department director at the Indianapolis Conservatory of Music. While in Chicago, Berthelsen met the landscape painter, Svend Svendsen...

Gorgeous vibrant still life of roses, sweet peas, and calla lilies by Helen Mae Enoch Gleiforst (American, 1903-1997). Signed "Gleiforst" lower left. Displayed in a giltwood frame. I...

A dramatic mid-century western figurative action scene depicting a shootout in an old western town by Randy Steffen (American, 1917-1977), 1947. Several ...

Mt. Tamalpais Road California Landscape by Jesse Don Rasberry Lovely oil on artist board landscape painting of a road leading to Mt. Tamalpais by California artist Jesse Don Rasberr...

Bruce Crane Autumn Landscape Signed lower right Oil on canvas 16 x 24 inches Bruce Crane Was born in New York City, he studied with Alexander H. Wyant before attending the Art Stud...

Peaceful and harmonious mid century California landscape depicting rolling foothills dotted with green trees in the soft light of dawn, with a grove of tall birch trees punctuating t...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

untitled (Maine Autumn Landscape across the narrows from Mt. Desert) Watercolor, 1945-1955 Signed by the artist lower left in pencil (see photo) Provenance: Estate of the artist Cond...

Mountain Landscape with Wildflowers in the Marsh in Acrylic on Canvas Lush landscape by unknown central California coast artist Maria Pavao Hadsell (Portugal/American, 20th Century). The viewer stands at the edge of a marshy area, filled with yellow and red wildflowers, with patches of water and wet ground throughout. As the landscape begins to slope upward in the distance, the vegetation is green, with a few trees. A road follows the curve of the mountain, towering above the landscape. A few grey and white clouds drift through the blue sky. Maria Pavao Hadsell was born in Portugal and is mostly a self taught artist originally from Portugal. Later she immigrated to the USA and lived in Massachusetts, then she moved to Sunnyvale, California. Studied watercolor in Italy, and with Los Gatos artist William Wray Signed "M Pavao...

"Yeow! Pt, Death Valley", a black and white landscape photograph that borders on abstraction by Jeff Nixon (American, 20th century). Signed "Jeff Nixon" lower right. Titled "Yeow! Pt, Death Valley" on verso. Unframed. Photograph size: 8"H x 9.5"W. Mat,12"H x 15"W. Jeff Nixon began photographing in the late 1960's, and by the end of the millennium had acquired an impressive list of credentials; many years as a year round resident of Yosemite Valley, noted instructor in the techniques of black and white photography which he gleaned from his years of working with Ansel Adams, and learning the Zone System from the master himself. Jeff has been an instructor for two California Junior Colleges, Modesto and Columbia, has led extension courses for UC Santa Cruz and UC Berkeley, and taught and lectured in numerous seminars and classes. He has taught workshops and has had many showings nationwide, working with Morley Baer, Chris Rainier, Rod Dresser, and John Sexton...

"One Winter Evening" Northwest in Winter Snow and Stream - Oil on Linen Northwest Territories oil on linen layers of color and impasto give a winter glow to this work by Thomas Charl...

A fine impressionist oil painting of the boat shop by Italian American artist Antonio Cirino (1889-1983). Cirino was born in Italy and moved to the United States, attending the Rhode...

Spring Fever Ronald Julius Christensen, American (1923–1999) Date: 1980 Lithograph, signed and numbered in pencil Edition of 295 Size: 42 x 29.5 in. (106.68 x 74.93 cm)

Afternoon at the Beach is an example of the bright colors that Beckner uses in his paintings. The orange umbrella paintings were painted at Hilt...

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

Shelli Langdale's "On a Flower of Recognized Faces" is an original, handmade oil painting that depicts an impressionistic face with fields of color. Artist Bio: Shelli Langdale is an oil painter living and painting in Chattanooga, TN. U.S.A. She has a Bachelor of Science in Computer Science from the University of Alabama...

Turn of 20th Century Spanish-American War Coast Guard Cutter with Cannons Original Oil Painting A fine example of maritime ship portraiture oil painting of a Coast Guard Cutter with cannons under sails during the Spanish American War by renowned Nautical British/American painter Captain William Lindsay Challoner (British/American 1852-1901), 1901. Auction values Luminous and striking painting with seaman unfurling sails heading into rough waters. Challoner served as captain of a naval vessel (Coast Guard Cutter) during the Spanish-American War. Here he is depicted on the deck of the ship while seamen scramble aloft on the rigging during a gale. The captain stands tall before the cannons at the ready to fend off intruders. His paintings are rare and highly prized by museums and Nautical collectors alike. Signed: Lower right corner "W. Challoner" Not framed Dated: "1910" Provenance: A local Monterey Bay area estate find. Condition: Professionally restored (conservation report available) Image size: 27.75"H x 47.38"W William Lindsay Challoner lived the peripatetic life of a mariner, spending much of his time at sea, and in ports such as New Orleans and San Francisco, California. He was born in Bedminster, England, and attended the York Naval Academy. In 1880, Challoner married Mary Cadogan. That same year, the couple immigrated to Argentina and then New Orleans. They had one son, William Lindsay Challoner, Jr. Lloyd’s Lists record Challoner as master aboard J.P. Macheca, a “Clipper Schooner” running bananas from Jamaica during the mid-1880s. The clipper also raced at the Southern Yacht Club in New Orleans. As is often the case, Challoner’s middle name is misspelled as “Lindsey” in J.P. Macheca & Co. records. He is also said to have served as captain for vessels in the Morgan Line. Painting was at first an avocation for Challoner, but his draftsmanship and handling of paint suggest academic training. He may also have learned to make precise topographical drawings at the York Naval Academy. Many of his ship portraits are in the English tradition, notably followers of Samuel Walker, a leading English maritime artist in the 1850s. Like his Liverpool counterparts, Challoner used receding linear and atmospheric perspective to focus on the crisp portraits of specific ships. At their best, his canvases are highly finished, a style that imitates the Venetian tradition of topographical city views associated with Giovanni Antonio Canal, also known as Canaletto. However, Challoner’s restrained bravura paint handling also may bear witness to the influence of the French Impressionists. Challoner seems to have arrived in New Orleans about 1880. He advertised in the press and exhibited at the Creole Art Gallery and Grunewald’s Music Store in New Orleans. In 1887, Challoner moved to San Francisco, where he exhibited his maritime scenes at the Mechanic’s Institute and became a U.S. citizen. He may have been back in New Orleans after 1891, and served as captain of a naval vessel during the Spanish-American War. His art clients tended to be men involved in the shipping industry—ship owners and commission merchants, along with professional clubs and maritime benevolent societies. Challoner’s principal competition in New Orleans was August Norieri, a talented ship portraitist and painter of marines. While Norieri lived hand-to-mouth, Challoner drew a handsome salary working as a ship captain, presumably until shortly before his death at the age of 49. Securing the commission for painting the newly founded New Orleans Yacht Club suggests that Challoner was held in higher regard as an artist than Norieri. The two artists together met the market demand for ship portraiture and marine views in the port city, as had Edward Arnold and James Guy...

Mid Century Impressionist Still Life in Tissue Paper on Cardboard Impressionist still life by Honora Berg (American, 1897-1985). Pieces of tissue paper have been cut out and thought...

"Magnolias and the Whaling Museum" is an impressionistic plein air painting depicting a residential neighborhood in Sag Harbor's Historic District. Early spring has adorned the stree...

An original oil on board painting measuring 11 x 14 inches by Polish/American artist Leonard Rodowicz, signed lower right.

Painterly, colorful impressionist painting of a tree lined path on a sunny hillside overlooking Monhegan Island, with distinctive residences for artists and visitors, in this beautiful Art Colony by Margaret Cox Herrick (American, 1865-1950). Signed by the artist lower right, "M. C. Herrick." Oil on canvas. Linen wrapped wood liner. Gilt wood frame. Image, 16"H x 14"W. Born in San Francisco, CA on June 24, 1865, the daughter of artist Wm F. Herrick. Margaret studied at the local School of Design under Virgil Williams, Emil Carlsen, and Arthur Mathews...

Charming winter landscape in cool colors of a snowy farm scene in the mountains by an unknown artist. Signed "Fiiak" or "Fijak" "Kirk" and dated '81 lower right. Unframed. Image size...

CLARK HOBART (1868 – 1948) COLONIAL DAMES Monotype signed and titled in pencil Hobart was an early 20 c. California painter. He was on the forefront ...

George Gách (American, 1909-1996) The Old Tree in Glenwood Landing, 1957 Oil on canvas 23 x 27 in. Framed: 26 x 29 1/2 in. Singed lower right: Gách 1957 Provenance: Garden City Galleries, Garden City, NY Includes brochure. Born in Hungary, George Gách, the son of sculptor Stephen Gách (1880-1962), was noted for sculpture, impressionist painting and teaching. His subjects included animals, people, florals, nudes, cowboys, sports and scenes of Long Island, Bermuda, Mexico, Florida and upstate New York. Among his sculpture subjects are portrait busts of prime ministers, governors, corporate presidents and soccer stars. He served as a commercial pilot from 1939 to 1952. and in 1944, was shot down and given up as dead. He was also in prisoner of war camps twice during World War II and then in 1947, was almost imprisoned by the communists in Hungary. Gách graduated form the Academy of Fine Arts in Budapest in 1939, and then immigrated to the United States. He located his studio in Roslyn Heights Long Island, and at one point set a goal...

Mid century figurative of romantic adventures by Duleich (American, 20th Century). Presented in a wooden frame. Signed "Duleich '59" lower left. Image size, 30.25"H x 24"W. Framed si...

A large oil painting of a California coastline. After painting many sketches in his home state, Dalessio went to his studio and blew up the images he captured while on site. Aside bl...

Mid-Century still life by American artist Jean M. Stites of Fayetteville, North Carolina (b. 1929). A variety of yellow flowers are in a reddish vase, sur...

Portrait in bright colors and shapes

Gorgeous watercolor/gouache painting of a family of ducks swimming in a lake at dawn by Bill Reynolds (American, 1918-2008), 1970. The foreground is...

Original Mid-Century Red Farmhouse Watercolor Landscape Painting Beautiful mid-century 1940's watercolor of a bucolic farmhouse scene - sunset, undul...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

" Sunlit Mountains" Majestic Mount Jefferson And Mount Hood Oregon 1930s A well executed oil on linen of two mountain peaks by California and Illinois artist Andrew Dobos (American/P...

Jim Beckner's (US based) "Dock" is an oil painting that depicts a sailboat and other boats in the distance docked and crowded together. Artist statement: Jim Beckner’s art vibrate...

Figure reclining in interior

"Shelter Island, Long Island, NY 01.01.2000" is an American Impressionist landscape oil painting of a Hamptons beach, the shore line of Shelter Island NY. This work exhibits gorgeous...