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American Impressionist Art

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Style: American Impressionist
"Pony and Groom" 2014 oil painting on wood, impressionist sketch, equestrian
"Pony and Groom" 2014 oil painting on wood, impressionist sketch, equestrian

"Pony and Groom" 2014 oil painting on wood, impressionist sketch, equestrian

By Ben Fenske

Located in Sag Harbor, NY

"Pony and Groom" is an unframed, oil on wood panel, contemporary impressionist painting. Painted during the 2014 Wellington Winter Equestrian Festival. Center stage, stands a fit, br...

Category

21st Century and Contemporary American Impressionist Art

Materials

Oil, Wood Panel

Frederic Porter Vinton Landscape Oil Painting, Polling, Germany 1877
Frederic Porter Vinton Landscape Oil Painting, Polling, Germany 1877

Frederic Porter Vinton Landscape Oil Painting, Polling, Germany 1877

Located in Milford, NH

A well executed impressionist landscape of a cottage near a pond in Polling, Germany by American artist Frederic Porter Vinton (1846-1911). Vinton was born in Bangor, Maine, studied with William Morris Hunt, as well as taking drawing classes with the renowned anatomist, Dr. William Rimmer at the Lowell Institute in Boston and was drawing from casts at the Athenaeum. By 1874, Vinton saved enough money working at a local bank and writing art criticism for the Boston Advertiser to study in Europe. His first year in Europe he studied under Léon Bonnât in Paris and later, with the encouragement of Frank Duveneck, he went to the Royal Academy in Munich to study with Mauger, Carl Piloty, and Wilhelm von Diez. In 1875, preferring the French method of painting, Vinton returned to Paris to become one of Jean Paul Laurens' first American students. He returned to Boston in 1879 and, just a few years later in 1882, there would be a second study tour to Europe with artists William Merritt Chase and Robert Blum. This trip was spent in Spain studying the work of the Spanish master, Velázquez. His third trip to Europe came shortly after marrying Annie M...

Category

1870s American Impressionist Art

Materials

Canvas, Oil

"Winter Near the Creek"

"Winter Near the Creek"

By Walter Emerson Baum

Located in Lambertville, NJ

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Walter Emerson Baum (1884 - 1956) Born in Sellersville, Pe...

Category

20th Century American Impressionist Art

Materials

Canvas, Oil

Joyce Norwood, "Coastal Arrangement" 16x12 Floral Bouquet Oil Painting on Canvas
Joyce Norwood, "Coastal Arrangement" 16x12 Floral Bouquet Oil Painting on Canvas

Joyce Norwood, "Coastal Arrangement" 16x12 Floral Bouquet Oil Painting on Canvas

By Joyce Norwood

Located in Saratoga Springs, NY

This painting "Coastal Arrangement" is a 24x20 oil painting on canvas by artist Joyce Norwood. Featured is a lovely springy bouquet still life of two vases full of white, red, and pink flowers. Set against a background of bright blue skies and tan brown sands of a coastal landscape. Thick impressionistic brush strokes and color gives the overall painting a liveliness. About the Artist: A native of North Carolina and one of ten girls, Joyce always loved to draw especially from the human figure. Her education began at the New York Art Student’s League, studying under Robert Brackman and William Draper...

Category

2010s American Impressionist Art

Materials

Canvas, Oil

Still Life of Red Geraniums
Still Life of Red Geraniums

Still Life of Red Geraniums

By Henry Bayley Snell

Located in Bryn Mawr, PA

Signed lower right: Henry B. Snell Provenance Private collection Born in Richmond, England, on September 29, 1858, Henry Bayley Snell was the son of Edward and Elizabeth Snell. At ...

Category

20th Century American Impressionist Art

Materials

Pastel, Watercolor

Young Lady in Profile
Young Lady in Profile

Young Lady in Profile

By Harrison M. Fisher

Located in Fairlawn, OH

Young Lady in Profile (Dorothy Gibson) Graphite on paper, c. 1915 Signed lower right (see photo). The sitter for this drawing, along with a huge number of Harrison Fisher’s works, i...

Category

1910s American Impressionist Art

Materials

Graphite

Moonscape Sedona, Landscape
Moonscape Sedona, Landscape

Moonscape Sedona, Landscape

Located in Rockport, MA

Chris Long transitioned from a ten-year career as a sculptor and mold maker to embark on a self-taught journey into the world of painting in New Orleans in ...

Category

2010s American Impressionist Art

Materials

Canvas, Oil

Bouquet of Roses, Oil Painting, Impressionism, LA Academy of Figurative Art
Bouquet of Roses, Oil Painting, Impressionism, LA Academy of Figurative Art

Bouquet of Roses, Oil Painting, Impressionism, LA Academy of Figurative Art

Located in Houston, TX

Bouquet of Roses by Vadim Zang is an oil painting that is 14" x 11". This is painted in the style of Impressionism. Vadim Zanginian was born in Armenia in 1965. He is a graduate fr...

Category

2010s American Impressionist Art

Materials

Canvas, Oil

Temple of Isis, View of Philae (verso)
Temple of Isis, View of Philae (verso)

Temple of Isis, View of Philae (verso)

By Henry Bacon

Located in Fairlawn, OH

Temple of Isis Philae (verso) Dpouoble sided watercolor, 1902 Signed on front lower left: "Henry Bacon" and dated 1902 Note: The Temple of Isis is located on the Island of Philae at ...

Category

Early 1900s American Impressionist Art

Materials

Watercolor

Kent Wallis, Country Rapture, 60 X 72, oil on canvas
Kent Wallis, Country Rapture, 60 X 72, oil on canvas

Kent Wallis, Country Rapture, 60 X 72, oil on canvas

By Kent Wallis

Located in Dallas, TX

Kent Wallis' 'Country Rapture' expertly blends the schools of romantic realism and impressionism into a beautiful countryside scene with a garden in full bloom. The foreground of the...

Category

21st Century and Contemporary American Impressionist Art

Materials

Canvas, Cotton Canvas, Oil

Impressionistic Fireworks Painting Michael Budden 4th July Washington Monument
Impressionistic Fireworks Painting Michael Budden 4th July Washington Monument

Impressionistic Fireworks Painting Michael Budden 4th July Washington Monument

By Michael Budden

Located in Chesterfield, NJ

Spectacular Radiance, 4th of July, Washington Monument oil/panel 6 x 8 image unframed, 15.5 x 13.5 framed in a very showy frame. Frame can be changed. signed LL Spectacular Radiance ...

Category

21st Century and Contemporary American Impressionist Art

Materials

Oil

"Sail Boats in Harbor"
"Sail Boats in Harbor"

"Sail Boats in Harbor"

By Edward Willis Redfield

Located in Lambertville, NJ

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a youn...

Category

1890s American Impressionist Art

Materials

Canvas, Oil

American, Oriental Still Life with Ceramics
American, Oriental Still Life with Ceramics

American, Oriental Still Life with Ceramics

By Ernest Albert

Located in New York, NY

An amazing and impressive quality still life! Ernest Albert was a true Connecticut landscape artist, devoted to depicting the different seasons in an Impressionist manner. Albert was...

Category

1940s American Impressionist Art

Materials

Oil

American Impressionist Watercolor of Cows in Pasture by J. Augustus Beck
American Impressionist Watercolor of Cows in Pasture by J. Augustus Beck

American Impressionist Watercolor of Cows in Pasture by J. Augustus Beck

Located in New York, NY

Julius Augustus Beck (American, 1831-1917) Untitled, c. late 19th/early 20th century Watercolor on paper Sight: 14 3/4 x 6 1/3 in. Framed: 18 1/2 x 11 x 1 in. Signed lower right J. ...

Category

Late 19th Century American Impressionist Art

Materials

Paper, Watercolor

Wintry Landscape Drawing by Louis Eilshemius
Wintry Landscape Drawing by Louis Eilshemius

Wintry Landscape Drawing by Louis Eilshemius

By Louis Eilshemius

Located in New York, NY

Louis Elshemius (1864-1941) Untitled, late 19th/early 20th century Pencil and watercolor on paper Sight: 5 1/2 x 7 1/2 in. Framed: 10 x 12 1/4 x 1 in. Louis M. Eilshemius studied ar...

Category

Early 20th Century American Impressionist Art

Materials

Paper, Pencil, Watercolor

Charming Wetlands Painting by William Houghton Pearce
Charming Wetlands Painting by William Houghton Pearce

Charming Wetlands Painting by William Houghton Pearce

Located in New York, NY

William Houghton Sprague Pearce (American, 1864-1935) Untitled, c. late 19th/early 20th century Oil on canvas 10 x 14 in. Framed: 13 1/2 x 17 1/2 x 1 in. Signed and inscribed lower l...

Category

Late 19th Century American Impressionist Art

Materials

Canvas, Oil

Morning Tea

Morning Tea

By Itzchak Tarkay

Located in Fairfield, CT

Artist: Itzchak Tarkay (1935-2012) Title: Morning Tea Year: Circa 2000 Medium: Silkscreen on wove paper Size: 25.5 x 31.5 inches Edition: 126/199, plus pro...

Category

Early 2000s American Impressionist Art

Materials

Screen

Autumn Evening, Art Deco Acrylic Painting by Erik Freyman
Autumn Evening, Art Deco Acrylic Painting by Erik Freyman

Autumn Evening, Art Deco Acrylic Painting by Erik Freyman

By Erik Freyman

Located in Long Island City, NY

A fashionable couple takes a walk with their dogs down a path in a colorful fall landscape by Erik Freyman. Autumn Evening Erik Freyman, Russian (1932–2018) Date: circa 2000 Acrylic...

Category

Early 2000s American Impressionist Art

Materials

Canvas, Acrylic

Charles Partridge Adams Rocky Mountain Landscape Drawing, Western Art
Charles Partridge Adams Rocky Mountain Landscape Drawing, Western Art

Charles Partridge Adams Rocky Mountain Landscape Drawing, Western Art

By Charles Partridge Adams

Located in Denver, CO

A rare original landscape drawing by celebrated American Western artist Charles Partridge Adams (1858–1942), one of the most important painters of the Colorado Rockies and the American West. Executed as a field study during the early twentieth century, this expressive work captures the dramatic beauty of the Colorado wilderness with remarkable economy and skill. Rendered in ink on paper, the composition depicts a storm moving across a mountainous landscape, with windswept trees, rolling terrain, and billowing clouds animated by Adams' confident hand. The drawing reveals the artist's exceptional ability to convey atmosphere, movement, and light through minimal yet highly effective marks. Best known for his iconic Rocky Mountain paintings...

Category

Early 20th Century American Impressionist Art

Materials

Ink

Winter Wildfowling Etching, American Impressionist, Signed, 1927
Winter Wildfowling Etching, American Impressionist, Signed, 1927

Winter Wildfowling Etching, American Impressionist, Signed, 1927

By Frank Benson

Located in New York, NY

This 1927 etching by Frank W. Benson is entitled Winter Wildfowling. Printed in an edition of 150 this impression is signed in pencil, lower left. The image size 11 7/8 x 9 7/8" (30 x 24.8 cm) and sheet size 15 1/16 x 12 5/8" (38.3 x 32 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Category

1920s American Impressionist Art

Materials

Etching

GIRL WADING
GIRL WADING

GIRL WADING

By Edward Henry Potthast

Located in Portland, ME

Potthast, Edward H. GIRL WADING. Colored pencil drawing on paper, not dated. Signed recto, lower right "E. Potthast," lower right, and inscribed "Holiday Greetings" and signed "Edw. ...

Category

Late 19th Century American Impressionist Art

Materials

Color Pencil

Anthony Thieme Coastal Seascape Oil Painting, The Surf
Anthony Thieme Coastal Seascape Oil Painting, The Surf

Anthony Thieme Coastal Seascape Oil Painting, The Surf

By Anthony Thieme

Located in Milford, NH

A powerful seascape oil painting by Dutch / American artist Anthony Thieme (1888-1954). Thieme was born in Rotterdam, Holland and, after traveling in Europe, England, & South Ame...

Category

Early 20th Century American Impressionist Art

Materials

Canvas, Oil

Wanderer - Oil Painting by Chaim Goldberg
Wanderer - Oil Painting by Chaim Goldberg

Wanderer - Oil Painting by Chaim Goldberg

By Chaïm Goldberg

Located in Long Island City, NY

Artist: Chaim Goldberg, Israeli (1917-2004) Title: Wanderer Medium: Oil on Canvas, Signed on Bottom Right and Left Size: 39 x 28 inches Frame Size 46 x 34.5 inches

Category

1960s American Impressionist Art

Materials

Oil

Sailing in Rockport Harbour
Sailing in Rockport Harbour

Sailing in Rockport Harbour

By Wayne Morrell 1

Located in Saratoga Springs, NY

Signed lower left. In this painting, Morrell brings to life a bustling seascape off the coast of Rockport. The work showcases his artistic signature, with an impressionistic brushs...

Category

Mid-20th Century American Impressionist Art

Materials

Oil, Board

Mission Palm Shadow Impressionism 8"x6" Landscape Southwest USA
Mission Palm Shadow Impressionism 8"x6" Landscape Southwest USA

Mission Palm Shadow Impressionism 8"x6" Landscape Southwest USA

By Virginia Vaughan

Located in Houston, TX

Mission San Jose in San Antonio is known for spectacular architecture, but the dramatic shadow cast by one simple palm tree shows the light and shadow in the painting. Founding the “Queen of the Missions” In 1719, Father Margil de Jesús, a seasoned Franciscan missionary, was at Mission San Antonio de Valero (today’s Alamo), awaiting the opportunity to re-establish missions in east Texas. Before too long, he saw need for another mission in the San Antonio River valley. He wrote the Marqués de Aguayo, then governor of the Province of Coahuila and Texas, requesting permission to establish a second mission south of San Antonio de Valero. He felt he was prepared to establish this mission at once as he had necessary church goods with him, even a statue of Saint Joseph. The Marqués agreed and founding ceremonies took place on February 23, 1720. On February 23, 1720 the Writ of Possession was signed for this mission, read the Writ of Possession here. Leaders of three Indian bands that wanted to come into the mission were appointed governor, judge, and sheriff in the new community of San José y San Miguel de Aguayo. Father Margil entrusted the care of the project to Father Núñez and two soldiers. The building of the limestone church, with its extraordinary Spanish colonial Baroque architecture and statuary began in 1768 — the peak of this mission’s development. At that time there were 350 Indians residing in 84 two-room apartments. Based on Father Morfi’s description of what he saw here when he visited in 1777, the church of Mission San José came to be known as the “Queen of the Missions.” V....Vaughan is known for impressionist paintings of wildlife...

Category

2010s American Impressionist Art

Materials

Oil, Panel

Iris

Iris

By Jane DeDecker

Located in Greenwich, CT

Edition of 17 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her ...

Category

2010s American Impressionist Art

Materials

Bronze

High Bridge, Washington Heights, NYC Impressionist Landscape Oil Painting
High Bridge, Washington Heights, NYC Impressionist Landscape Oil Painting

High Bridge, Washington Heights, NYC Impressionist Landscape Oil Painting

Located in Wilton Manors, FL

High Bridge, Washington Heights, NYC Landscape, ca. 1960's. Oil on illustration board, 16 x 20 inches. Measuring 24 x 28 inches in vintage wood frame with original surface treatmen...

Category

1960s American Impressionist Art

Materials

Oil, Illustration Board

"JAYWALKER" TEXAS LONGHORN CATTLE
"JAYWALKER" TEXAS LONGHORN CATTLE

"JAYWALKER" TEXAS LONGHORN CATTLE

By CHUCK MAULDIN

Located in San Antonio, TX

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 16 x 20 Frame: 23 x 27 Medium: Oil "Jaywalker" A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles Sovek...

Category

20th Century American Impressionist Art

Materials

Oil

"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism

"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism

By Max Kuehne

Located in New York, NY

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

Category

1910s American Impressionist Art

Materials

Paper, Watercolor

Fifth Ave, Acrylic Painting on Board by Eric Freyman
Fifth Ave, Acrylic Painting on Board by Eric Freyman

Fifth Ave, Acrylic Painting on Board by Eric Freyman

By Erik Freyman

Located in Long Island City, NY

A woman and her dog strut down Fifth Avenue with the Empire State Building in the background. Fifth Ave Erik Freyman, Russian (1932–2018) Date: circa 1980 Acrylic on board, signed l...

Category

1980s American Impressionist Art

Materials

Acrylic, Board

"Island Inn, Monhegan Island" Vintage Coastal Maine Landscape in Oil on Canvas
"Island Inn, Monhegan Island" Vintage Coastal Maine Landscape in Oil on Canvas

"Island Inn, Monhegan Island" Vintage Coastal Maine Landscape in Oil on Canvas

By Richmond Irwin Kelsey

Located in Soquel, CA

"Island Inn, Monhegan Island" Vintage Coastal Maine Landscape in Oil on Canvas The Island Inn on Monhegan Island Maine, a beautiful landscape by Richmond Irwin Kelsey (American, 190...

Category

1970s American Impressionist Art

Materials

Oil, Illustration Board

Nita
Nita

Nita

By James Carroll Beckwith

Located in New York, NY

JAMES CARROLL BECKWITH (1852-1917) Nita Oil on panel 10 1/16 x 7 5/8 inches Signed lower right Inscribed, “Background of/Nita Sewell/1897,” verso James Carroll Beckwith enjoyed enor...

Category

Late 19th Century American Impressionist Art

Materials

Oil, Panel

American Impressionist painting of the Monterey, California Hills
American Impressionist painting of the Monterey, California Hills

American Impressionist painting of the Monterey, California Hills

By John O'Shea

Located in Colfax, CA

A bright and cheerful depiction of the hills near Monterey, CA by American artist John O'Shea. Born in Ireland in 1913, O'Shea moved to Pasadena, California and began his career as ...

Category

1930s American Impressionist Art

Materials

Oil

Elk Mount
Elk Mount

Elk Mount

Located in Belgrade, MT

This is a monumental sculpture which gives us a conversation about our relationship with the natural world. It is not only a straight up beautiful form of our majestic elk but it is ...

Category

2010s American Impressionist Art

Materials

Copper, Steel, Iron, Wire

American Impressionist art for sale on 1stDibs.

Find a wide variety of authentic American Impressionist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Mitchell Funk, Marc Dalessio, Cindy Shaoul, and Michael Budden. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Impressionist art, so small editions measuring 0.33 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $95 and tops out at $1,250,000, while the average work sells for $1,652.