American Realist Art
Style: American Realist
Color: Beige
Tshusick, An Ojibway Woman
Located in Missouri, MO
Lithograph with original hand color.
Sheet size: 18.5 x 13.25 inches.
Framed Size: 24 x 20 3/8 inches
Date : c. 1836-44
Mckenney and Hall's hand colored lithographs remain some of...
Category
1830s American Realist Art
Materials
Lithograph
The Black Hat (Emma in a Black Hat)
Located in New York, NY
George Bellows (1882-1925), The Black Hat (Emma in a Black Hat), lithograph, 1921. Reference: Morse 113. From the edition of 55. Signed in pencil by the arti...
Category
1920s American Realist Art
Materials
Lithograph
Study of Turnstones.
By Frank Benson
Located in New York, NY
Frank Benson made this drypoint in 1928. The second state of two.
A scarce print with no recorded printings of the second state - presumably, at least two were printed. The image size is 4 7/8 x 5 7/8" (12.4 x 14.9 cm). #282 in the Frank W. Benson catalogue raisonne by Adam Paff.
Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
Early 20th Century American Realist Art
Materials
Drypoint
Sweet and Sour
By Mark Schiff
Located in Boca Raton, FL
Sweet and Sour by Mark Schiff
We guarantee that you will love this painting. If not, you can return it for a complete refund, no questions asked.
Category
Early 2000s American Realist Art
Materials
Canvas, Oil
Country Life
By Stuart Davis
Located in Miami, FL
Early work when Stuart Davis was an illustrator.
Christie's, New York
Catalogue Raisonné
Category
1920s American Realist Art
Materials
India Ink, Pencil
Champagne for the Honeymoon
Located in Miami, FL
Pruett Carter captures the quintessential look of the 1950's in this loosely rendered but charming work for Redbook. Bright, punchy colors define each object and are arranged in a simplified but complex composition of intersecting and overlapping planes of color.
The double portrait of the girl expresses a peak moment of introspection. She ponders her situation while preparing to get dressed for her special occasion. The whole scene is imbued with suspense about her future. Carter is a great academic painter. With just a few light touches of the brush, he quickly defines the form of the subject and achieves the X factor of the work. The profile and frontal view of the girl clearly are the same person. He nails her look. This is hard to do. Do not underestimate it. Sadly, there is a reason why there are very few contemporary artists can actually paint and draw without tracing photographs or resort to naive painting. It's hard to do. It's hard to be a painter. You can not fake...
Category
1950s American Realist Art
Materials
Oil
Two Soldiers with Machine Gun
Located in Miami, FL
Arnold Finkel Gallery, Philadelphia, PA
Heritage
Some slight fading. Mounted to illustration board, Could be Unframed - Not sure if it is framed but the frame is old with wear.
Reco...
Category
1940s American Realist Art
Materials
Watercolor
Sitting Nude exudes sexuality
Located in Miami, FL
The key element to this work is that it is much larger that most of the other works on paper by Lachaise and somewhat more delineated and refined . The figure exudes sexuality has a...
Category
1920s American Realist Art
Materials
Pencil
Matchbox: The Tobacco Safety Match
By David Wharton
Located in Palm Desert, CA
A watercolor on paper executed in bright and saturated red, yellow and blue depicting a box of matches by American artist David Wharton. Signed lower le...
Category
Early 2000s American Realist Art
Materials
Paper, Watercolor
Butterflies and Hibiscus
By Ben Black
Located in Soquel, CA
Beautiful drawing of double Hibiscus and Butterflies dancing around a log by Ben Black (American, 1922-2003). Signed and dated "Ben Black '95" lower right. Unframed. Image 20"H x 28"L, Mat 30"L x 22"H.
Ben Black was born in Boston, he graduated from the Massachusetts College of Art 1947. He served in World War 2. He was an art director at one of Boston's leading advertising firms, later opened his own studio where his works were included in The New Yorker Magazine, Saturday Evening Post, Reader's Digest, establishing himself as a leading American Illustrator. He had many solo and group exhibitions throughout New England and his work is collected throughout the world. Originally known for his clowns, he created a limited edition series of plates for Royal Daulton as well as clown figurines...
Category
1990s American Realist Art
Materials
Gouache, India Ink, Watercolor
Rug and Hat
Located in Buffalo, NY
An original acrylic on panel by American female artist Catherine Koenig. This stunning work created in 1980 is part of the Draw Near exhibition on view at Benjaman Gallery
Category
1980s American Realist Art
Materials
Panel, Acrylic
Legs Haight Ashbury, San Francisco
Located in Miami, FL
Signed and dated on lower right, numbered on verso, 2/15 Printed later, other size available, unframed
Category
Early 2000s American Realist Art
Materials
Photographic Paper
"Elegant Still Life of Yellow Bottle and Teapot, and Polka Dot Cup"
Located in Wellesley, MA
"Elegant Still Life of Yellow Bottle and Teapot, and Polka Dot Cup"
Olga Antonova’s subject is compositions of extraordinarily elegant and beautiful cu...
Category
2010s American Realist Art
Materials
Oil, Canvas
Mickey Mantle, Yankees, Original Pastel Drawing by Jack Lane
By Jack Lane
Located in Long Island City, NY
A pastel drawing of Mickey Mantle by Jack Lane from 1986. A classic sports illustration of the legendary Mickey Mantle of the New York Yankees at bat. Fr...
Category
1980s American Realist Art
Materials
Pastel, Paper
Orange Cupcake (Dad's Favorite), Framed
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- GINA MINICHINO
Artist Statement
I love junk food. Who doesn’t? In my latest series of paintings, I am presenting snippets of c...
Category
21st Century and Contemporary American Realist Art
Materials
Panel, Oil
Nemesis
By Bruce Adams
Located in Buffalo, NY
Bruce Adams often references historical painting themes and styles in order to throw into relief western tropes in figurative art. Here as part of the artist's series Myths and Lies,...
Category
21st Century and Contemporary American Realist Art
Materials
Linen, Oil
Seated Nude
By Jan De Ruth
Located in Long Island City, NY
Artist: Jan De Ruth, Czech (1922 - 1991)
Title: Seated Nude
Year: circa 1960
Medium: Oil on Canvas, signed lower left
Size: 36 in. x 24 in. (91.44 cm x...
Category
1960s American Realist Art
Materials
Oil
'Threshing' — 1940s American Regionalism
Located in Myrtle Beach, SC
Thomas Hart Benton, 'Threshing', lithograph, 1941, edition 250, Fath 48. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impression, on off-white, wove paper, with full margins (1 3/8 to 1 5/8 inches), in excellent condition. Published by Associated American Artists. Image size 9 5/16 x 13 13/16 inches (237 x 351 mm); sheet size 12 1/2 x 16 5/8 inches (318 x 422 mm). Archivally matted to museum standards, unframed.
Impressions of this work are held in the following museum collections: Art Institute of Chicago, Fine Arts Museums of San Francisco, High Museum of Art, McNay Art Museum, Montgomery Museum of Fine Arts, and Nelson-Atkins Museum of Art.
ABOUT THE ARTIST
“Benton’s idiom was essentially political and rhetorical, the painterly equivalent of the country stump speeches that were a Benton family tradition. The artist vividly recalled accompanying his father, Maecenas E. Benton — a four-term U.S. congressman, on campaigns through rural Missouri. Young Tom Benton grew up with an instinct for constituencies that led him to assess art on the basis of its audience appeal. His own art, after the experiments with abstraction, was high-spirited entertainment designed to catch and hold an audience with a political message neatly bracketed between humor and local color.” —Elizabeth Broun “Thomas Hart Benton: A Politician in Art,” Smithsonian Studies in American Art, Spring 1987, p. 61
Born in 1889 in Neosho, Missouri, Benton spent much of his childhood and adolescence in Washington, D.C., where his lawyer father, Maecenas Eason Benton, served as a Democratic member of Congress from 1897 to 1905. Hoping to groom him for a political career, Benton’s father sent him to Western Military Academy. After nearly two years at the academy, Benton convinced his mother to support him through two years at the Art Institute of Chicago, followed by two more years at the Academie Julian in Paris.
Benton returned to America in 1912 and moved to New York to pursue his artistic career. One of his first jobs was painting sets for silent movies, which were being produced in Fort Lee, New Jersey. Benton credits this experience with giving him the skills he needed to make his large-scale murals.
When World War I broke out, Benton joined the Navy. Stationed in Norfolk, Virginia, he was assigned to create drawings of the camouflaged ships arriving at Norfolk Naval Station. The renderings were used to identify vessels should they be lost in battle. Benton credited being a ‘camofleur’ as having a profound impact on his career. “When I came out of the Navy after the First World War,” he said, “I made up my mind that I wasn’t going to be just a studio painter, a pattern maker in the fashion then dominating the art world–as it still does. I began to think of returning to the painting of subjects, subjects with meanings, which people, in general, might be interested in.”
While developing his ‘regionalist’ vision, Benton also taught art, first at a city-supported school and then at The Art Students League (1926–1935). One of his students was a young Jackson Pollock, who looked upon Benton as a mentor and a father figure. In 1930, Benton was commissioned to paint a mural for the New School for Social Research. The ‘America Today’ mural, now on permanent exhibit at the Metropolitan Museum of Art, was followed by many more commissions as Benton’s work gained acclaim.
The Regionalist Movement gained popularity during the Great Depression of the 1930s. Painters, including Benton, Grant Wood, and John Steuart Curry, rejected modernist European influences preferring to depict realistic images of small-town and rural life—reassuring images of the American heartland during a period of upheaval. Time Magazine called Benton 'the most virile of U.S. painters of the U.S. Scene,' featuring his self-portrait on the cover of a 1934 issue that included a story about 'The Birth of Regionalism.'
In 1935, Benton left New York and moved back to Missouri, where he taught at the Kansas City Art Institute. Benton’s outspoken criticism of modern art, art critics, and political views alienated him from many influencers in political and art scenes. While remaining true to his beliefs, Benton continued to create murals, paintings, and prints of some of the most enduring images of American life. The dramatic and engaging qualities of Benton’s paintings and murals attracted the attention of Hollywood producers. He was hired to create illustrations and posters for films, including his famous lithographs for the film adaptation of John Steinbeck’s ‘Grapes of Wrath’ produced by Twentieth Century Fox.
Benton’s work can be found at the Art Institute of Chicago, High Museum of Art, Fine Arts Museums of San Francisco, Library of Congress, McNay Art Museum, Metropolitan Museum of Art, Minneapolis Institute of Arts, Montgomery Museum of Fine Arts, National Gallery of Art, Nelson-Atkins Museum of Art, Smithsonian American Art Museum, Whitney Museum of American Art, The Truman Library and many other museums and galleries across the US. He was elected to the National Academy of Design, has illustrated many books, authored his autobiography, and is the subject of ‘Thomas Hart Benton,’ a documentary by Ken Burns.
Category
1940s American Realist Art
Materials
Lithograph
Unfolding Temporal Manifestation
By Jim Woodson
Located in Dallas, TX
Short Statements on Painting by Jim Woodson (in no particular order):
Remember less, Explore More
Learn then forget, then look and discover
Move Thought into Thinking
A verb is more...
Category
2010s American Realist Art
Materials
Canvas, Oil
Paglieri dai Fiori le Cipri I Profumi
Located in Spokane, WA
Original vintage poster: Paglieri dai fiori le Cipri i Profumi. Italian artist: Gino Boccasile (1901 - 1952). Size: 13.25" x 19". Archival linen...
Category
1940s American Realist Art
Materials
Offset
In Close Pursuit
Located in Missouri, MO
Site Size: 20 x 15 inches
Framed Size: 28.5 x 24 inches
Donald Spaulding's artistic talents were recognized early. Encouraged by his high school teachers to pursue formal art traini...
Category
1990s American Realist Art
Materials
Illustration Board, Oil
The Jolly Flatboatmen
Located in Missouri, MO
George Caleb Bingham (American, Missouri, 1811-1879)
Painted by G. C. Bingham
Engraved by T. Doney
The Jolly Flatboatmen, 1847
Engraving
18 1/2 x 24 ...
Category
Mid-19th Century American Realist Art
Materials
Engraving
Gentleman Napping in a Chair (Possibly for Ichabod Crane or other Illustration)
Located in Missouri, MO
Everett Shinn
"Gentleman Napping in a Chair" (Illustration)
Pen and Ink on Paper
Initialed "E.S." Lower Right
Displaying an early aptitude for drawing, coupled with a strong interes...
Category
Early 20th Century American Realist Art
Materials
Ink, Paper, Pen
Work and Play
By Gordon Grant
Located in Missouri, MO
Gordan Hope Grant (1875-1962)
"Work and Play"
Lithograph
Signed in Pencil Lower Right
Image Size: 9 x 11.5 inches
Framed Size: approx 18 x 20.5 inches
Born in San Francisco, Gordon Grant is known for his etchings and paintings of marine subjects. He also painted portraits, streets, harbors, beaches and marines, and was an illustrator, whose work included pulp fiction* for Popular Detective magazine in the 1930s. Skilled with watercolor, Grant was honored many times by the American Watercolor Society*. Memberships included the Society of Illustrators*, Salmagundi Club*, Allied Artists of America*, New York Society of Painters, and American Federation of Artists*.
At age 13, he was sent to Scotland for schooling, and the four-month sail around Cape Horn remained a permanent influence on his career. He studied art in Heatherly and at the Lambeth School of Art* in London, and then in 1895, he became a staff artist for the San Francisco Examiner. The next year, he took the same type of job for the New York World and covered the Boer War for Harper's Weekly. He also worked for Puck magazine...
Category
Mid-20th Century American Realist Art
Materials
Lithograph
Coney Island
By Paul Cadmus
Located in New York, NY
Paul Cadmus (1904-1999)
Coney Island–1935, Etching.
Johnson and Miller 81. Edition 50. Signed in pencil. Annotated Edition of 50 – 1935 in pencil, i...
Category
1930s American Realist Art
Materials
Etching
American Realist art for sale on 1stDibs.
Find a wide variety of authentic American Realist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Slim Aarons, Willard Dixon, Nicholas Evans-Cato, and Mitchell Funk. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Realist art, so small editions measuring 0.99 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $51 and tops out at $2,750,000, while the average work sells for $2,800.
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