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Style: Art Nouveau
Period: 1990s
René Gruau Les Pivonies The Peony Limited Edition Lithograph
By René Gruau
Located in Rochester Hills, MI
René Gruau
LES PIVOINES - THE PEONY - 1998
Print - Lithograph on Arches Archival Paper 46'' x 22''
Edition: Signed in pencil and marked 59/300
Embossed with the printers stamp Mou...
Category
1990s Art Nouveau
Materials
Lithograph
René Gruau Signed Lithograph LES IRIS Mourlot Limited Edition
By René Gruau
Located in Rochester Hills, MI
René Gruau
LES IRIS - 1998
Print -Lithograph on Arches Archival Paper
46'' x 20'' inches
Edition: signed in pencil, titled and marked 285/300
Embossed with the printers stamp M...
Category
1990s Art Nouveau
Materials
Lithograph
Pomme Bouche, Brooch, Claude Lalanne, French, Design, 1990's, Bronze, Jewels
By Claude Lalanne
Located in Geneva, CH
Pomme Bouche, Brooch, Claude Lalanne, French, Design, 1990's, Bronze, Jewels
Brooch Pomme Bouche
1990
Edition Arthus-bertrand, Paris
Bronze with a golden...
Category
1990s Art Nouveau
Materials
Bronze
CLÉMENT CYCLES Lithograph, Woman on Bicycle, Moon, French Advertising Art 52"
Located in Union City, NJ
CLÉMENT CYCLES is a fine art lithograph re-creation after the original French advertising poster created by PAL(Jean de Paleologue) for Fernand Clément Bicycle Co., France.
Hand craf...
Category
1990s Art Nouveau
Materials
Lithograph
Ex Libris. Paper, etching, 11x7 cm
Located in Riga, LV
Ex Libris A. Zuyeva
Paper, etching, 11x7 cm
Category
1990s Art Nouveau
Materials
Etching, Paper
Ex libris. Paper, woodcut, 11x7cm
Located in Riga, LV
Ex libris Olav Tähe
Paper, woodcut, 11x7cm
Category
1990s Art Nouveau
Materials
Woodcut, Paper
Three graces. Paper, etching, 12x11cm
Located in Riga, LV
Three graces. Paper, etching, 12x11cm
Category
1990s Art Nouveau
Materials
Etching, Paper
Lucien Henri Weil " WEILUC" Le Frou Frou French Vintage Poster, Wall Art
Located in Plainview, NY
A fine vintage reproduction of Le Frou Frou French poster originally created by WEILUC (Lucien-Henri Weil, 1873-1947). Le "Frou Frou", which in French mea...
Category
1990s Art Nouveau
Materials
Glass, Paper
CLINIQUE CHÉRON Lithograph, Girl with Cats, Dogs, Vintage French Advertising 58"
Located in Union City, NJ
CLINIQUE CHÉRON is a fine art lithographic re-creation after the original 1905 vintage French advertising poster created by Théophile Steinlen for the ...
Category
1990s Art Nouveau
Materials
Lithograph
"Yvette Guilbert" by Toulouse-Lautrec
Located in Hinsdale, IL
TOULOUSE-LAUTREC, HENRI DE
(1864-1901)
"Yvette Guilbert – A Menilmontant de Bruant"
Delteil 255, Adhemar 311
Lithograph printed in black with beige t...
Category
1990s Art Nouveau
Materials
Lithograph
Related Items
"Lorenzaccio" by Alphonse Mucha from Les Maitres de l'Affiche
Located in Hinsdale, IL
Alphonse Mucha
"Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet"
Plate #114
Image Size: 15" x 11"
1896
Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations...
Category
1890s Art Nouveau
Materials
Lithograph
H 23 in W 14.5 in D 1 in
'Madman's Drum (Plate 41)' — 1930s Graphic Modernism
By Lynd Ward
Located in Myrtle Beach, SC
Lynd Ward, 'Madman's Drum, Plate 41', wood engraving, 1930, edition small. Signed in pencil. A fine, black impression, on off-white tissue-thin Japan paper; the full sheet with margins (1 5/8 to 2 1/2 inches); a small paper blemish in the upper right margin, away from the image, otherwise in excellent condition. Scarce. Matted to museum standards, unframed.
Image size 5 1/2 x 3 3/4 inches (140 x 95 mm); sheet size 9 5/8 x 7 1/8 inches (244 x 181 mm).
From Lynd Ward’s book of illustrations without words, 'Madman’s Drum', Jonathan Cape and Harrison Smith, New York, 1930. Illustrated in 'Storyteller Without Words: The Wood Engravings of Lynd Ward', Harry Abrams, New York, 1974.
Reproduced in 'Storyteller Without Words, the Wood Engravings of Lynd Ward', Harry N. Abrams, New York, 1974.
ABOUT THE ARTIST
Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society.
The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage...
Category
1930s Art Nouveau
Materials
Woodcut
Double Sided Gold Plated Medallion (Limited Edition; Signed and Stamped)
Located in New York, NY
ARNALDO POMODORO
Double Sided Gold Plated Medallion, 1985
Bronze with Gold Patina
2 7/10 × 2 7/10 × 3/10 inches
Limited Edition of 500
Signed by artist with incised signature; Stampe...
Category
1980s Art Nouveau
Materials
Gold, Bronze
Tomato Catsup, A.C. Annie, Lola Cola, Tobacco Red
By Mel Ramos
Located in Palm Desert, CA
Four prints by Mel Ramos. “Tomato Catsup, A.C. Annie, Lola Cola,” and “Tobacco Red” are pop art, offset lithographs in a palette of yellows, orange, and pink by the playful Mel Ramos. The artwork is signed in pencil in the lower right of each print, “Mel Ramos 72.” Framed dimensions are 37 x 31 5/8 x 1 7/8 inches each.
Mel Ramos is a California based Pop artist best known for his paintings of superheroes and female nudes, including Marilyn Monroe and Scarlet Johansson, with pop culture imagery. Many of his subjects emerge from Chiquita bananas...
Category
1970s Art Nouveau
Materials
Lithograph
Oh, by John Reeves, rotating, bronze, sculpture, shape shift, granite, edition
By John Reeves
Located in Santa Fe, NM
Oh, by John Reeves, rotating, bronze, sculpture, shape shift, granite, edition
Oh, John Reeves rotating, bronze, sculpture, shape shift, granite, edition
Oh, rotating bronze sculpt...
Category
21st Century and Contemporary Art Nouveau
Materials
Granite, Bronze
H 45 in W 26 in D 14 in
Nude IX - XXI Century, Contemporary Figurative Aquatint Etching Print
Located in Warsaw, PL
MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...
Category
2010s Art Nouveau
Materials
Paper, Etching, Aquatint
Gold Gilt Bronze Sculpture Pendant Israeli Tumarkin Abstract Modernist Jewelry
Located in Surfside, FL
Measures about 4.25 X 2.25 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not kn...
Category
1960s Art Nouveau
Materials
Gold, Bronze
Gold Gilt Bronze Sculpture Necklace Art Israeli Tumarkin Abstract Surrealist
Located in Surfside, FL
Measures about 4 X 3.75 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know ...
Category
1960s Art Nouveau
Materials
Gold, Bronze
Shunga - Woodcut by Katsukawa Schuncho - Mid-18th Century
Located in Roma, IT
Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century.
Oban yokoe.
Erotic scene from the series "Koshuko zue juni ko" (Erotic pictures...
Category
1750s Art Nouveau
Materials
Woodcut, Paper
H 9.85 in W 11.82 in D 0.04 in
Orbits ( cast bronze trays )
Located in Villafranca Di Verona, IT
Cast bronze Trays
Ø 28, 35, 47 cm
Ø 11", 13"7/8, 18"1/2 in.
Category
2010s Art Nouveau
Materials
Bronze
Tahiti
Located in San Francisco, CA
This artwork titled "Tahiti" 1941 Is a original woodcut by noted French/German artist Wolfgang Wolff, 1909-1994. It is hand signed in pencil by the artist at the lower right corner, ...
Category
Mid-20th Century Art Nouveau
Materials
Woodcut
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Nouveau
Materials
Woodcut
H 5.75 in W 8.25 in D 0.1 in
Art Nouveau art for sale on 1stDibs.
Find a wide variety of authentic art Nouveau available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, orange, blue, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Alphonse Mucha, Jules Chéret, Henri de Toulouse-Lautrec, and Adolphe Willette. Frequently made by artists working with Lithograph, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Art Nouveau, so small editions measuring 1.58 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $198,500, while the average work sells for $1,683.
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