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Style: Minimalist
Artist: Brice Marden
Limited Edition lithographic poster, Museum für Gegenwartskunst Basel (Framed)
By Brice Marden
Located in New York, NY
Brice Marden
Limited Edition lithographic poster, Museum für Gegenwartskunst Basel (Framed), 1993
Offset Lithograph
Limited edition of 500
Publisher
Museum für Gegenwartskunst Basel,...
Category
1990s Minimalist Art
Materials
Lithograph, Offset
Elevation Exhibition Poster (Hand Signed by Brice Marden) acquired 24" x 34.75"
By Brice Marden
Located in New York, NY
Brice Marden
Elevation Poster (Hand Signed by Brice Marden), 2019
Offset lithograph. Hand Signed by Brice Marden
Boldly signed in black marker by Brice Marden on the front
24 × 34 3/...
Category
2010s Minimalist Art
Materials
Felt Pen, Lithograph, Offset
Brice Marden, Etching for Parkett - Signed Print, Minimalism, Abstract Art
By Brice Marden
Located in Hamburg, DE
Brice Marden (American, b. 1938)
Etching for Parkett, 1986
Medium: Sugar lift and aquatint on Rives BFK, bound in Parkett journal no. 7
Dimensions: 25.5 x 21 cm
Edition of 100: Hand-...
Category
20th Century Minimalist Art
Materials
Aquatint
Poster of Brice Marden's studio (hand signed by Brice Marden) Nan Goldin photo
By Brice Marden
Located in New York, NY
Brice Marden's Studio
Offset lithograph poster (hand signed by Brice Marden in 2015)
This print was published on the occasion of Brice Marden's 1996 exhibition at the Matthew Marks Gallery in Chelsea, New York City. The image is based on Nan Goldin's 1995 photograph of Marden working in his studio. The print was signed by Brice Marden for the present owner.
A collectors item when hand signed!
About Brice Marden:
Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation.
—Brice Marden
Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color.
Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966.
A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...
Category
2010s Minimalist Art
Materials
Pencil, Lithograph, Offset
Matthew Marks gallery poster: Attendants Bears and Rocks, Signed by Brice Marden
By Brice Marden
Located in New York, NY
Brice Marden
Attendants, Bears and Rocks (Hand Signed by Brice Marden), 2002
Offset Lithograph Poster
Hand signed boldly in black marker by Brice Marden on the front
17 × 22 inches
U...
Category
Early 2000s Minimalist Art
Materials
Lithograph, Offset, Permanent Marker
Lana 2
By Brice Marden
Located in New York, NY
Brice Marden
Lana 2
1966
Screenprint on paper
20 x 24 inches; 51 x 61 cm
Edition of 11
Signed, titled, and numbered in graphite (lower recto)
This silkscreen was printed by Brice...
Category
1960s Minimalist Art
Materials
Screen
Untitled
By Brice Marden
Located in New York, NY
Edition size: 15;
Signed, dated, and numbered in pencil, lower margin
Category
1980s Minimalist Art
Materials
Screen
Lana 2
By Brice Marden
Located in New York, NY
Frame size: 28 1/2 x 24 3/4 inches
Printer: Chiron Press, New York
Publisher: The Artist
Signed, titled, and numbered, lower margin
Category
1960s Minimalist Art
Materials
Screen
Line Muses
By Brice Marden
Located in New York, NY
1999-2001
Etching and lithograph in colors, on Somerset Satin paper
Sheet: 22 x 30 in.
Edition of 45
Signed, dated and numbered in pencil, lower margin
Category
1990s Minimalist Art
Materials
Etching, Lithograph
Beyond Eagles Mere
By Brice Marden
Located in New York, NY
2001
Etching in colors and lithograph, on Somerset Satin paper, with full margins
Sheet: 22 x 30 in. (55.9 x 76.2 cm)
Edition of 45 + 10AP
Signed, dated and numbered in pencil
Framed...
Category
Early 2000s Minimalist Art
Materials
Etching, Lithograph
#8
By Brice Marden
Located in New York, NY
2012
Etching and aquatint on Somerset paper
Sheet: 21 1/2 x 22 1/2 in.
Edition of 45
Signed, dated and numbered in pencil
Unframed, mint condition
Category
2010s Minimalist Art
Materials
Etching, Aquatint
Distant Muses
By Brice Marden
Located in New York, NY
8-color screenprint
Sheet: 23 3/8 x 19 in. (59.4 x 48.3 cm)
Edition of 300
Signed, dated and numbered in pencil on lower margin
Published by Gemini G.E.L., Los Angeles
Category
Early 2000s Minimalist Art
Materials
Screen
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Previously Available Items
Elevation Poster (Hand Signed by Brice Marden)
By Brice Marden
Located in New York, NY
Brice Marden
Elevation Poster (Hand Signed by Brice Marden), 2019
Offset lithograph. Hand Signed by Brice Marden
Boldly signed in black marker by Brice Marden on the front
24 × 34 3/4 inches
Provenance:
Acquired from Gagosian gallery
Publisher:
Gagosian Gallery
Unframed
Produced in 2019 on the occasion of the exhibition "Brice Marden: It reminds me of something, and I don’t know what it is." at Gagosian. This signed example was acquired directly from Gagosian gallery before they sold out.
About Brice Marden:
Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation.
—Brice Marden
Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color.
Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966.
A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...
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Minimalist art for sale on 1stDibs.
Find a wide variety of authentic Minimalist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Drew Doggett, Len Klikunas, Ricky Hunt, and Irena Orlov. Frequently made by artists working with Paint, and Synthetic Resin Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Minimalist art, so small editions measuring 0.25 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $1,150,000, while the average work sells for $1,905.
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