Old Masters Art

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Canard de Miclon (Old Squaw)" (1008) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the plate (printed...

An image from the highly celebrated 14-part series titled Christ, the Apostles, and St. Paul with the Creed. Haarlem: c1590. Engraving on light-weight cream laid paper, 5 3/4 x 4 i...

Heliogravure on cream laid paper, 6 1/2 x 5 1/2 inches (164 x 138 mm), thread margins. Uniform toning on the recto, and scattered light foxing and various notations in purple ink and...

This charming gouache on paper painting, from the early 19th century, presents a detailed view of Trajan’s Column in Rome, a historically significant landmark dating back to ancient ...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

Bibliography: A.Busiri Vici, Jan Frans Van Bloemen Orizzonte e l’origine del paesaggio romano settecentesco, Ugo Bozzi Editore, Roma 1974, n.41 This artwork is shipped from Italy. U...

The Madonna & Child French School, 19th century presented in carved wood scrolled frame oil on canvas, framed frame: 27 x 20 inches canvas: 15.5 x 13 inches provenance: private colle...

This early 19th century etching entitled "Veduta dei Grandi Avanzi delle Terme Antoniane, o di Caracalla" (The baths of Caracalla) was created by Luigi Rossini and included in his pu...

Original Ajanta India vintage travel poster from 1959. Archival linen backed in Grade A condition, ready to frame. Note that a later edition of this poster was printed but the im...

Rembrandt van Rijn, After by Bredius, Dutch (1606 - 1669) - Woman Taken in Adultery, Year: 1906 Date of Original 1644, Medium: Photogravure, Size: 14 x 10 in. (35.56 x 25.4 cm),...

Four engravings from 'Emblemi di Achille Bocchi', realized in 1555, are original Engravings. Dimension: 17 x 12,5 cm each. Four sheets from Achillis Bo...

17th century European oil, Christ and is disciples seated around a table. An interesting and very unique painting. Possibly a fragment originally from a piece of furniture. The s...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery)

Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...

Chiaroscuro woodcut on cream laid paper, printed from three blocks in black, olive-green, and yellow ochre, 8 3/16 x 6 1/4 inches (207 x 157 mm), thread margins. Some scattered light discoloration throughout, lightly backed with laid paper, however the sheet retains translucence when viewed through raking light. Trimmed at or near the margin. Archivally sound small repaired corner tear, upper right, with a very minor (1/4 inch) vertical edge split in the center top margin, above the figure's head. All condition issues are consistent with age, and present an exceptionally good example of this truly remarkable work. With the collector's stamp of Friedrich August II, King of Saxony, last King of Poland (1797-1854), Dresden, on the right corner, recto (Lugt 971). This work likely appeared in a well-known posthumous sale of Friedrich August II's private collection, which was handled by C.G. Boerner, and took place in Leipzig, on May 7-9, 1928, presumably this print was presented as lot 1551. [Stechow 16] Ludolph Busïnck was born at Hann, Germany around 1590. By about 1620 he was actively working as a printmaker in Paris, collaborating with publisher and celebrated cartographer Melchoir Tavernier. Busïnck may have studied printmaking in the Netherlands, evidenced by the influence of Dutch printmaker Hendrick Goltzius we see in the bold woodcuts he produced in France. Busïnck was the first printmaker to create chiaroscuro woodcuts in France, a technique originated by German artist Hans Burgkmair...

Engraving on hand made laid paper, 8 1/2 x 5 7/8 inches (210 x 148 mm), thread margins. An approximately 1-inch vertical repaired tear extends into the image area at the top center ...

Deuchar, David, (after van Ostade). Little Girl Playing with a Baby in its Mother's Arms; Mother with Two Children. Edinburgh: c 1800. Etching on cream laid paper, 3 3/4 x 2 3/4 inch...

Etching on light cream laid paper, 8 x 5 1/2 inches (200 x 138 mm), 1/8-inch margins. Minor repairs, including expertly repaired lower right corner, and minor light in-painting at l...

Dujardin, Karel. Frontispiece with stepped fountain; a stone wall with water spout pouring water into a rectilinear basin, from which a second spout pour...

Artist: August Töpfer Work: Original Watercolor painting, handmade artwork, one of a kind Medium: Watercolor on Satin Paper Year: 1834-1911 Style: Classic Art Title: Tower, Size: 12...

Map od Dordrecht is an artwork realized by Braun and Hogemberg in the late 16th century. Hand watercolored etching. 40x54 cm. Good conditions. Braun Hoghemberg (1541-1622) was a ...

Etching on light, fibrous, laid Japon paper, 5 3/16 x 6 1/4 inches (132 x 158 mm), full margins. Scattered moderate foxing throughout, very minor printing creases (innate), and one s...

Hand-colored print of the engraving by Antoine Alexandre Joseph Cardon of the original painting by Gabriele Ricciardelli. Edizioni Pontevecchio. Lily logo and a brush with the inscr...

French school late 18th Century Portrait of a young man oil on metal 10.2 x 7.7 cm Framed under glass : 24.4 x 21.8 cm This small portrait painting, quite original in its technique...

Deuchar, David (after van Ostade). The Spectacle Seller. 1800. Etching on light cream laid paper, 3 3/4 x 3 inches (93 x 75 mm), trimmed at the platemark. Light skinning and some sur...

Colored silkscreen print on paper with mahogany wood frame

Ancient Roman Frescoes, from the series "Antiquities of Herculaneum", is an original etching on paper realized after a design by Nicolò Vanni in the 18th century. Signed on the plat...

Black and white etching and drypoint on wire rod paper, representing the myth of the sacrifice of Iphigenia. On the altar is inscribed "Iphigenia" in capital letters. On the lower left margin is inscribed "N. Beatrizet Lo Taringus F.", slightly discolored (Beatrizet usually signed his plates with the letters "N. B. L. F."). At the center of the lower margin is inscribed "Romae, Michaelis Tramezini formis cum privilegio summi Pont. M.D.L.III". After a drawing attributed to either Michelangelo Buonarroti, Salviati, or Baccio Bandinelli...

La obra va firmada a mano por el artista en la parte media y fechada del año 1879 Se presenta bien enmarcada la pintura El estado de la obra es aceptable Medidas de la obra: 61 cm...

Deuchar, David (after van Ostade). The School Master. Edinburgh: c1800. Etching on cream wove paper, 5 5/8 x 4 1/2 inches (134 x 114 mm), trimmed at the platemark. Adhesive residue a...

Deuchar, David (after van Ostade). The Smoker at the Window. Edinburgh: 1800. Etching on cream laid paper, 4 1/2 x 4 inches (119 x 100 mm), thread margins. Left top corner expertly r...

Deuchar, David (after van Ostade). Les paysans tuant un porc. Edinburgh: c1800. Etching on thin cream laid paper, 4 11/16 x 4 11/16 inches (117 x 117 mm), narrow margins. Horizontal edge tear extending approximately 1-inch into the image area at the center left sheet edge. Skinning at the bottom-center sheet edge, verso, and adhesive residue at the top two corners, verso. Etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. "The pig killers is one of van Ostade’s most striking, both for its circular format and unusual lighting. Pictorial representations of pig slaughtering were known in medieval book illumination where they were incorporated into depictions of activities relating to the month of November or December. In this intimate, nocturnal scene, illuminated by torchlight, van Ostade combines coarse, barnyard realism with tender observation as a peasant family gathers round to witness the slaughter of a pig, which presumably will feed the large family during the long winter months. As the eldest son kneels on the animal, the farmer’s wife collects the blood in her long handled pan...

Albrecht Durer, After by Amand Durand, German (1471 - 1528) - La Vierge avec l'Enfant Jesus Emmaillotte, Year: 1873, Medium: Heliogravure on laid paper, Size: 6 x 4 in. (15.24 x ...

Arabian scene - Francoise Vigneron Italia 2004 - Oil on canvas cm.85x65. In this beautiful oil on canvas Francoise Vigneron was inspired by the oriental ...

Supplicium sceleri Fraenum (Les Supplices) is an original Etching realized by Jacques Callot in 1624/34. Lettered with name of etcher (bottom right), title and four columns of French verses: 'Voy, lecteur, comme la Justice... Des effectz de la forfaicture'. Good condition included a cream colored cardboard passpartout (40x60 cm). Jacques Callot (1592 – 1635) was a baroque printmaker and draftsman from the Duchy of Lorraine (an independent state on the north-eastern border of France, southwestern border of Germany and overlapping the southern Netherlands). He is an important person in the development of the old master print...

Etching on laid paper, realzed by Paulus Pontius (1603-1658) after Jacques Jordaens (1593-1678). A powerful and finely executed Baroque engraving by Paulus Pontius after a compositi...

Etching on on laid paper, adhered along left sheet edge to archival wove paper. A rich inking impression in very good condition. From the Picart Edition of 1710. - Ex-collection Fer...

Moscovite Funeral Ceremony Etchings, Hand-Watercoloured. Vol. VIII, Plate XC Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34 Wonderful etching, ha...

Graphite on hand made, fibrous wove paper, finished with gray wash. Unevenly trimmed sheet edges, non-archival tape remnants at all four corners, recto, well outside of image area. Horseshoe-shaped area of light discoloration that extends significantly into the figure's face, beneath the lips, and up over the rear of the head, dog-eared right lower corner with associated light discoloration at crease. DeMin and Belluno inscribed in graphite, verso. A detailed study showing 'primo pensiero' for Giovanni DeMin's large scale fresco, Assumption of the Virgin...

By Wenceslaus Hollar, after Jan Van Bylert (Biler) Etching on cream laid paper, 3 7/16 x 2 3/4 inches (87 x 70 mm), thread margins. Lacking the inscription in the plate; "Felix Bil...

Brownish black ink on dark cream, handmade, laid paper, 8 1/4 x 10 1/4 inches (208 x 260 mm). Uniform age tone with several scattered, unobtrusive spots of brown discoloration, consistent with age. Right top corner loss, evenly trimmed, paper tape remnants at top left corner, recto. Collector's stamp in blue ink ("PRB"), lower left corner, recto. On the verso is a neoclassical graphite and brown ink study of a procession showing a woman being carried in a birthing sedan chair. The woman is being carried backwards, with putti, and horn players, leading her up an embankment, across a river. In her wake we see a crowned man...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - La Chaumiere Entouree de Planchees (B232), Year: 1878 (of original 1648), Medium: Heliogravure, Size: 5 x 6...

Watermark: Wappen von Amsterdam mit Nebenmarke

Georg Friedrich Schmidt (German, 1712-1775), after Rembrandt van Rijn Portrait of a young man wearing a fur hat (1763) signed in the plate, and with printed inscription Du Cabinet...

Capital letter for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very good condition, except for some st...

Plate XVI, p. 154, from Histoire Naturelle, Générale et Particulièr, Paris 1771. Copper engraving. Paris, 18th century. Sheet size: approx. 24.5 x 19.5 cm. A finely engraved zoologi...

La obra no va firmada, es de augtor anónimo Se presenta sin enmarcar la pintura El estado de conservación de la pintura dse puede ver, presenta faltas y precisará restauración Med...

Oil painting on canvas, framed in a rich gilt frame decorated with acanthus leaf motifs. The work depicts an elegantly dressed female figure, portrayed in profile in a lush formal ga...

Plate from Buffon's Histoire Naturelle, Générale et Particulière Tome III, Plate V, page 202 Paris: Imprimerie Royale, 1771 Copperplate engraving on laid paper Plate mark visible; a...

Tome VIII – Plate VII, p. 54 from Buffon's Histoire Naturelle, Générale et Particulière. Fine 18th-century copperplate engraving from the 1771 edition of Buffon’s celebrated Histoir...

Self-portrait with Raised Sabre is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1634. This wonderful piece of art belongs ...

This colorful and detailed early 18th century copperplate map by John Cary entitled "A New Map of Persia from the Latest Authorities" was published in London in 1801. It depicts Persia, the region of modern day Afghanistan, the Caspian Sea, the Sea of Aral, the Persian Gulf...

Buffon, Histoire Naturelle, 1767–1771 – Tom. V, Pl. XXVI (p. 300): Le Grand Danois Copper engraving depicting Le Grand Danois (Great Dane) standing in profile before an architectura...

Ancient Roman Frescofrom the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good ...

This is an early 17th century map entitled "Nova Famigerabilis Insulae Ac Ducatus Rugiae Desciptio" (Map of Rugen Island, Germany) by Gerard Mercator and Henricus and Joducus Hondiu...

Outstanding Mid 19th century old master "Susanna and the Elders" after Martinelli Brilliant old master painting of Susanna and the Elders. Original oil on canvas. Dimensions 26.5" ...

Plate from Buffon's Histoire Naturelle, générale et particulière. Tome XI – Plate III, p. 142. Paris, Imprimerie Royale, 1771. Engraving (etching and burin), approx. 24.5 × 19.5 cm....

Artist/ School: Italian School, 17th century Title: The Bathing of Bathsheba Medium: oil painting, on canvas Size: frame: 23 x 19 inches, canvas: 18 x 14 inches Provenanc...

Plate from Buffon's Histoire Naturelle, générale et particulière. Tome XI – Plate X, p. 276. Paris, Imprimerie Royale, 1771. Engraving (etching and burin), approx. 24.5 × 19.5 cm. T...