Surrealist Art

Artist - Salvador Dali (Spanish, 1904-1989) Title - PRINCE OF CUPS, Tarot Card Series Publisher - DALART N.V. Year published - 1979 Medium - Lithograph on Arches Cover 270 gsm. 100% acid free, signed in pencil, inscribed 2/5 PP (Printers Proof) by Salvador Dali on lower print margin, publishers mark "DALART N.V. Copyright 1979" blindstamp embossed on lower left print margin. Fine impression, vivid colors, unframed, in very good condition. Listed in the Albert Field's OFFICIAL CATALOGUE OF THE GRAPHIC WORKS OF SALVADOR DALI, Reference #79-15. PRINCE OF CUPS from the Tarot Series 1979, is a surrealist style limited edition lithograph by Salvador Dalí (1904 – 1989) Printed on archival Arches paper, 100% acid free. PRINCE OF CUPS depicts a freely drawn, black line portrait of a young Prince wearing his golden yellow crown, sporting a white ruffle collared shirt, looking slightly sideways posed behind a golden chalice...

Artist: Andre Masson, French (1896 - 1987) Title: Don Giovanni Year: 1978 Medium: Lithograph on Arches, Signed and numbered in pencil Edition: 163/250 Size: 30 in. x 22 in. (76.2 cm ...

A silhouetted man looks out to infinity and ponders the buried memories on the hallowed grounds of Vicksburg. He is seen in silhouette in the bottom half of the composition. The top half shows two Civil War...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...

For Alberti, For Spain!  it's an artwork realized by Joan Mirò in 1975. Etching,  90 x 66 cm.  Hand signed. Edition 44/90. Reference: Dupin 926 Printed on Fabriano paper, Printed...

ARTIST: Salvador Dali TITLE: The Three Graces of Hawaii MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: A.P. 56/75 MEASUREMENTS: 21.5" x 30" YEAR: 1979 FRAMED: No C...

Invasion de l'espace is an original print by the American artist and exponent of Dadaism Man Ray (Philadelphia 1890 - Paris 1976). This color lithograph on paper, was edited by the ...

This lithograph is hand signed and numbered. Edition of 75 prints. André Masson (1896-1987) was a French painter, whose style was influenced by Cubism and Surrealism . After traveli...

Salvador DALI (1904-1989) Don Quijote : The Mirror of Chivalry, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (c. 30 x 22 in) ...

1 pint from the Lithographe III suite. unsigned.

Salvador DALI (1904-1989) Don Quijote : Lady Dulcinea, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (c. 30 x 22 in) Authentic...

Artist: Dali, Salvador Title: Angels in Flight: The Divine Word Series: The Stained-Glass Windows - Les Vitraux Date: 1974 Medium: Lithograph printed in color Unframed Dimensio...

Artist: Dali, Salvador Title: The Robe of Feathers Series: Japanese Fairy Tales Medium: drypoint with stenciled color Year: 1974 Framed Dimensions: 33.5" x 27.25" Signature: Pe...

Salvador Dali (1904-1989) Rhinoceros, Tribute to Albrecht DURER, 1971 Original lithograph Printed signature in the plate On paper 76 x 56.5 cm (c. 30 x 22 in) REFERENCE : Catalog r...

Artist: Dali, Salvador Title: The Golden Fleece Series: Aranella Date: 1974 Medium: drypoint printed in color Signature: Pencil signed Edition: 127 / 300 Literature: AF 91 Pr...

A classic example of a Miro figure. Rendered in bold black lines with sparse details of color, this etching harkens upon the Biblical figure King David. The piece is nicely framed and is signed and numbered by the artist. Le Roi David...

Salvador DALI (1904-1989) Don Quijote : The heart of madness, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum...

Artist: Dali, Salvador Title: Caballero con Casco y Mariposas Series: La Vida es Sueno Date: 1973 Edition: /355 Medium: drypoint engraving with added color Unframed Dimensions: ...

Hand signed and numbered. Edition of 100 prints, numbered and hand signed. Excellent condition.

" Zodiaque " is an etching realized by Max Ernst in 1971. This print is hand signed and numbered. This is an edition of 100 prints. Reference: Catalogue Spies n. 144. Originally a ...

Hand signed. Edition of 100 pieces. Very good condition Provenance: P. Prouté

This lithograph is hand signed and numbered. Edition of 75 prints. André Masson (1896-1987) was a French painter, whose style was influenced by Cubism and Surrealism . After traveli...

" Hölderlin: Poèmes " is a hand-signed etching realized by Max Ernst  in 1961. It presents very good conditions. Passepartout included: 49 x 34 cm. Bibliography: Catalog Brusberg n....

" Composition - from 'Festin' " is an original hand-signed, numbered, and dated lithograph realized by  Max Ernst  in 1974. This is an edition of 79 prints. It presents excellent. co...

Artist: Dali, Salvador Title: Moses Series: Our Historical Heritage Date: 1975 Medium: drypoint with added color Unframed Dimensions: 26" x 19.875" Framed Dimensions: 33.5" x 2...

Artist: Dali, Salvador Title: Battle of the Knights Series: La Vida es Sueno Date: 1973 Medium: drypoint engraving in sanguine ink Unframed Dimensions: 11" x 14.9" Framed Dimens...

Hand Signed and numbered. Etching and aquatint. Edition of 100 prints plus some artist's proofs. From the portfolio: "così fan tutte".

" Après-moi le XX siècle" is a hand-signed and numbered lithograph realized by Max Ernst in 1971. This is part of the deluxe edition of 80 prints published by the Art Magazine XXème ...

Gustavo Úbeda (1930-1994) - Picasian scene - Oil panel Oil measurements 50x41 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao ...

ARTIST: Salvador Dali TITLE: Visions Surrealsite Mystery of Sleep MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine EDITION NUMB...

Man Ray Alphabet Pour Adultes (Alphabet For Adults), 1970 Silkscreen in colors and lithograph on paper mounted on wood veneer mounted on card stock. Hand Signed. Numbered. Dated. Ha...

Hand signed and numbered. Edition of 100 prints. Slightly discolored with foxing on sheet. Catalogo: Brusberg N.158 .P Image Dimensions : 34 x 20 cm

ARTIST: Salvador Dali TITLE: Chevalier Royal de L'Apocalypse MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 32/100 MEASUREMENTS: 20" x 25.75" YEAR: 1972 FRAMED: No COND...

La grande Parade des Chats Original Illustrations by Leonor Fini Containing sixty illustrations This is from a unique special run being one of only 35 copies produced for personal use by Leonor Fini these were numbered EA 1 to EA 35 This example being EA 9 and has been personally dedicated and signed by the artist to her friend Philippe Aetmann A mid century modern artist Leonor Fini 1907-1996 There was a small run of this Limited Edition in total 250 copies numbered and signed by the artist with 230 copies printed on hand made Arches paper and another 20 on Japon nacre Through time most of these books have been been split up and the illustrations sold off individually Consequently there are very few complete examples remaining Original printed hardcover containing the book itself printed with winged cats (reference to her Sphinx women) Unique copy in very good condition with only minor signs of age Leonor Fini (1907–1996) is considered one of the most important women artists of the twentieth century and also one of the most misunderstood. Frequently labeled a surrealist she was never a member of that group or movement, preferring to stake her own claim on modernism with a vision that owes more to the farthest shores of her imagination than to any affiliation with art trends, schools or movements. The originality of her art as well as her intelligence, famous wit and charisma accorded her celebrity status in the Paris art world and beyond beginning in the late thirties. Often eclipsing and even compromising her standing as a major artist was the originality and impact of her personal style. Her panache and glamour, once they found a place in the collective imagination of the time, turned her into a much-publicized fashion and feminist icon. Always controversial, with as many detractors as admirers, she lived and painted consummately on her own terms. Born in Buenos Aires of mixed Spanish, Italian, Argentine and Slavic blood, Leonor was raised in Trieste by her single mother where she absorbed the multi-ethnic and mixed cultural heritage of that cosmopolitan center. The predominant themes in Leonor Fini’s art are sexual tensions, mysteries and games. One of her favored subjects is the interplay between the dominant female and the passive male, and in many of her most powerful works the female takes the form of the sphinx to which she felt a strong identification. Her genius for stage and screen design is evident in her numerous ground breaking theater decors...

"Obliques" is an etching hand-signed and numbered etching realized by Max Ernst in 1967. This is an edition of 57 prints. Passepartout included. Very good condition. Published by Ge...

Artist: Dali, Salvador Title: Ultra Surrealist Corpuscular Galutska Series: Memories of Surrealism Date: 1971 Medium: Lithograph with etching Unframed Dimensions: 29.75" x 21.2...

Artist: Dali, Salvador Title: The Court of the Lion Series: Bestiaire de la Fontaine Date: 1974 Medium: drypoint drypoint with color added by stencil Unframed Dimensions: 29.92"...

Hand signed and numbered. Edition of 69 prints. Matting included. Very good condition.

Figures is an artwork realized by an artist of the last 20-th century.  Lithograph, 50 x 35 cm. Edition 129/150. Dated, hand signed lower side. Good conditions!

Salvador DALI (1904-1989) Don Quijote : Off to Battle, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (c. 30 x 22 in) Authentic...

Venus de la Constellaciones con Picador is an Contemporary Artwork realized in 1975. Etching and Drypoint on Rives Paper. Hand-signed in pencil on the lower right: Dalì; inscribed EA in pencil on the lower left. One of the 25 Artist's Proof aside of the edition of 75 specimens on Rives Paper. The edition was composed of other 75+25 proofs on Arches paper, 75x25 proofs on Lana Paper, 75+25 proofs on Richard de Bas and 75+25 proofs on Japanese paper. The work was dedicated to Luis Romero...

Salvador DALI (1904-1989) Don Quijote : The Legacy, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (c. 30 x 22 in) Authenticate...

ARTIST: Salvador Dali TITLE: Manhattan Skyline MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine EDITION NUMBER: 49/150 MEASUREMENTS: 29.75" x21.25" YEAR: 19...

Artist: Dali, Salvador Title: Freud with Snail-head Series: After 50 Years of Surrealism Date: 1974 Medium: drypoint engraving with hand coloring Unframed Dimensions: 26" x 19.7...

Salvador Dalí Whoever Takes Carmen Away Must Pay with His Life 1970 (from Carmen): Lithograph in colors on Arches paper. 25.5 x 19.8 inches (64.8 x 50.5 cm). Good overall vintage condition: minor surface marks; minor signs of handling. Signed and editioned in pencil along lower. Ed. LIII/CXXV (part of a full tirage of 276, variously editioned, aside from proofs). Published by Shorewood Publishers, NY. Literature/References: The Official Catalog of The Graphic Works of Salvador Dali by Albert Field, entry: 70-1, Q. Salvador Dalí was a renowned Surrealist artist known for his enigmatic paintings of dreamscapes and religious themes. The Persistence of Memory (1931), arguably his best known work, visually manifests the strangeness of time, showing clocks melting in an idyllic landscape. “One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams,” he once reflected. Born Salvador Domingo Felipe Jacinto Dalí i Domènech on May 11, 1904 in Figueres, Spain, he displayed a great aptitude for the visual arts as a teenager. Three years after his first exhibition at the age of 14, he enrolled at the Academia de San Fernando in Madrid. At school, he emulated many contemporary styles but also the works of Johannes Vermeer and Diego Velázquez. During his visits to Paris in the late 1920s, he was introduced to the Surrealist movement by René Magritte and Joan Miró. Though the concept of Surrealism was new to him, Dalí was already well versed in the psychoanalytic theories of Sigmund Freud. Dabbling in various projects throughout his long career, in 1942 he published the book The Secret Life of Salvador Dalí. A mixture of self-aggrandizing confessions and sadistic fantasies about his childhood, the book further outlined the artist’s outlandish persona. However, his pronounced sense of ego was not always unfounded, as evinced in his works inclusion in Alfred Hitchcock’s famous dream sequence from the film Spellbound (1945). Dalí died on January 23, 1989 in his hometown of Figueres, Spain. Today, his works are held in the collections of The Museum of Modern Art in New York, the Tate Modern in London, the Reina Sofia National Museum in Madrid, and the Museum Ludwig in Cologne, among others. Related Categories: Surrealism. Surrealist. Pop Art. Alexander Calder. Spanish artists. Spain. Salvador Dali prints. Salvador Dalí Carmen. Salvador Dalí Whoever Takes Carmen Away Must Pay with His Life. Salvador Dalí 1970...

ARTIST: Salvador Dali TITLE: Tristan et Iseult King Marc MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel/Leon Amiel, New York EDITION NUMBER: Not Numbered ...

ARTIST: Salvador Dali TITLE: Three Graces of Cova d'or MEDIUM: Etching with embossed verso SIGNED: Hand Signed PUBLISHER: Galerie des Quatre Mouvements EDITION NUMBER: 31/90 ME...

Salvador Dalí Atomo 1973 (from Colibri): Lithograph in colors on Arches paper. 33 x 22.25 inches (83.8 x 56.5 cm). Good overall vintage condition; minor signs of handling; minor s...

Artist: Dali, Salvador Title: The Princess and the Herd Boy Series: Japanese Fairy Tales Year: 1976 Medium: drypoint with stenciled color Unframed Dimensions: 25.98" x 19.88" Fra...

Joseph Cornell Hotel du Nord (Little Durer), 1972 Silkscreen in five colors with varnish and stencil additions printed on Buff Arches Paper Pencil signed and annotated Artists Proof ...

Salvador Dali (Spain, 1904-1989) 'Jinete apocalíptico', 1974 dry point, etching on paper 22.3 x 30.4 in. (56.5 x 77 cm.) Edition of 175 Unframed ID: DAL2001-016 Hand-signed by author ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

The fire of Marseille, 1971 realized by Hans Bellmer.  Etching, Signed in pencil. Limited edition of 100 copies numbered in pencil Richard de Bas paper tinted brick red 56 x 78 c...

Salvador Dali (Spain, 1904-1989) 'La Cerf se voyant dans l’eau', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.6 x 22.7 in. (77.5 x 57.5 cm.) Editi...

Salvador Dali (Spain, 1904-1989) 'Le Coche et le Mouche', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.4 in. (58 x 77 cm.) Edition of 250 U...

Salvador Dali (Spain, 1904-1989) 'Le Cheval et le Loup', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.8 in. (58 x 78 cm.) Edition of 250 Unframed ID: DAL2001-013 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 L. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Lars BO Surrealist encounter (Le Rêve de Jean Valjean 7/8), 1975 Original etching Handsigned in pencil On vellum, 36 x 45 cm (c. 14,1 x 17,7 inch) Edition limited to 100 unnumbered ...

Marc Chagall Original Lithograph Title: The Green Horse 1973 Dimensions: 33 x 50 cm Reference: This lithograph was created for the portfolio "Chagall Monu...

ARTIST: Salvador Dali TITLE: To Ev'ry Captive Soul MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Salvador Dali Archives with Frank Hunter EDITION NUMBER: 33/200 MEASUREMENTS:...