Archaeology Art

A contemporary photograph of a Greco-Roman statue in Ostia Antica, former Old Port of Rome, in a Pictorialist style, the photograph captures the spirit of Ancient Rome. In the Cities series by Roberta Fineberg, Roman God...

Ivor Abrahams Tableau Balance Maquette 1990 bronze Edition 10 38 x 19.5 x 28.5 cms (15 x 7 3/4 x 11 1/2 ins) IA9751

Title: The Landscape Of Qingdao Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note:...

This is an engaging work with masterful detail that will unfold for an intent viewer, particularly in the area of the figure's well-worn hands, and her traditional clothing. The image depicts a Bavarian woman deep in thought while winding a skein of wool. She is seated outside of her home, where she has brought her yarn swift...

Harvest Day signed by Fanch Lel (French b. 1930) size: 10.5 x 14 inches oil painting on board, unframed condition: the painting is in very good condition. It has previously been stor...

Etching on cream laid paper, 3 3/16 x 1 9 1/6 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin. From the second state (of 2) before the re...

Historical Relief- Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions with foxing.

Title: French Impressionist Watercolor of a Sunlit European Townscape By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 5 x 7 inches (Height x Width)...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

Title: French Impressionist Watercolor of Porte Saint-Denis in Paris By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 4.75 x 6.25 inches (Height x W...

Rider -  Vintage Photo is a black and white photograph of the early 20th century. Information on the rear in Italian Good conditions, aged with foxing.

Column -  Vintage Photo is a black and white photograph of the early 20th century. Information on the rear in Italian Good conditions, aged.

Milan Cathedral-  Vintage Photo is a black and white photograph realized by Zuecca Uno in the early 20th century. Good conditions, aged with foxing.

Vintage Photo of Painting is a vintage photograph realized in the early 20th Century.  The photo belongs to Albumen of historical painting, photographs, meticulously captured. Good...

Oil Painting by Natalya Nesterova

Greg Mac Gregor's artwork incorporates official, declassified photographs from the Los Alamos National Laboratory Photographic Archives produced in the early 1950s at the Nevada Test...

In her Cities series by Roberta Fineberg, a contemporary photograph of a Greco-Roman statue in Ostia Antica, former Old Port of Rome, rendered in a Pictorialist style. The photographer RF captures the spirit of Ancient Rome for Roman God...

View of Ruin of Chnubis is a print realized by Giuseppe Pera in the late 19th century. Etching on paper. Signed on the plate. Good conditions with foxing.

On the Solpes of Fujiama is a vintage black and white photograph. It is part of a journey to Asia performed by prince Franz Ferdinand von Osterreich Este (1863-1914) , heir to the t...

Donatello, Siena Cathedral- Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions with foxing.

"LarA 004" is an original sculpture from the LarA series by Spanish artist José Perozo, completed in 2024. Measuring 21 x 29 x 17 cm, this artwork merges the female figure with archi...

'Jumbo rocks California' 2023 Limited edition of 20 Photograph shot using mid-century large format film camera Linhof. Printed on archival Hahnemühle Photo Rag Baryta paper. Signe...

PERELLE Family (17th Century) Landscape with a Sailboat and Fishermen Original Engraving Signed in the plate On laid paper, 15.5 x 28 cm INFORMATION: This family of artists, led by...

PERELLE Family (17th Century) Landscape with Fishermen Original Engraving Signed in the plate On laid paper, 15.5 x 28 cm INFORMATION: This family of artists, led by Gabriel, the f...

PERELLE Family (17th Century) Building a Ship Original Engraving Signed in the plate On laid paper, 15.5 x 28 cm INFORMATION: This family of artists, led by Gabriel, the father, an...

Paul Lecomte (1842-1920) Mother and daughter at a fountain Signed on the lower left Oil on canvas transfered on cardboard 25.5 x 34 cm In good condition In a modern frame : 44 x 52 ...

View of Reggio is a print realized by Ascani in the 19th century. Etching Hand-watercolored on paper. titled on the plate. Good conditions with foxing

Medieval Column- Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions with foxing.

S. Erecto  Relief- Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions with aged margins.

Dimensions w/Frame: 25 3/4" x 20 3/4" Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher. Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies. After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School). His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means. (1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art. In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books. He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy." He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography and the Constructivist/Suprematist style of the 1910s. Despite the authorities' persecutions of nonconformist artists (including arrests, forced evictions, terminations of employment, and various forms of routine hassling), they united in a group, "TEV – Fellowship of Experimental Exhibitions." TEV's exhibitions proved tremendously successful. In the same period, Rapoport became one of the initiators of another anti-establishment group, ALEF (Union of Leningrad's Jewish Artists). In the United States this group was known as "Twelve from the Soviet Underground." Rapoport's involvement with this group increased tension with the authorities and attracted KGB scrutiny, including "friendly conversations," surveillance, detentions and house arrests. It became increasingly dangerous for him to live and work in the USSR. In October 1976, Rapoport with his wife and son were forced to leave Russia. In Italy, Rapoport exhibited at the Venice Biennale, "La Nuova Arte Sovietica-Una prospettiva non-ufficiale" (1977), participated in television programs about nonconformist art in the Soviet Union, and created lithographic works continuing his theme of Jewish characters from Babel's play Sunset. In 1977, Rapoport's family was granted U.S. immigration status and settled in San Francisco. a significant event in Rapoport's life occurred in his meeting with San Francisco gallery owner Michael Dunev, who became his friend and representative, organizing all his exhibitions until the artist's death. Toward the end of the 1980s and beginning of the 1990s, Rapoport completed his most ambitious works on the theme of the Old Testament prophets: Samson Destroying the House of the Philistines (1989), Lamentation and Mourning and Woe (1990), the four paintings Angel and Prophets (1990–1991) and Three Deeds of Moses (1992). In 1992, the artist's friends in St. Petersburg organized the first exhibition of his works there since his departure into exile, with works patiently gathered from collectors and art museums. This exhibition, held in the City Museum of St. Petersburg and accompanied by headlines such as "A St. Petersburg artist returns to his town," was followed by much larger ones in 1993 (St. Petersburg and Moscow), organized in collaboration with Michael Dunev Gallery under the name California Branches – Russian Roots. He Exhibited in "Soviet Artists, Jewish Themes...

The style of the artist Airo is called "retrofuturism" or "Russian cosmism." This is a popular and growing trend among artists and collectors around the world. He connects the past with the future in the present. The artist uses various types of techniques to create his own special expression. Sergei Airo was born in 1960 in the city of Novorossiysk (Krasnodar region) in the artist's family. In 1991, Sergei showed interest in the so-called "primitivism". His attention is drawn to the works and images of mythical life. After that the artist was concentrated on the study of medieval masters. Mainly exploring the religious direction and influence of Flemish medieval artists. In 1996, Sergei Airo presents a series of works at the Airspace Design exhibition in Air France. He is a permanent member of the Union of Artists, the Association of New Artists and the Society of Fine Arts, on the personal recommendation of Zurab Tsereteli...

Max Klinger's Intermezzi (Intermezzos) offers a diverse selection of amusements, like brief comedic interludes at the opera. The portfolio highlights the capriciousness of life and i...

London: Charles Joseph Hullmandel, 1839. Oil stick color lithograph on cream wove paper, 14 3/16 x 11 inches; (360 x 280 mm), full margins. Scattered light yellow spots of discolora...

Reference number F1293 Not framed but could be with a natural oak floated frame (add 200 euros) 21 x 44 cm This work is painted with oil on a board. It is signed in the bottom right....

Le Fort St. Laurent is an original artwork realized by Nicolas Toussaint Charlet (1792-1845). Lithograph print. Signed on plate on the lower center. Titled "Le Fort St. Laurent". Edi...

Hector Whistler (British, 1905 – 1978) A symbolist mural design Mixed media on paper 20 x 17.3/8 in. (51 x 44.5 cm.) Provenance: Abbott and Holder

Fine Art Print Hahnemuehle, edition, Giovanni Battista Piranesi print in Verlag von Ad Lehmann in Wien, end of 19 Century.

An Interior View of the Porch of the Parish Church St. Alphage; An interior view of the porch of the parish church of St Alphage, London Wall: formerly the chapel of the priory of El...

Etching on cream wove paper, 3 3/16 x 1 9/16 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin, and with an inscription and dedication in t...

John Teyral (American, 1912-1999) Aegean Temple, 1966 Oil on canvas Signed and dated lower left 25 x 34 inches John Teyral was one of Cleveland's most acclaimed artists. He exhibite...

Moschetta original artwork "Head 83.2022" As an Antique sculpture, Dario Moschetta creates strength and movement in this artwork. Moreover, experimental technique brings an unique t...

Instant Stream, walnut ink painting on handmade paper, desert landscape, brown Helen Stanley’s sculptural paintings are beautifully drawn, realistically...

“River Seine with Bridge and Equestrian Statue" By Maurice Mazeilie (French) Watercolour on paper, unframed Size: 6.25 x 8.5 inches (Height x Width) Stamped Verso Condition: Good - T...

Artist: Alex Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2009 Style: Impressionism Title: Sorochyn Evenings, Size: 39" x 43" ...

Roman Temple is an original print on paper realized by Charles-Louis Clérisseau. titled on the lower center" Temple de la Concorde a Roma". In very good conditions. Sheet dimension: 31 x 21 cm Included a white passepartout: 49 x 34 cm The artwork represents the beautiful scenery of Roman temple, the landscape is from one of the most historical parts of the city, skilfully depicted details of remained part of temple and historical heritage sites, representing an admirable view from the eternal city of Rome. Charles-Louis Clérisseau (Paris, 1721 – Auteuil, 1820) was a French architect and painter. Student of Jacques-François Blondel, in 1746 he won the prix de Rome in architecture by going to the Italian city, as a boarder of the Academy of France...

Etching on cream laid paper, 4 7/8 x 6 1/4 inches (123 x 160 mm), full margins. In good condition with some age tone around the sheet edges and an inscription in pencil on the verso.

Emil Nolde (1876-1956), Abschied (Parting), etching and aquatint (tonal effects), 1906, signed in pencil lower right. Reference: Schiefler/Mosel 20, third state (of 3). One of only...

Tourist tour of the ruins of ancient Olympia, specifically at the Dionysos Theatre, Greece, 1950s. This historical black and white photograph captures visitors exploring the ancient ...

Etching on light cream wove paper, 2 5/8 x 2 11/16 inches (68 x 69 mm), full margins. Signed, titled, and inscribed "IV" in pencil, lower margin. Likely a proof impression of the t...

Oil on canvas Neliko Mamuchashvili is a Georgian female artist born in 2004 who lives and works in Tbilisi, Georgia. She is looks for forms and rhythms that serve as a metaphors of ...

Oriental scene is an orientalist artwork realized by Giulio Rosati (1857 – 1917) . The artwork depicts an oriental palace with lady and horse rider in l...

Byzantine Relief is a b/w photographic print on Cardboard. The artwork represents a detail of a byzantine relief. The stamp Osvaldo Bohm on the rear...

Walter Sinz (American, 1881-1966) When the Lights Go On Again, 1943 Cast Stone 10 x 4.5 x 8 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on July 13, 1881. ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

An epic desert landscape photograph of dramatic rock formations bathed in a glowing orange light in Southern Utah's Bryce Canyon National Park by David Benitez (Puerto Rico, Californ...

Realistic, ornate oil painting of New York City edifice by Richard Britell oil on wood panel 10 x 8 inches Framed, hangs flush to the wall Signed o...

Greek Decorative Style is a print on ivory paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on the lower. Vintage Chromolithograph. Very good condi...

Medium: pochoir (after the watercolor). Printed on Arches paper in 1956 at the atelier Daniel Jacomet for the Vins, fleurs et flammes portfolio, and issued in a limited edition of 38...