Food Art

Sean Beavers is an exquisite still life and landscape artist. He attended the School of Visual Arts in New York on scholarship where he received a BFA in fine arts and graduated with...

Framed Oil on Canvas Largely self-taught, Linda Ridd Herzog’s paintings boast unbelievably detailed animals and objects in fantastical, surreal scenes. Growing up in Utah, Herzog f...

Plum #2 Watercolor on paper inch 39.7 x 25.5 - cm 101 x 65 Botanical watercolourist. Born in Bergamo in 1974. She graduated from the Brera Academy of Fine Arts in Milan in 1997. In...

Watercolor sculptural collage

Tito Medina Extra Large Size Cochas Chico, Junin, Peru. Weight: 3.13 lbs., height: 8 in., length: 10 in. width: 10 in.

About George Gonzalez: Richness, elegance, creative diversity, and emotional characterization are the hallmarks of this Texas artist born in 1966. When combined with his dramatic ...

edition 1/5 Antippas’ photographic series, Chicken, is an interpretation of the exceptional, yet contrastive people that make up New Orleans. The portraits of Popeyes chicken legs d...

Two artichokes lay beside two lemons in this academic still-life painting. Dark hues and low light create that old-renaissance feeling. Edward Minoff Graduated with honors from NYU'...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and articulate the world. As machine perception becomes more pervasive in our daily lives, the world as seen by computers becomes our dominant reality. White explores this phenomenon in his work. Collaborating with AI systems, White creates physical abstract prints that are reliably classified by neural networks...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and articulate the world. As machine perception becomes more pervasive in our daily lives, the world as seen by computers becomes our dominant reality. White explores this phenomenon in his work. Collaborating with AI systems, White creates physical abstract prints that are reliably classified by neural networks...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

A soft and hzy interior scene with a botanical still life of flowers and fruit on a table. A view of a continental countryside can be seen through the arched windows. The artist has ...

"I am a professional food and still life photographer with over 30 years experience based in New York City. My attention to detail and strong sense of composition has allowed me to ...

"After Dinner Mint" Oil on Panel, 6 x 6 inches. Painting of Chocolate Cupcake with White Frosting and Red Cherry on Top on a Green Background with White Dots. Framed in Silver ( 11 x 11 Inches Framed Size). There are 7 additional cupcake paintings...

"Composition with Two Plates and Six Cups," Oil on Canvas, 24 x 30 Inches. Complex still life in shades of blue and white of two patterned blue/white plates and six cups in many sha...

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...

Plum Watercolor on paper inch 39.7 x 25.5 - cm 101 x 65 Botanical watercolourist. Born in Bergamo in 1974. She graduated from the Brera Academy of Fine Arts in Milan in 1997. In th...

Original Triptych photography by Cyrille Druart. Edition: III/V Dimensions: Each picture 150 x 100 cm Triptych (without space): 300cm wide Cyr...

9" x 15" Unframed Oil on Canvas (Original) Hand Signed by Miljan Vasiljevic 2005

Large sculptural apple crafted in porcelain and decorated with textured gold leaf with metal leaves.

Adam Gunn’s painting practice began with a desire to subvert the traditional still life genre, creating an absurd experience that would evoke a sense of uncertainty in the viewer. In...

In my work I explore family objects as “families” of objects—individual silver heirlooms that are related to one another in a single collection and, collectively, to the individual f...

"Center of Attention" Oil on Panel, 6 x 6 inches. Painting of Five Cupcakes with White Frosting and Red Sprinkles on a Pale Blue Background. Framed in Silver ( 11 x 11 Inche...

In my work I explore family objects as “families” of objects—individual silver heirlooms that are related to one another in a single collection and, collectively, to the individual f...

Watercolor on paper BIOGRAPHY: Eunju Kang was born in 1962 and raised in Daegu, Korea. She moved to California at 14 years old with her mother and two sisters in the 1970s. Kang was...

Watercolor on paper BIOGRAPHY: Eunju Kang was born in 1962 and raised in Daegu, Korea. She moved to California at 14 years old with her mother and two sisters in the 1970s. Kang was always an avid doodler, often in her textbooks, which became a helpful communication tool as she adjusted to her new life. Since the early 1990s, Kang has lived and worked in NYC, painting, printmaking and turning her doodles into a successful business with her sisters. Kang earned fine art degrees at UC Santa Barbara and Pasadena Art Center College of Design where she graduated with distinction. She has been awarded residencies at The Fine Arts Work Center in Provincetown (FAWC), the Virginia Center for the Creative Arts and the Vermont Studio Center. She has taught at the L.A. County High School for the Arts, the ArtCenter College of Design and the School of Visual Art in NYC. Her fine art is in private collections around the world. Her illustration work has been used in packaging and ad campaigns by Godiva Chocolate...

JFK and Caroline at Georgetown Breakfast rap_078 -- This image is only available in the 11 x 17 size. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are mad...

Tiger Morse in Bluegreen, Bobbins, 1962 -- This image has been cropped. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are mad...

This large-format painting features two bowls with grapes arranged diagonally within the pictorial space. The top-down view emphasizes the geometric play of the elements, with each b...

artwork dimensions (unframed): 35.5h x 39w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

Marc Chagall Untitled (Roi David), 1954 is a rare and imaginative culmination of the collaboration between Marc Chagall and the Fucina degli Angeli. This work is from the beginning of Chagall’s usage of Murano glass as a means of expression. In 1954, Chagall was invited into the Fucina degli Angeli by Egidio Costantini who was the master glass blower at the time. This stunning and mesmeric sculpture beckons the eyes through the use of vivid, bold colors that blend seamlessly together. Blue, purple, teal and hints of red coalesce in the center of the glass plate, creating the backdrop for a whimsical scene placed in the foreground. A man in a crown kneels in the center of the work, preoccupied with the string instrument delicately constructed in his hands. Gilded flecks of gold are highlighted around the crown and instrument, showing us the depth of the lyrical poet. The transparent glass allows us to follow suite of the man, becoming entranced and lost in thought. Created in 1954 in the Fucina degli Angeli in Venice, Italy, this Murano glass sculpture was realized by master glass artist Egidio Costantini (Brindisi, 1912- Venice, 1998) in collaboration Marc Chagall, (Vitebsk, 1887 – Saint-Paul, 1985). This work is inscribed ‘M. Chagall E. Costantini 1954 © Fucina degli Angeli’ on verso and is an artist proof. Catalogue Raisonné: Marc Chagall Untitled (Roi David), 1954 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work). Egidio Costantini: Il Maestro dei Maestri. Brussels: Espace Kiron and Espace Medicis, 1990. A different Chagall glass...

Chromogenic print in diptych format from the Minimiam series. Depicts workers inflating raisins, to make grapes. In celadon, yellow and blue. Facemounted in plexiglas. No need for ...

edition 5/5 Antippas’ photographic series, Chicken, is an interpretation of the exceptional, yet contrastive people that make up New Orleans. The portraits of Popeyes chicken legs d...

albumen print, mounted on card stock with the photographer's name, title, and number in the negative 11 1/2 x 8 3/4 inches/29.2 x 22.2 cm

ink on paper 13 1/2 x 17 1/8 in ; 34.3 x 43.4 cm

"Object Lesson" features hues of blue, pink, yellow, orange, green, and black. Guy Robinson is inspired by the work of Paul Klee, Albrecht Durer and Giuseppe Arcimboldo. Atlanta based artist Guy Robinson attended the Atlanta College Of Art on a Ford Foundation grant and has worked extensively in painting, sculpture, printmaking, and drawing. His surrealists works have been exhibited in numerous galleries and have a place in important collections including the Museum Of Contemporary Art, Georgia (MOCA,GA). Robinson has over thirty-five years experience teaching drawing and painting for Emory...

"Sacred Grove #6" features hues of blue, pink, yellow, orange, green, and black. Guy Robinson is inspired by the work of Paul Klee, Albrecht Durer and Giuseppe Arcimboldo. Atlanta b...

Stoneware clay, underglaze, and acrylic paint

"I am a professional food and still life photographer with over 30 years experience based in New York City. My attention to detail and strong sense of composition has allowed me to ...

The artwork presents an elegant and balanced composition where two bowls with grapes are harmoniously distributed across the canvas. One bowl occupies the center, capturing the viewe...

;Monet's Apples Oil on Linen, 14 x 24 Inches Charlotte Gibbs recently had the distinct honor of being awarded First Prize in The Roddy Compeition held at the Concord Center fo...

Wang Kun's "Auspicious" is an oil painting created in 2023 that depicts a beautifully lit, opulent still life of plums with dried flowers and a decorative plate. kun Wang(王琨), was ...

David Cheifetz's (US based) "Ebb and Flow" is an oil painting featuring a red apple still life with various objects. About the artist: David is an internationally acclaimed and col...

A restaurant in Positano, Italy, 1958. One of the woman is art director Edna Lewis. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Sli...

A restaurant in Positano, Italy, 1958. One of the woman is art director Edna Lewis. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Sli...

Waiters making crepes suzettes at a restaurant in Cortina d'Ampezzo, February 1962. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Sli...

The work "Dish with red grapes" is an example of how simplicity can contain deep emotional and visual richness. Despite its simple motif, the painting brims with inner soul. Painted ...

Courchevel restaurant chefs Jean Jacob (left) of 'Le Bateau Ivre', Michel Rochedy (centre) of 'Le Chabichou', and Albert Parveaux of 'Pralong 2000', Courchevel, France, April 1987. ...

Courchevel restaurant chefs Jean Jacob (left) of 'Le Bateau Ivre', Michel Rochedy (centre) of 'Le Chabichou', and Albert Parveaux of 'Pralong 2000', Courchevel, France, April 1987. ...

"Tablescape - Chinese Food Dinner," Archival Pigment Print Photograph, Edition 10, 18 1/2 x 30 Inches Sheet Size. This photograph is unframed. Note: Also available in larger fo...

Memento is the root of Bergamini's odyssey, it is both a pilgrimage and its migration. These mixed media pieces vividly reflect on what is both past and present. Angelica Bergamin...

One-of-a-kind Realism Original Oil Painting on canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity ...

This is one of my studio paintings. I love watercolor because it’s a very challenging medium. I used Daniel Smith Extra Fine Watercolors with world-class acid-free Arches 300gsm wa...

Watercolor work on Arches archival quality paper. I like going to the market in the summer and choose among the great choice of fruits and vegetables to bring home and paint. :: Pai...

Bomb Pop Created in 2019. Limited Edition of 7 Signed Limited Edition photograph.

edition 5/5 Antippas’ photographic series, Chicken, is an interpretation of the exceptional, yet contrastive people that make up New Orleans. The portraits of Popeyes chicken legs d...

Beautiful still life painting with amazing detail on the colors and shapes. Miguel Padura was born in Havana in 1957. “I was four years old when my family moved to Rodas, in the pr...

edition 2/5 Antippas’ photographic series, Chicken, is an interpretation of the exceptional, yet contrastive people that make up New Orleans. The portraits of Popeyes chicken legs d...