Harbor Art

This artwork titled "Yokohama" 1955, is an oil on canvas by noted Japanese artist Shigehiko Ishikawa, 1909-1994. It is signed at the lower left corner by the artist. The canvas size ...

Title: French Watercolor Painting of “Le Village de Pêcheurs” at Le Canon by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed Si...

Takanawa no kihan is a modern artwork realized between 1843 and 1847 after Utagawa Hiroshige. Ukiyo-e color woodblock print from the Touto hakkei (The Eight Famous Views of the Capital of the East) series. Mounted under passepartout. The artwork depicts the port of Takanawa, a suburb of Minato in southern Tokyo, and is one of the very rare sheets by Utagawa Ando Hiroshige...

Signed Adolfo Perez Frameless

Mediterranean Harbor Scene French artist circa 1960-1970 period trace of a signature, indistinct oil on canvas, unframed canvas : 24 x 29 inches Provenance: private collection, Paris...

Rafael Duran Benet (1931-2015) - Fishing port - Oil on panel Measures work 53x75 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of...

"Portofino Memories," with rippling water reflections below the iconic Portofino harbor is a quintessential example of Tom Swimm's enhanced realism. This colorful oil painting is on ...

In 1973, Bernard Buffet created the lithograph Brest – Le Château et le Navire-École, capturing the maritime heritage and historical significance of the city of Brest, a crucial port...

This vibrant artwork vividly captures a bustling harbor scene with an array of colorful fishing boats gently bobbing on the reflective water. Each vessel, painted with meticulous det...

QUEEN MARY, LONG BEACH, CA - ORIGINAL ARTIST DESIGN FOR THE PLACEMENT OF THE SHIP Watercolor and gouache on board, 20 x 36 inches. Signed and dated by the artist - Segroves, 1969. The original artist concept for the placement in Long Beach Harbor in 1969. Subsequently revised several times. The Queen after extensive renovation has just reopened to the public on December 14, 2022 Much larger than the Titanic, At 1,019 feet long and 81,000 tons (310 meters and 73,500 metric tons), the Queen Mary was one of the largest and most elegant ships of the early 20th century. From Wikipedia: The RMS Queen Mary is a retired British ocean liner that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard-White Star Line and built by John...

Signed Adolfo Perez Frameless

This work by Lucien Adrion is a wonderful representation of his Post-Impressionist works at the seashore by the French Riviera. Using a bright palette of colors, Adrion executes this piece with much attention to detail with many boats situated along the marina. There are palm trees and buildings placed in the distance, as we can feel the warmth of the sun contrasted with the cool breeze of the water. The boats are wonderfully executed by the artist in a very whimsical way that leaves us with an essence of enjoyment from that sunny day at the marina. As this tourist destination was a favorite of the artist to find inspiration and highly attractive subjects and compositions to represent, we can find several of his works like this subject and others. The piece is signed by the artist lower left and it comes housed in a French giltwood frame with linen liner and hanging wire on verso ready to be displayed. Art measures 19 x 23.5 inches Frame measures 27 x 32 inches Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure, and landmarks paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of 18, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich, and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...

Manuel Lorente is a contemporary artist from Valencia, Spain. Since a young child Lorente describes being mesmerized and drawn to art. He fondly recalls that his family took him to ...

Leigh Ann Van Fossan's "The Inlet" is an original, handmade oil painting that depicts a group of sailboats docked in the darkness as their lights cast glimmering reflections on the i...

Antonio Sala Herrero (1927-2012) - Seascape - Oil on canvas. Oil measures 50x61 cm. Frame size 70x81 cm..

Francesc Saborit Sans - Nautical port of Barcelona - Oil on canvas Oil measurements 46x55 cm. Without frame.

Signed Adolfo Perez Frameless

Leigh Ann Van Fossan's "Fire in the Sky" is an original, handmade oil painting that depicts a group of sailboats docked as a sunset colors the sky and water a vibrant orange hue.

Brian Blood (American, b. 1962) Monterey Bay, 2000 Oil on canvas board Signed lower right: BB signed, dated, and titled verso: Brian Blood, 2000 Monterey Bay 9in H x 12in L In a silvered gilt frame with linen mat and moulding: 17 1/4in H x 20in L Brian Blood is a resident of Pebble Beach, California. He began his professional life as a graphic artist and art director in Boston, Massachusetts. He then came to California to attend the Academy of Art College in San Francisco for both undergraduate and graduate studies. In 2003, Blood and his artist wife, Laurie Kersey...

Freeport Fishing Boats Max Epstein, Canadian (1932–2002) Date: 1980 Screenprint, signed and numbered in pencil Edition of 150 Image Size: 19 x 28 inches Size: 23 in. x 35 in. (58.42 ...

JOSEPH MARGULIES (1896 - 1984) REFLECTIONS OF GLOUCESTER ca 1940 Aquatint signed in pencil. 8 ½ x 11 ¾”, sheet 10 ½” x 13”. Very good condition, asid...

You immediately head south at high noon along the Italian Riviera determined to arrive in Portofino in time for lunch in a cafe along the piazza. The flowers are as lovely as you re...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel...

Ancient views of Shanghai is a set of two vintage albumen prints on single cardboard: 34 x 26 cm. The image on the front and on the rear 21.5 x 27 cm. ...

"Grand Overlook, Sorrento" is a colorful example of Bryan Mark Taylor's modern approach to Impressionism. This beautiful oil on canvas captures the mood and feel of the Amalfi Coast...

Gabino Rey Santiago (1928-2006) - Oil on canvas - Port of Barcelona Oil measures 54x65 cm. Frameless.

Bermuda View 1957 by Slim Aarons Slim Aarons Limited Estate Edition View from the Bermudiana Hotel looking towards Paget, in the foreground the Royal Bermuda Yacht club, 1957. u...

Ella Fort St. Raphael (Provence, seascapes, countryside art, Impressionist) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. Size: 22.8 × 14.8 on 27.5 × 19.6 inches Framed: 35.75x24 inches COA provided *edition number might vary from shown in listing image Tags: Provence landscapes, French countryside art...

'Boats At Hotel Du Cap-Eden-Roc' Motorboats moored off the Hotel du Cap-Eden-Roc in Antibes on the French Riviera, 1969. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped...

Bermuda View (1957) Limited Estate Stamped (Photo By Slim Aarons) View from the Bermudiana Hotel looking towards Paget, in the foreground the Royal Bermuda Yacht club, 1957. ...

PLEASE NOTE: The painting will be shipped rolled in a tube without a frame. Marmaris with its hills, which on the slope of the is lit by the departing rays of the sun. Red cliffs h...

Signed lower right, 'Sanzone' for Mario Sanzone (Italian, born 1946) and titled, 'Portofino'. Previously with: Zantman Art Galleries, Carmel, CA. A substantial oil on canvas showi...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, and the USSR in the 1960s.In the invitation to an exhibition of her works in 2003, one reads: "Hanna Seidel, observing the world through her camera lens, could capture everyday situtations in a unique manner."A touring exhibition containing 100 selected photographs entitled "From Rio Grande to Cape Horn" was organised by the Commerzbank and Lufthansa in 1965 and had its opening in the Cologne branch of the bank, Unter Sachsenhausen. At the time, the press described the works as being of "enchanting beauty and dignity."The exhibition of 1965 was curated by Hanna Seidel. Vintageprints offered for collectors come from this selection, each work is unique and exists only once, created as a unique print for the exhibition. Title: Hong Kong...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Xavier Rodes was born in 1971 in Barcelona, Spain. He studied Art at EINA College, where he created a final project on the subject of “Industrial and Urban Landscape”. Today, he live...

Vintage 1970's Harbour Scene with Moored Boats & Figures by British Artist, William Stockman (1935-2021) Art measures 31 x 15 inches Frame measures 36 x 20 inches Professionally cleaned and re-framed in a high quality contemporary black moulding with a white insert 20th Century Vintage Original...

The old fortress and port of Mandraki on the island of Rhodes in Greece is a tourist harbor where both very large cruise ships and small ships dock. People are eager to see local att...

Saint-Tropez Seafront 1971 by Slim Aarons Slim Aarons Limited Estate Edition The seafront in Saint-Tropez, on the French Riviera, September 1970 unframed c type print printed 202...

View from the Bermudiana Hotel looking towards Paget, in the foreground the Royal Bermuda Yacht club, 1957. Gorgeous print measuring an large 30 x 30" inches / ca 76 x 76 cm’s Es...

'Pool By The Sea' 1969 Slim Aarons Limited Estate Edition Guests round the swimming pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1969. (Photo by Slim Aarons) C Print ...

A quiet port on the Canary Islands in Spain where there are many yachts, with the evening gentle sun, which gilded white blocks and sails. Exhibition: 2017 The exhibition "Enchanted ...

The Royal Hamilton Amateur Dinghy Club' by Slim Aarons Members of the Royal Hamilton Amateur Dinghy Club prepare to go sailing in Bermuda, 1976 This photograph epitomises the trave...

This artwork titled "Goletas Pesqueras On La Bahia De San Antonio, Chile" is a large oil painting on canvas by Culean artist Ernesto Romero Diaz. I...

Lithograph in colors on paper.. Hand signed Bennett / Benedetto (Tony Bennett's family name) and numbered. Image size 23.75 x 33.5 inches. Sheet size approx. 29 x 38 inches. Frame ...

Image dimensions: 60cm x 60cm Framed dimensions: 75cm x 75cm This original Cornish seascape painting beautifully depicts the coastal town of St Ives. Mike Bernard pays homage to the St Ives group...

Unframed this piece measures 12"H x 12"W Introducing "Water's Edge," a captivating small square oil painting by talented American artist Stephanie Amato...

In this sunset harbor scene, everything is enveloped in calm. The last rays of the sun bathe a fishing building, while the moored boats play with light a...

Slim Aarons Freeport Yachts 1969 (printed later) Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Yachts in...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

An oil painting of the South Ferry touching down in Sag Harbor at night. A pickup truck leads the line of cars exiting the ferry from Shelter Island. Headl...

A Colorful, Vibrant, Mid-Century Modern Great Lakes Harbor Scene by Noted Chicago Artist, Rudolph T. Pen. This charming watercolor, completed in the early 1950's, depicts a wonderfu...

Butko paints the natural, sprawling light of early, mid, and late day. In this composition–his largest of 2023—Butko takes on early summer's mid-day light in Northeastern U.S. The cl...

The painting is painted with oil paints on canvas in the style of modern impressionism and is ready to hang on the wall. It is equipped with hooks, the sides are painted with dark pa...

Signed Adolfo Perez Frameless

Dear clients, Thank you so much for your interest to the art of Maestro Alina Khrapchynska. The artist Maestro Khrapchynska has escaped the war in ...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

'Seabound Symphony' by Natalia Aandewiel is a vibrant 30" x 48" oil painting on canvas that captures the tumultuous beauty of a maritime scene. The w...

View from the Bermudiana Hotel looking towards Paget, in the foreground the Royal Bermuda Yacht club, 1957. A Wonderful Time - Slim Aarons Estate stamped and hand numbered edition o...