Path Art

Photograph taken with Polaroid Now+ camera. Unique piece, embossed, signed on the back, and comes with a certificate of authenticity.

Piazza della Repubblica, Rome is a black and white vintage photo, realized in second half 20th century .  Good conditions and aged. It belongs to a historical and nostalgic album i...

Black and white fine art cityscape - landscape photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity includ...

A Bit of Mystery This graphite pencil drawing ‘Clingendael – 15-11-23’ is the second impressionist drawing in a row. Last one of Amsterdam already was devoid of any cubist s...

The work of Durieux has been characterized in the last 25 years by the tranquil French landscapes. His enthusiasts enjoy it and stand in the gallery with their nose on top of the drawings and paintings. However, there is a special novelty to report for this exhibition! Peter Durieux signed again in the Netherlands. Anyone who knows the artist knows that his drawings are the source for the paintings he makes. These drawings, made in the landscape, form an important part in the oeuvre of the Groningen artist. The "plein air draftsman" draws a few mornings or afternoons per drawing to the same place. He records how the light shows the landscape. It is important for Durieux that the light is the same as the day before, which is why the artist always opts for the same moments of the day in the same place. The tonal landscapes show a silence and an unparalleled intimacy. Peter Durieux signed for this exhibition in Brabant on the Strabrechtse Heide (near Nuenen in Heeze) and in Groningen, the province where he lives. He made paintings from these drawings. In addition to the Dutch work, there is also new "French" work on display. Drawing is watching. Durieux's paintings and drawings are created in various steps. Peter studies his landscapes while he draws. "Drawing is watching," he likes to tell his students at the Classical Academy in Groningen. Twice a year he travels to "Le Coulet", a small hamlet in the French Ardêche. The surroundings of the hamlet, the villages and landscapes in the immediate vicinity have been established by Peter Durieux for years. Peter does...

Le Marais - Signed limited edition archival pigment print, 2005 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Aci...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to...

Allee, Tuxedo Park, 2018 pigment print on watercolor paper, signed dated and numbered on face 16 1/4 X 13 edition of 4/25 $1,500 24 x 20, edition of 25, $2...

Perso nell'immensità, 1955. Men and hats, in the streets of New York. Work sold in perfect condition, print on baryta paper 310 grs pigment inks of museum quality, limited edition of 5 copies Lost in the vastness of the city, this little man sitting against a building, probably a little busy alcohol, seems indifferent to this landscape without horizon, made of stones and steel. In his notes, the photographer specifies that he took this shot on a Monday morning, when the offices and stores. A desert vision of Manhattan that it's hard to imagine these days. During the 15 year period in which Fabrizio La Torre...

Signed and dated oil on canvas riverscape by French impressionist painter Charles-Victor Guilloux. This beautifully painter piece shows a view from the Pont Neuf looking towards the ...

Artwork # 1 of 5 sold in limited edition in perfect condition The water carrier - Thailand This photo was made in 1959, printed later, the negative was digitized during the artist...

Work on canvas Plaster and gilded wood frame 68.5 x 80 x 4 cm

SALVADOR DALÍ I DOMÈNECH (1904-1989) (AFTER). Cerámica vidriada y esmaltada, va dentro de un marco de latón. Con firma estampillada Dalí. Seguramente es una pieza realizada por Grisl...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

Havana, Cuba - Revolutions happen for a reason. No one wakes up one morning and saying, “I’m going to start a revolution today”, without thinking about it a little first. The Cuban r...

Work on canvas

Title: Original Watercolor of a Sunlit Mediterranean Street Scene with Flower Stalls By Elaine Mucklow Original watercolor on artists paper, unframed Signed: Verso Dimensions: 11.25 ...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in perfect condition from a limited edition of 12 ex- Composition from an assembly of 16 shots digitaly edited and made in 2012 The Spanish Steps (piazza di Spagna...

Medium: etching and aquatint Image size: 4 x 6 inches Printing element: 1 copperplate Beautiful etching and aquatint from an artist know for his depictions of trees and architectur...

Old Antwerp Road is an artwork realized by Jan Claessens (Belgian, 1879 - 1963) in 1914. Woodcut print Good condition.

Title: British Impressionist Watercolor of a Woodland Walk with Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 14 inches...

Michael Mardikes Benton walking dog (Thomas Hart Benton Plate #6) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 19x13.5 in Paper Size: 22x17 in Edition: Unique Monogrammed by hand Label signed and numbered by Estate Representative COA provided by Authorizing Body Additional COA provided by representing Gallery Ref.: 924802-908 Image included in the exhibition An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton at the Kansas City Public Library (November 20, 2021-May 15, 2022) One night in late 2020, as Nick Vedros was leaving the home of his Aunt Myrt and Uncle Michael Mardikes, his aunt suddenly asked him, “What are we going to do with all the negatives?” The noted Kansas City photographer was not sure what his 89-year-old aunt was talking about, until she handed him a notebook filled with more than 1000 negatives chronicling Thomas Hart Benton at home and in his studio. They had been filed away for almost seven decades. This startling discovery was the inspiration for the exhibition, “An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton” on view at the Kansas City Public Library Central Library. The exhibition is a must-see, not just for fans of Thomas Hart Benton but for devotees of exemplary photojournalism. Of the 1,080 photographs Mardikes took, only four had been published in an article he wrote for “This Month in Kansas City” magazine in 1966. The others were never printed, nor was their existence common knowledge. Although Vedros had been aware of his uncle’s assignment with Benton, he was stunned to discover that so much additional material existed. Vedros, who decided at age 12 to become a photographer himself after seeing his uncle’s work, was determined to organize an exhibition, and was especially interested in doing it as quickly as possible given his uncle’s advanced age and increasing frailty. Collaborating with Dan White, a photographer, master printer and friend since their time together at the University of Missouri journalism school, they selected 34 images to be printed and framed, researching the details with Steve Sitton, the director of the Thomas Hart Benton Home and Studio Historic Site. Michael Mardikes had had a brief career as a commercial photographer before going on to work in management at the Ford Motor Company and later at UMKC. He made the acquaintance of Benton through Eugene Pyle, a former student of Benton’s and Mardikes’ photography instructor at the Art Institute. In 1955, Benton asked Mardikes to photograph him; Mardikes visited Benton 35 to 40 times, over a period of a few months in late 1955 and early 1956. Sitton told Vedros that not only was Mardikes’ amount of access incredible, but that the resulting body of work was unmatched. As the project progressed, Benton became focused on a mural commission for the River Club in 1956. Henry Adams, preeminent Benton scholar and former curator at The Nelson-Atkins Museum of Art, provided some context for this particular work: “The commission to paint ‘Traders at Westport Landing’ came at a low point in Benton’s career, 1956, and initiated the late phase of Benton’s mural paintings. It was the first of a series of murals depicting the exploration and settlement of the west, which culminated in the Truman Library mural, which was completed in 1962. All these murals feature trading and friendly contact with the Indians, rather than conflict, and are arresting in their bright color and meticulous rendering of carefully researched detail. The River Club, which commissioned ‘Traders at Westport Landing,’ overlooks the Missouri River and has a panoramic view very similar to the one in Benton’s painting.” This group of black and white photos not only documents the artist’s working process but also reveals other aspects of his daily life: one memorable image reveals Rita Benton massaging her husband’s stiff shoulders after a long day in his studio. Other images show members of the River Club board visiting Benton’s studio to check on the progress of the mural. One charming image captures a candid moment of Rita Benton and Myrt Mardikes as they collaborated in the Benton kitchen making chicken kapama for their husbands. Nan Chisholm Nan Chisholm is an art consultant and appraiser of 19th- and 20th-century paintings. After a long association with Sotheby’s, she founded her own business in 2003. She has appeared as a fine art appraiser...

Michael Williams, Untitled Landscape 1, Color Landscape Photograph on Paper, 2010 - Colors: Gray, Green, Brown, Yellow

Title: British Impressionist Watercolor of a Bustling Market Square Scene with Stalls By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: ...

Title: British Impressionist Watercolor of a Mediterranean Plaza with Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15.5 x 1...

Title: British Impressionist Watercolor of an Arched Courtyard Entrance with Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 1...

Ready to ship immediately. Free domestic US shipping. Signed limited edition, framed 20x24" print of David Bowie by Kevin Cummins, taken outside the Tea & Sympathy, the legendary Br...

Gilsoul Victor Brussels 1867 – 1943 Belgian Painter A View of Diksmuide Signature: Signed bottom left, placed Dicsmuide and dated 1900 Medium: Oil on canvas Dimensions: Image size 55,50 x 71 cm, frame size 68,50 x 84 cm Biography: Gilsoul Victor Olivier was born in Brussels on September 10, in 1867. He was a Belgian impressionist painter of landscapes, marines, harbour scenes, architectures, interiors, city and canal views, portraits and figures. He was also a watercolourist. Gilsoul studied at the Antwerp Academy of Fine Arts with the famed master teachers and artists François Courtens (1854 – 1895) and Louis Artan (1837 – 1890). In 1882 he won his first prize at the Academy and in 1884 debuted at the Brussels Salon. He studied also at the Brussels Academy of Fine Arts, where he won a prize (1885-1890). Gilsoul was member of the group ‘Voorwaerts’ in 1891. He was awarded a silver medal at the Paris World Fair in 1900. In the same year, King Leopold II commissioned several compositions for his yacht “Alberta” and knighted him to the Order of King of the Belgians. The painter stayed from 1911 in Paris, where he often painted the Versailles region, also worked and lived for some time in Brittany. He had several exhibitions in France. He was a teacher at the Antwerp Higher Institute of Fine Arts (1924-1930) and a member and honorary member of La Gravure Originale Belge (1928). Gilsoul painted at the Belgian coast...

Artwork sold in perfect condition Fabrizio La Torre’s 100th Anniversary Celebration (1921-2021) Set # 10 - Canada Limited edition of 100 Coffrets for each themes, all artworks printe...

An Original Painting of Bridgewater Canal Scene in the Industrial City of Manchester, England, by British Cityscape Artist Angela Wakefield. It captures the changing nature of Manche...

Title: British Impressionist Watercolor of a Town Square with Fountain and Cafes By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25...

This artwork "Village de Provence" c.1990 is a watercolor on paper by American impressionist artist Sharon Galigan, b.1939. It is hand signed at the lower left corner by the artist. The artwork size is 17.5 x 13.75 inches, framed size is 25.5 x 22.5 inches. Custom framed in a wooden light brown and grey frame, with beige matting and light brown filet. It is in excellent condition. About the artist: Sharon Galligan (American, b. 1939) is an artist painting in watercolor, oil, acrylic, monoprint and mixed media. She was an art major in both high school and college: San Jose State University, West Valley College, and Evergreen College. She has also studied with nationally noted artists and teachers, including Ted Goeschner, Frank Webb, Charles Movali, Howard Rees, Tom Lynch, Dale Laitinen, Marilyn Simandle...

Landscape is an original drawing artwork in mixed media on cardboard, realized by Sun Jingyuan in 1970s. The state of preservation is very good. Sheet di...

In creating this painting, I sought to capture the serene interplay of light and shade on a bustling, sunlit square, infusing the scene with a sense of lively tranquility. Using oil ...

Signed limited edition 20x24" print of David Bowie by Kevin Cummins, taken outside the Tea & Sympathy, the legendary British themed restaurant in NYC, 1996. This David Bowie print...

"He [Cobble] has come to accept the fact that low production can lead to under appreciation in the short run, but he also knows that his gifts of perception and discrimination are ra...

Title: British Impressionist Watercolor of a Modern Pedestrian Bridge in Autumn By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 ...

Artist: Jose Antonio Velasquez, Honduran (1906 - 1983) Title: San Antonio Oriente, Honduras C.A. Year: 1951 Medium: Oil on Canvas, signed and d...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

Oil paint on masonite hardboard by the well known American contemporary artist Michael Budden. Signed lower right. Signed, dated and titled verso. Salmagundi Club exhibition label v...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

"He [Cobble] has come to accept the fact that low production can lead to under appreciation in the short run, but he also knows that his gifts of perception and discrimination are ra...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

Very well executed original gouache on archival paper of a group of figures on an overlook viewing the Bay of Naples by the Italian artist, Maria Ada Gianni...

Rome in the Early 20th Century is a Historical Photo in black and white. It belongs to historical album including photo of historical events and places, all meticulously captured, an...

Title: At Village Medium: Oil on canvas Size: 22 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2015 Artist: JIanping Chen...

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Ari Gradus, Israeli (1943 - ) - Knife Sharpener, Year: 1980, Medium: Lithograph. Signed and Numbered in Pencil, Edition: AP, Image Size: 18.5 x 25 inche...

Ari Gradus, Israeli (1943 - ) - Sidewalk Cafe, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 245, AP, Image Size: 18 x 26 inch...

Ari Gradus, Israeli (1943 - ) - Old New York, Year: 1980, Medium: Lithograph, signed in pencil, Edition: AP, Image Size: 18 x 26 inches, Size: 22 in. x 30 in. (55.88 cm x 76.2 c...

Ari Gradus, Israeli (1943 - ) - Old Jerusalem Market, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 26 x 18 inches, Size: 30 in. x 22 i...

Ari Gradus, Israeli (1943 - ) - Out West, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Size: 18 x 25 in. (45.72 x 63.5 ...

Jalal Gharbi, Tunisian/American (1920 - 2005) - Street Scene 2, Year: circa 1970, Medium: Oil on Canvas, signed lower left, Size: 30 x 24 in. (76.2 x 60.96 cm), Description: An o...

Work on canvas