Puddle Art

From a series of observations on French master paintings and their opulent gilded frames GILDED BEAUTY by Frank Schott 60 x 48 inches / 152c...

LETTER O by Christian Stoll large scale conceptual photography playing with viewer's perspective incredible details in this body of work, a series of environmental stills playing w...

a series of observations on French master paintings and their opulent gilded frames FRENCH MASTER by Frank Schott 60 x 48 inches / 152cm x 1...

LETTER E by Christian Stoll large scale conceptual photography playing with viewer's perspective incredible details in this body of work, a series of environmental stills playing w...

LETTER P by Christian Stoll large scale conceptual photography playing with viewer's perspective incredible details in this body of work, a series of environmental stills playing w...

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait. The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer's visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works. Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller's photographs, in movement and action. He also finds inspiration in photographer Duane Michals' framing of expressive narratives, and in Sally Mann's felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said "I can almost hear a soundtrack, and it's the sound of wind". The invitational image is entitled "Fall," a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing. Another view of self portraiture at the front sign in desk, is an image reading, "and the soul wanted to move," between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5...

This is the left panel of what was originally a diptych, hence the name, but the right panel is no longer available. A new right panel will be made shortly. This painting in delicate...

Giclee Print On Paper 28 × 21 in 71.1 × 53.3 cm Edition of 125 Hand-signed and numbered #1-65 of this edition are signed en verso; #66-125 are signed on front Katherine Bradford i...

Landscape in the works of Marilina Marchica the landscape and nature are the protagonists The trace and the sign of the passage of man is testimony of a time in constant evolution In the series “Landscapes” and “Signs”, poetic and rarefied images in which stasis and memory merge, the synthetic trait and minimalist practice give rise to entropic landscapes and signs, imprints of a universe made of abandonment and fragility. the deeper meaning of the relationship between man and nature over time mixed media on Cotton Canvas 80x95 cm 2022 pure cotton canvas and handmade wooden frame...

Hand embellished giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition AP of 95. Framed....

David A. Dreyer earned his BFA and MFA at Southern Methodist University in Dallas. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has had solo exhibitions a...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...