Vest Art

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

La Sirene Masuo Ikeda, Japanese (1934–1997) Date: 1969 Etching and Aquatint on BFK Rives, signed and numbered in pencil Edition of 38/45 Image Size: 23.5 x 19.5 inches Size: 28 x 21....

In the reproduction of the photograph "Biker," we recognize Dennis Hopper's distinctive photographic style, characterized by its candid and unposed nature. This image encapsulates mo...

DOG - Oil on canvas cm.60x60 by Alfonso Pragliola, Italy 2011

Self Portrait at 43

Nobuyoshi ARAKI (*1940, Japan) 69YK #19, 2009 Gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-based photographer. Araki completed his studies at Chiba University’s Department of Photography, Painting and Engineering with a focus on the study of film and photography. His photographic project Satchin earned him the prestigious Taiyo Award in 1964, shortly after he had joined the advertising agency Dentsu, where he worked until 1972. At Dentsu he met his wife Yoko, to whom he paid homage in Sentimental Journey, a photographic record of their honeymoon published in 1971. Eros and thanatos (sex and death) has been a central theme in Araki’s work; an abiding fascination with female genitalia and women’s bodies in Japanese bondage...

ABOUT THIS ARTIST: Cameron Burns is a freelance 3D artist who primarily works in the music industry. He loves to create photo realistic and surreal art t...

Black and white capture by celebrity photographer Larry Barbier Jr. of Paul Newman on a film set, posed in an action shot with a funny expression. Paul Newman was an American actor,...

Artist: Varvarov Anatoly Viktorovich Title: Beyond Childhood Sise: 41.5x55 inches, (105x140 cm) Medium: Oil on Canvas Hand painted, original, one of a kind, He swims in the still blue water, his joy knows no bounds. The sun shines down on him and he is filled with the light of childhood. His wrinkles are gone, his hair is gone, but he is still young...

"Boat Bearers" by Gerry Cranham 30th July 1938: Two swimsuited girls are carrying their canoe on their heads. Unframed Paper Size: 20" x 24'' (inches) Printed 2022 Silver Gelatin ...

Original French goauche and watercolor of scuba divers, circa 1925.

Maeve Eichelberger is a Colorado native, capturing both urban and rural lifestyles in her artwork. Passionate about collage, Maeve specializes in a new form of 3 dimensional collage....

"Night Reflections". Screen printing on paper, edited in 1968. Limited edition of 100 copies , numbered as 60/100 in lower left corner.
 Hand-signed by artist in pencil in the lower...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Andreas Claussen’s "Search" (2022) is a striking oil painting that blends surrealism and contemporary realism. Measuring 31.5 x 31.5 inches, this compelling work depicts a lone astro...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani, hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with a unique dollar b...

This museum exhibition poster was published for Arikha Avigdor’s 1998–1999 retrospective at the Israel Museum in Jerusalem. The image features three carefully folded shirts—one blue,...

Photo taken at Eastern Market in Detroit during Covid, 2020--just before the lockdown. Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.

"Women of the IDF" Large Exhibition color Photograph 30 x 40 inches, mounted on masonite and laminated. Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue. Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude. Photographic Series In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting. In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”). For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash." Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...

An original gelatin silver print by American social documentary photographer Milton Rogovin depicting a resident of Buffalo's East Side in the early 1960's. Mr. Rogovin chronicled t...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

During his successful career as a goldsmith the desire to paint grew on Dutch artist René Smoorenburg (1954). The attention to detail, which was of gr...

A Colourful Crew 1970 by Slim Aarons Slim Aarons Limited Estate Edition A group of colourfully dressed friends on board the Calypso clothing store owned boat, Bermuda, June 1970. ...

A Colourful Crew 1970 by Slim Aarons Slim Aarons Limited Estate Edition A group of colourfully dressed friends on board the Calypso clothing store owned boat, Bermuda, June 1970. ...

At this point in time I have come to the realization that as time jumps, I have to evolve, and personal responsibilities become heavier as we want for greater things in life. I am not settling for less anymore so we can't go back to the hood doing the norms, I told my friends I’d be gone only for a few years so I go with my sketchbook and life jacket...

Michael Stipe - Signed Limited Edition Oversize print NME Cover Shoot July 23, 1996 Los Angeles N.M.E. COVER SHOOT (photo Kevin Westenberg) Unf...

Christopher Payne spent six years documenting the decay of state mental hospitals, visiting seventy institutions in thirty states. Through his lens we see splendid, palatial exterior...

Leo Gullotta is a vintage black and white photograph realized in the 1980s. Good conditions.

Signed limited edition archival print of Signed limited edition print of Devo posing for SoHo Weekly News, NYC, 1981 by Allan Tannenbaum. Available in different sizes. Limited editi...

Signed lower left, 'Goetz' for Jack Goetz (American, born 1919); additionally signed, verso, dated 1998, titled 'Toreador', with artist information. A dramatic figural study of a proud, young toreador shown seated, wearing an embroidered vest and gazing directly towards the viewer. Goetz has painted and exhibited with success for many years and continues to paint at the age of 104. Speaking of himself, the artist says: "I studied arts and languages at Santa Monica College, taking classes in oil and watercolor painting, sculpture, ceramics, art history and music. At the same time, I studied with master painter Sergei Bongart. Because he taught many people in the movie business, I had fun meeting and painting with people...

Vintage photo of Harvey Keitel from the movie "Dear Gorbachev" directed by Carlo Lizzani.

Vintage Photo. The American Actor John Belushi. Lightly Blurry.

One Hundred Years of Alberto Sordi # 5 is a vintage photographic print on single-coated paper. Photograph realized by Italian famous Photographer Pierluigi Praturlon...

Guardian Angel in my Classroom IS 291, Bushwick, Brooklyn, NY February 1983 Signed, titled, dated, and numbered, verso Archival pigment print (Edition of 10 + 2 APs) 22 x 17 inche...

Gelatin silver print 16 x 20 inches, sheet This photograph is offered by ClampArt, located in New York City. About the artist: Yvette Marie Dostatni is a Chicago native who has been...

A group of colourfully dressed friends on board the Calypso clothing store owned boat, Bermuda, June 1970. (Photo by Slim Aarons) Estate Stamped Edition Limited to 150 only This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C-type photograph (unframed). Limited edition to 150 only numbered and stamped by The Slim Aarons Estate on verso. Supplied with certificate of authenticity. Gorgeous print measuring 60 x 40" inches / ca 152 x 101 cm’s paper size. Stamped by the Estate on right and numbered in ink on left - limited edition to 150 only. Produced utilising the original transparency held at archive source. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. We ship regularly using Fedex Express services and shipping to all international locations. Keywords fashion 60s...

'A Colourful Crew' 1970 A group of colourfully dressed friends on board the Calypso clothing store owned boat, Bermuda, June 1970. (Photo by Slim Aarons) Estate Stamped Edition Limited to 150 only This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C-type photograph (unframed). C Print Produced from the original transparency Certificate of authenticity supplied Archive stamped and numbered in ink on the front Paper size 60 x 40 inches / 152 x 101 cm Printed 2020 OTHER SIZES AVAILABLE : 72 x 48 inches / 183 x 122 cm 60 x 40 inches / 152 x 101 cm 40 x 30 inches / 101 x 76 cm 30 x 20 inches / 76 x 51 cm 20 x 16 inches / 51 x 41 cm FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Keywords fashion 60s...

A group of colourfully dressed friends on board the Calypso clothing store owned boat, Bermuda, June 1970. (Photo by Slim Aarons) Estate Stamped Edition Limited to 150 only This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C-type photograph (unframed). Limited edition to 150 only numbered and stamped by The Slim Aarons Estate on verso. Supplied with certificate of authenticity. Gorgeous print measuring 60 x 40" inches / ca 152 x 101 cm’s paper size. Stamped by the Estate on right and numbered in ink on left - limited edition to 150 only. Produced utilising the original transparency held at archive source. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. We ship regularly using Fedex Express services and shipping to all international locations. Keywords fashion 60s...

Any Point in Time (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 48x60cm, Edition of 10 plus 2 Artist Proofs. Signature label and Certificate. Artist Inven...

When? (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label...

When? (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 48x60cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label...

Untitled Sea wrack II, 2010 by Rodrigo Etem From the series Ser Cosa Archival pigment print on fine art paper Size: 32 H x 24 W inches. Edition of 7 Unframed …this series of portra...

Archival pigment print (Edition of 5 + 2 APs) Signed, titled, dated, and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Frances F. Denny'...

No Causes (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, bas...

Archival pigment print (Edition of 7) Signed, titled, dated, and numbered, verso This artwork is offered by ClampArt, located in New York City. Please note that prices increase as e...

A group of colourfully dressed friends on board the Calypso clothing store owned boat, Bermuda, June 1970, Printed Later. (Photo by Slim Aarons) Estate Stamped Edition Limited to 150 only This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C-type photograph (unframed). Limited edition to 150 only numbered and stamped by The Slim Aarons Estate on verso. Supplied with certificate of authenticity. Gorgeous print measuring 60 x 40" inches / ca 152 x 101 cm’s paper size. Stamped by the Estate on right and numbered in ink on left - limited edition to 150 only. Produced utilising the original transparency held at archive source. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. We ship regularly using Fedex Express services and shipping to all international locations. Keywords fashion 60s...

Untitled (Traintracks) - The Last Picture Show - 2004 38x37cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Arti...

Edition of 110 Signed and numbered by the artist. The subject’s leather jacket was designed by Vivienne Westwood and Malcolm McLaren, pioneers of British Punk fashion, and retailed ...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find it. 'Careless Talk May Cost His Life' 50 x 33.5 cm Original RAF Poster...

From the Apathy Series, Andrew Smenos' recent body of work, comes "RISING TIDES USED TO BE A GOOD THING" – the life-jacket saving no one... At 20x20", th...

On Board The Palawan 1992 by Slim Aarons Slim Aarons Limited Estate Edition Olive Watson (left) takes her friends out sailing off the coast of Maine on her yacht, Palawan, 1992. O...

Mr. Donut, Kind of Blue, and V. (Triptych) by Mikael Kenta From the "Iconic" Series Archival Pigment Print with a 1.57-inch white border. Overall size: Image size: 41.33 in. H x 11...

This gelatin silver print was created by American photographer Christopher Makos. Makos is well known for his relationships with icons like Andy Warhol, Tennessee Williams, and John ...

Sükan created the series as he was working for international magazines such as L'Uomo Vogue (Italy), A Magazine (France), Crash (France), Faces (Switzerland), and Muse Magazine (Ital...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

HARRY BOWERS T E N P H O T O G R A P H S I DON'T LOOK FOR PHOTOGRAPHS I INVENT THEM I recall my first meeting with Harry Bowers in California a few years ago. As he produced his large-scale prints, I was at first flabbergasted, not only by their size, but by their seamless perfection. Technique appeared to be everything but then technique as technique simply vanished. After the first moment, tech­nique was no longer an issue, but rather a passageway to the imagery. Suffice it to say about Harry Bowers' working style that he is an obsessive man. Trained as an engineer, he has turned that discipline to art. His lenses, equipment and darkroom, much of it exactingly manu­factured by himself to answer certain needs, serve the desire of the artist to take photographic tech­nique to its ultimate perfection in invisibility and transparency. I respect obsession in art, and particularly in photography, because obsession in photography passes beyond the easy, middle ground of image making to a more demanding, more difficult, yet more rewarding end. Bowers' obsession is to eliminate "photography as technique." No grain, no decisive moments, no journalism, or, seemingly, direct auto­biographical endeavors appear in his work. Bowers is an artist of synthesis who controls his environment if only in the studio exactly to his liking. The images he creates are formal structures, saucy stories on occasion, which may offer hints of a darker, more frightening sexuality, but what you see is the end product of an experiment in which nothing save the original insight perhaps is left to chance. We seem fascinated with the idea of replication of reality in art. Popular painting frequently reproduces a scene "with the accuracy of a photograph," and photographs may "make you feel as though you were right there." The very invisibility of the photographic medium is important to Bowers, in that it allows him to maneuver his subject matter without concern for rendering it in an obvious art medium which would interfere with the nature of the materials he uses. The formal subtleties of Bowers' recent work are as delicious and ambiguous in their interrelationships as the best Cubist collages, yet while those col­lages always suggest their parts through edge and texture, these photographs present a structure through a surface purity. Bowers' earlier works, for example, the Skirts I Have Known series, were formed of bits of clothing belong­ing to Bowers and his wife or found at local thrift shops. These works fused an elegance of pattern and texture, reminiscent of Miriam Shapiro...

Genre: Modern Subject: Abstract Medium: Other Surface: Paper Country: United States Dimensions w/Frame: 21" x 21" Bas relief on hand-made paper; Visual statement of society’s role in conformity of the individual and acquiescence to nationalism. William G. Haendel is originally from Wisconsin, born in West Bend in 1926. He has had exhibitions in Canada, Sweden, Italy, and England as well as many in the United States. He graduated from the University of Wisconsin at Madison with a M.S. degree in 1954 followed by advanced study in both Seattle, Washington and London, England. In 1960 he was the recipient of a Fulbright Award to study silversmithing and sculpture in England. He is Professor Emeritus in Sculpture from Northern Illinois University and currently resides in DeKalb, Illinois. His most notable work is with cast paper. Images are created by transferring a wet sheet of hand-made paper to plaster molds. Images are created by transferring a wet sheet of hand-mad paper to plaster molds. These molds are created with found objects or are the direct product of the artist’s imagination. Many of the found objects are parts of Haendel’s vast collections of old toys...

Slim Aarons Desert House Party, 1970 C print Estate stamped and numbered edition of 150 with Certificate of authenticity A poolside party at a desert house, designed by Richard Ne...