20th Century Specialists Paintings

19th Century, German, Hand Painted Porcelain Plaque

Albert Chubac, Composition Gouache, Signed lower right, circa 1980, France. Measures: Height 15 cm, width 15 cm, depth 3 cm (without frame). Albert Chubac was born in Geneva in 19...

Eduardo Chillida (1924-2002), Composition 1990, Black felt pen on paper, Dedicated: "Pour Jean-Claude Duret, Cordialement", Signed in the bottom right corner, Spain. Measures: 37 x...

Albert Chubac (1925-2008), Acrylic painting on cardboard, Stamped, France, circa 1960. Measures: Height 100 cm, width 140 cm. Albert Chubac was born in Geneva in 1920. After studying decorative art, then at the Beaux-Arts in Geneva, he obtained grants to travel to Italy, Algeria, Spain, Egypt and Greece, stages which will mark his work. He settled in 1964 on the Côte d ‘Azur in Aspremont in a very Spartan house, attracted by the light, the sun and the colors of nature. The year 1967 is the year of the establishment of the School of Nice. He will work and exhibit alongside Aman, César, Tinguely, Gilli, Ben, Rayse, etc ... In 1990, it was the consecration with the opening of MAMAC in Nice. Albert Chubac then becomes accessible to the general public. He will use solid primary colors, will develop modifiable structures and then develop the collages in three dimensions. Gradually, he broke away from his classical training and figuration to move towards abstraction through the encounters and influences of contemporary artists. Always in search of simplicity, He will radically limit the plastic means with a reduced palette, geometric shapes and simple gestures to concentrate on minimum conditions of possibility. His work, which lies between constructivism and geometric abstraction, is playful and imbued with the artist's joie de vivre. In 2004, following the major retrospective at the Museum of Modern and Contemporary Art in Nice, he donated around one hundred works to the City of Nice. Albert Chubac died in 2008 in Tourrette-Levens, near Aspremont. Bibliography: - Albert Chubac, MAMAC Nice, Cultures Nice Editions, 2004. - Albert Chubac: exhibition, Nice, Museum of Modern and Contemporary Art, January 29 - May 16, 2004. - Albert Chubac, Galerie Harter, 2013. - Albert Chubac, a lifetime of artist, Patrick Boussu and Cynthia Lemesle, South Art éditions, 2021. During the workshop auctions in Nice and Marseille, the Harter Gallery acquired the largest part of his work. Personal exhibitions: - 1950: Personal exhibition in Athens at the Zappéion museum. - 1954: Exhibition at the Arman Gallery in Geneva. - 1956: Exhibition at the Galerie Connaître in Geneva. - 1957: Exhibition at the Galerie La Palette in Zurich. - 1958: Exhibition at the Galerie L’Entracte in Lausanne. - 1960: Exhibition at the World House Gallery in New York. - 1967: Exhibition at the Galerie Loo in Geneva, at the Salon Comparaison in Paris, Aspects in Chexbres in Switzerland. - 1968: “Paintings” exhibitions from March 30 to May 11 at the Galerie Alexandre de la Salle. - 1970: Exhibition at the Maison des Jeunes et de la Culture de Magnan in Nice, at the Maison de la Culture Le Corbusier in Firminy entitled "Chubac recent works" and at the Galerie Royal Luxembourg in Nice. - 1971: Exhibition at the Galerie Germain in Paris and at the Fernand Léger School in Malakoff. - 1972: Exhibition on the village square of Aspremont, at the Galerie Royal Luxembourg in Nice. - 1973: Exhibition at the Galerie Ferrero in Nice. - 1974: Exhibition at Art-club in Antibes. - 1975: Exhibition at the Galerie Jacques Boudin rue de Dijon in Nice. - 1978: Exhibition at the Galerie Anne Roger in Nice. - 1980: Exhibition at the Galerie de la Salle in Saint-Paul de Vence from August 8 to September 9. - 1981: Exhibition at Lieu 5 in Nice from February 13 to March 20. - 1983: Exhibition at the Galerie d'Art Contemporain in Nice, at Anne Roger. - 1984: Exhibition "Lille Nice" at the Galerie GodArt in Lille from April 14 to May 17 and at the Galerie Luisella d´Alessandro in Turin. - 1985: Exhibition in Thonon les Bains at the Galerie Galise. - 1988: Exhibitions at Galerie Argéco in Nice and Galerie Triade in Barbizon - 1989: Exhibitions at the Galerie de la Salle, at Lola Gassin's in Nice, in galleries in Nice - 1990: he made four mobiles for the MAMAC in Nice, Exhibitions at the Galerie François Moulin in Lyon and Golden Gallery, ArtJunction in Nice. - 1991: Exhibition at the Galerie de la Salle in Saint-Paul. - 1992: Exhibitions at the Espace du consulat suisse in Nice, Besançon and opening of the Espace Chubac in Tourrette-Levens. - 1993: Exhibition at the Maison Comoni in Revest-les-Eaux, at the Galerie François Moulin in Lyon. - 1994: Exhibition at the Espace Caravadossi in Aspremont. - 1996: Exhibition at the Espace Dellile in Nice. - 1997: Exhibition at the Galerie de la Salle in Saint-Paul. - 1998: Last personal exhibition at the Galerie de la Salle in Saint-Paul. - 2000: Exhibition at Lympia college in Nice. - 2001: Exhibition at the Espace Chubac in Tourette-Levens. - 2002: Exhibition at the Galerie Scholtès in Nice and in Carcès in the Var entitled "Albert Chubac-Couleurs mobiles". - 2004: Great Albert Chubac retrospective at MAMAC in Nice. - 2011: Permanent exhibition at the Galerie Harter in Nice. - 2012: Exhibition at the Olympia Show in London at the Christopher Jones Gallery and at the Serge Castella Interiors Gallery in Bascara, Spain. - 2013: Exhibition at the Municipal Contemporary Art Gallery of Pochettes in Nice. - 2019/2021: Exhibition of works belonging to the permanent collection of MAMAC in Nice and exhibition "Geometry according to Albert Chubac" at the Galerie Harter in Nice. - 2021/2021: Permanent exhibition at Galerie Atelier 55...

Albert Chubac, Character composition, Painting, mixed-media on paper, Signed, circa 1960, France. Measures: Height 65 cm, width 50 cm, depth 3 cm. Albert Chubac was born in Geneva...

Albert Chubac, Composition, Airbrush on canvas, Stamped, France, circa 1960. Measures: Height 104 cm, width 69 cm. Albert Chubac was born in Geneva in 1920. After studying decora...

Albert Chubac, Character and horse composition, Mixed-media on paper, Signed lower right, circa 1960, France. Measures: Width 56.5 cm, height 43 cm. Albert Chubac was born in Gen...

Albert Chubac, Composition, Airbrush on canvas, Stamped, France, circa 1960. Measures: Height 104 cm, width 69 cm. Albert Chubac was born in Geneva in 1920. After studying decora...

Albert Chubac, Composition, Collage and cutout gouache, Signed lower right, circa 1980, France. Measures: Height 32.5 cm, width 25.5 cm, depth 3 cm (without frame). Albert Chubac ...

Albert Chubac, Abstract composition, Painting, Stamped, circa 1960, France. Measures: Width 79 cm, height 107.5 cm Albert Chubac was born in Geneva in 1920. After studying decora...

Albert Chubac, Composition, Collage and cutout, gouache, Signed lower right, circa 1980, France. Measures: Height 29 cm, width 17, depth 3 cm (without frame). Albert Chubac was bo...

Albert Chubac, Composition, Collage and cutout, gouache, Signed lower right, circa 1980, France. Measures: Height 15 cm, width 15 cm, depth 3 cm (without frame). Albert Chubac wa...

Albert Chubac, Mobile, Collage and cutout, gouache, Signed, circa 1980, France. Measures: Height 15 cm, width 15 cm, depth 3 cm (without frame). Albert Chubac was born in Geneva...

Albert Chubac, Composition, Mixed-media on paper, Stamped, circa 1960, France. Measures: Height 67 cm, width 50 cm, depth 3 cm. Albert Chubac was born in Geneva in 1920. After stu...

Albert Chubac, Composition, Mixed-media on paper, Stamped, circa 1960, France. Measures: Height 47 cm, width 62 cm, depth 3 cm. Albert Chubac was born in Geneva in 1920. After stu...

Albert Chubac (1925-2008), Character composition, Mixed-media on paper, Stamped, circa 1965, France. Measures: Height 102 cm, width 76 cm, depth 3 cm. Albert Chubac was born in G...

Albert Chubac (1925-2008), Composition, Airbrush on canvas, France, circa 1960. Measures: Height 100 cm, width 50 cm. Albert Chubac was born in Geneva in 1920. After studying dec...

Troels Marstrand said Jacques Mars, The Kiss, Oil on canvas, Danish, circa 1970. Height: 44 cm, length: 62 cm, thickness: 3 cm. Born June 20, 1919 in Copenhagen, died in Nice ...

Bram Bogart (1921-2012), Abstract composition, Painting, mixed-media, Signed on the bottom right and at the back, With modern frame, Belgium, 1991. Measures: Height 60 cm, width 80 cm. Bram Bogart (July 12, 1921 – May 2, 2012) was a Belgian expressionist...

Jacob Semiatin (1915-2003), Drawing, Watercolor on paper, Signed, circa 1950, USA. Measures: Height 107 cm, length 160 cm. Jacob Semiatin was born to Hungarian Jewish parents in ...

Jacob Semiatin (1915-2003) Drawing Watercolor on paper, Signed, circa 1950, USA. Measures: Height 91 cm, length 137 cm. Jacob Semiatin was born to Hungarian Jewish parents in D...

Jacob Semiatin (1915-2003), Drawing Watercolor on paper, Signed, Circa 1950, USA. Measures: Height 92 cm, length 139 cm. Jacob Semiatin was born to Hungarian Jewish parents in ...

Patrick Danion, painting, Acrylic on wood, circa 1990, France. Measures: Height 120 cm, width 94 cm.    

Patrick Danion, Programme crepuscule, painting, Acrylic on wood, signed, 1990, France. Measures: Height 122 cm, width 122 cm.

Patrick Danion, painting, Acrylic on wood, signed, 1987, France. Measures: Height 107 cm, width 88 cm.

Patrick Danion, painting, "Je suis un calculateur", Acrylic on wood, signed, 1990, France. Measures: Height 110 cm, length 119 cm.

Painting. Acrylic on canvas by Gerard Economos (French,1935-) Gerard Economos is known for his passionate, intensely colored abstract compositions and large acrylic paintings that have been performed live in front of audiences in 12 countries. Economos has had over 88 events over the last 57 years and his work is now in collections in over 34 countries. He started Live Performances with the Greek avante-garde composer and architect, Iannis Xenakis during a Sound Festival; Subsequently he developed the "Une Musique a Voir" (A music to see) concept. 'La Cuisine aux Fleurs' (Cooking with Flowers) was a series of paintings initiated at the request of the renowned French Chef, Raymond Oliver in 1975 who wished to have his recipes illustrated. They have been rarely shown in public. For an illustrated 15 page biography of Economos please contact Thomas Gallery Ltd...

Albert Chubac, Composition, Collage and cutout, gouache, Signed, circa 1980, France. Measures: Height 89 cm, width 73.5 cm, depth 3 cm. Albert Chubac was born in Geneva in 1920. A...

Albert Chubac, Composition, Collage and cutout, gouache, Signed lower right, circa 1980, France. Measures: Height 62 cm, width 55.5 cm, depth 3 cm. Albert Chubac was born in Gene...

Albert Chubac, Composition, Representing two characters, Painting, mixed-media on paper, circa 1965, France. Measures: Height 99 cm, width 81 cm, depth 3 cm. Albert Chubac was b...

Still life painting (Violin, Flowers), Oil on canvas, by Agnes Weinrich, Signed and dated "22", Unframed: 20" x 16", Framed 27.5 x 23". Agnes Weinrich (1873-1946) was an early female, American modernist artist at a time when there was little interest in Modern Art in the USA and when few women were artists. She was a ground breaker in modern art. The painting shown is an important example of her mature phase of her work. A biography from Wiki-pedia follows: Agnes Weinrich (1873–1946) was one of the first American artists to make works of art that were modernist, abstract, and influenced by the Cubist style. She was also an energetic and effective proponent of modernist art in America, joining with like-minded others to promote experimentation as an alternative to the generally conservative art of their time. Early years[edit] Agnes Weinrich was born in 1873 on a prosperous farm in south east Iowa. Both her father and mother were German immigrants and German was the language spoken at home. Following her mother's death in 1879 she was raised by her father, Christian Weinrich. In 1894, at the age of 59, he retired from farming and moved his household, including his three youngest children—Christian Jr. (24), Agnes (21), and Lena (17), to nearby Burlington, Iowa, where Agnes attended the Burlington Collegiate Institute from which she graduated in 1897.[1][2][3] Christian took Agnes and Lena with him on a trip to Germany in 1899 to reestablish links with their German relatives. When he returned home later that year, he left the two women in Berlin with some of these relatives, and when, soon after his return, he died, they inherited sufficient wealth to live independently for the rest of their lives. Either before or during their trip to Germany Lena had decided to become a musician and while in Berlin studied piano at the Stern Conservatory. On her part, Agnes had determined to be an artist and began studies toward that end at the same time.[1][4] In 1904 the two returned from Berlin and settled for two years in Springfield, Illinois, where Lena taught piano in public schools and Agnes painted in a rented studio. At this time Lena changed her name to Helen. In 1905 they moved to Chicago where Agnes studied at the School of the Art Institute of Chicago under John Vanderpoel, Nellie Walker, and others.[1] In 1909 Agnes and Helen returned to Berlin and traveled from there to Munich, where Agnes studied briefly under Julius Exter, and on to Rome, Florence, and Venice before returning to Chicago.[5] They traveled to Europe for the third, and last, time in 1913, spending a year in Paris. There, they made friends with American artists and musicians who had gathered there around the local art scene. Throughout this period, the work Agnes produced was skillful but unoriginal—drawings, etching, and paintings in the dominant academic and impressionist styles.[1] On her return from Europe in 1914, she continued to study art, during the warm months of the year in Provincetown, Massachusetts,[1] where she was a member of the Provincetown Printers art colony in Massachusetts,[6] and during the colder ones in New York City. In Provincetown she attended classes at Charles Hawthorne's Cape Cod School of Art and in New York, the Art Students League.[1] Drawing of an old woman by Agnes Weinrich, graphite on paper, 11.5 x 7.5 inches. Hawthorne and other artists established the Provincetown Art Association in 1914 and held the first of many juried exhibitions the following year. Weinrich contributed nine pictures to this show, all of them representational and somewhat conservative in style.[1] A pencil sketch made about 1915 shows a figure, probably one of the Portuguese women of Provincetown. Weinrich was a metculous draftsperson and this drawing is typical of the work she did in the academic style between 1914 and 1920. She also produced works more akin to the Impressionist favored by Hawthorne and many of his students. When in 1917 Weinrich showed paintings in a New York women's club, the MacDowell Club, the art critic for the Brooklyn Daily Eagle said they showed a "strong note of impressionism."[7] Broken Fence by Agnes Weinrich, a white-line woodblock made on or before 1917; at left: the woodblock itself; at right: a print pulled from the woodblook. In 1916 Weinrich joined a group of printmakers which had begun using the white-line technique pioneered by Provincetown artist B.J.O. Nordfelt. She and the others in the group, including Blanche Lazzell, Ethel Mars and Edna Boies Hopkins, worked together, exchanging ideas and solving problems.[1][8] A year later Weinrich showed one of her first white-line prints at an exhibition held by the Pennsylvania Academy of Fine Arts in Philadelphia.[9] Broken Fence, in its two states—the print and the woodblock from which she made it—show Weinrich to be moving away from realistic presentation, towards a style, which, while neither abstract, nor Cubist, brings the viewer's attention to the flat surface plane of the work with its juxtaposed shapes and blocks of contrasting colors. Cows Grazing in the Dunes near Provincetown by Agnes Weinrich, white-line woodcut, 10 x 10 1/2 inches When in 1920 the informal white-line printmakers' group organized its own exhibition, Weinrich showed a dozen works, including one called Cows Grazing in the Dunes near Provincetown. This print shows greater tendency to abstraction than eitherBroken Fence or the prints made by other Provincetown artists of the time. The cows and dunes are recognizable but not presented realistically. The white lines serve to emphasize the blocks of muted colors which are the print's main pictorial elements. Weinrich uses the texture of the wood surface to call attention to the two-dimensional plane—the paper on which she made the print—in contrast with the implicit depth of foreground and background of cows, dunes, and sky. While the work is not Cubist, it has a proto-Cubist feel in a way that is similar to some of the more abstract paintings of Paul Cézanne.[10] By 1919 or 1920, while still spending winters in Manhattan and summers on Cape Cod, the sisters came to consider Provincetown their formal place of residence.[1][11][12][13] By that time they had also met the painter, Karl Knaths. Like themselves a Midwesterner of German origin who had grown up in a household where German was spoken, he settled in Provincetown in 1919. Agnes and Knaths shared artistic leanings and mutually influenced each other's increasing use of abstraction in their work.[1][14] The sisters and Knaths became close companions. In 1922 Knaths married Helen and moved into the house which the sisters had rented. He was then 31, Helen 46, and Agnes 49 years old. When, two years later, the three decided to become year-round residents of Provincetown, Agnes and Helen used a part of their inheritance to buy land and materials for constructing a house and outbuildings for the three of them to share. Knaths himself acquired disused structures nearby as sources of lumber and, having once been employed as a set building for a theater company, he was able to build their new home.[15] Weinrich was somewhat in advance of Knaths in adopting a modernist style. She had seen avant-garde art while in Paris and met American artists who had begun to appreciate it. On her return to the United States she continued to discuss new theories and techniques with artists in New York and Provincetown, some of whom she had met in Paris. This loosely-knit group influenced one another as their individual styles evolved. In addition to Blance Lazzell, already mentioned, the group included Maude Squires, William Zorach, Oliver Chaffee, and Ambrose Webster. Some of them, including Lazzell and Flora Schofield had studied with influential modernists in Paris and most had read and discussed the influential Cubist and Futurist writings of Albert Gleizes and Gino Severini.[16][17] Mature style[edit] Woman with Flowers by Agnes Weinrich, circa 1920, oil on canvas, 34 x 30 1/4 inches, exhibited at the Provincetown Art Association exhibition of 1920, made available courtesy of the Association. Two of Weinrich's paintings, both produced about 1920, mark the emergence of her mature style. The first, Woman With Flowers, is similar to one by the French artist, Jean Metzinger called Le goûter (Tea Time) (1911).[18] Red Houses by Agnes Weinrich, circa 1921, oil on canvas on board, 24.25 x 25.5 inches; exhibited "Red Houses" at Fifth Annual Exhibition of the Society of Independent Artists. Like much of Metzinger's work, Le goûter was discussed in books and journals of the time—including one called Cubism co-authored by Metzinger himself.[19] Because the group with which Weinrich associated read about and discussed avant-garde art in general and Cubism in particular, it is reasonably likely that Weinrich was familiar with Metzinger's work before she began her own. The second painting, Red Houses, bears general similarity to landscapes by Cézanne and Braque. Both paintings are Cubist in style. However, with them Weinrich did not announce an abrupt conversion to Cubism, but rather marked a turning toward greater experimentation. In her later work she would not adopt a single style or stylistic tendency, but would produce both representative pictures and ones that were entirely abstract, always showing a strong sense of the two-dimensional plane of the picture's surface. After she made these two paintings neither her subject matter nor the media she used would dramatically change. She continued to employ subjects available to her in her Provincetown studio and the surrounding area to produce still lifes, village and pastoral scenes, portraits, and abstractions in oil on canvas and board; watercolor, pastel, crayon and graphite on paper; and woodblock prints.[20] Possessing an outgoing and engaging personality and an active, vigorous approach to life, Weinrich promoted her own work while also helping Karl Knaths to develop relationships with potential patrons, gallery owners, and people responsible for organizing exhibitions. With him, she put herself in the forefront of an informal movement toward experimentation in American art. Since, because of her independent means, she was not constrained to make her living by selling art, she was free to use exhibitions and her many contacts with artists and collectors to advance appreciation and understanding of works which did not conform to the still-conservative norm of the 1920s and 1930s.[1][21][22] Early in the 1920s, critics began to take notice of her work, recognizing her departure from the realism then prevailing in galleries and exhibitions. Paintings that she showed in 1922 drew the somewhat dry characterization of "individualistic.",[23] and in 1923 her work drew praise from a critic as "abstract, but at the same time not without emotion."[24] In 1925 Weinrich became a founding member of the New York Society of Women Artists. Other Provincetown members included Blanche Lazzell, Ellen Ravenscroft, Lucy L'Engle, and Marguerite Zorach. The membership was limited to 30 painters and sculptors all of whom could participate in the group's exhibitions, each getting the same space.[23][25][26] The group provided a platform for their members to distinguish themselves from the genteel and traditionalist art that women artists were at that time expected to show[27] and, by the account of a few critics, it appears their exhibitions achieved this goal.[1][28][29][30] In 1926 Weinrich joined with Knaths and other local artists in a rebellion against the "traditional" group that had dominated the Provincetown Art Association. For the next decade, 1927 through 1937, the association would mount two separate annual exhibitions, the one conservative in orientation and the other experimental, or, as it was said, radical.[31][32] Both Weinrich and Knaths participated on the jury that selected works for the first modernist exhibition.[11] Still Life by Agnes Weinrich, circa 1926, oil on canvas, 17 x 22 inches. Permission to use granted by Christine M. McCarthy, Executive Director, Provincetown Art Association and Museum. The painting was the gift of Warren Cresswell. Weinrich's painting, Still Life, made about 1926, may have been shown in the 1927 show. Representative of some aspects of her mature style, it is modernist but does not show Cubist influence. The objects pictured are entirely recognizable, but treated abstractly. Although fore- and background are distinguishable, the objects, as colored forms, make an interesting and visually satisfying surface design. In 1930 Weinrich put together a group show for modernists at the GRD Gallery in New York. The occasion was the first time a group of Provincetown artists exhibited together in New York. For it she selected works by Knaths, Charles Demuth, Oliver Chaffee, Margarite and William Zorach, Jack Tworkov, Janice Biala, Niles Spencer, E. Ambrose Webster, and others.[1][23] Later years[edit] Weinrich turned 60 on July 16, 1933. Although she had led a full and productive life devoted to development of her own art and to the advancement of modernism in art, she did not cease to work toward both objectives. She continued to work in oil on canvas and board, pastel and crayon on paper, and woodblock printing. Her output continued to vary in subject matter and treatment. For example, Still Life with Leaves, circa 1930 (oil on canvas, 18 x 24 inches) contains panels of contrasting colors with outlining similar to Knaths's style. Movement in C Minor, circa 1932 (oil on board, 9 x 12 inches) is entirely abstract. It too relates to Knaths's work, both in treatment (again, outlined panels of contrasting colors) and in its apparent relationship to music, something in which Knaths was also interested. Fish Shacks...

Albert Chubac, Composition, Collage and cutout, gouache, Signed, circa 1980, France. Measures: Height 89 cm, width 73.5 cm, depth 3 cm. Albert Chubac was born in Geneva in 1920. A...

Albert Chubac, Composition, Collage and cutout, gouache, Signed, circa 1980, France. Measures: Height 89 cm, width 73.5 cm, depth 3 cm. Albert Chubac was born in Geneva in 1920. A...

Albert Chubac, Composition, Collage and cutout, gouache, Signed lower right, circa 1980, France. Measures: Height 62 cm, width 55.5 cm, depth 3 cm. Albert Chubac was born in Genev...

Albert Chubac, Composition, Collage and cutout, gouache, circa 1980, France. Measures: Height 89 cm, width 73.5 cm, depth 3 cm. Albert Chubac was born in Geneva in 1920. After stu...

Albert Chubac, Composition, Collage and cutout, gouache, Signed, circa 1980, France. Measures: Height 89 cm, width 73.5 cm, depth 3 cm. Albert Chubac was born in Geneva in 1920. A...

Albert Chubac, Composition, Collage and cut-out, gouache, Signed, circa 1980, France. Measures: Height 89 cm, width 73.5 cm, depth 3 cm. Albert Chubac was born in Geneva in 1920. ...

Albert Chubac, Composition, Collage and cutout, gouache, Signed, circa 1980, France. Measures: Height 89 cm, width 73.5 cm, depth 3 cm Albert Chubac was born in Geneva in 1920. Af...

Albert Chubac, Double-sided painting, mixed-media on paper, Signed, circa 1965, France. Measures: Height 99 cm, width 43 cm, depth 3 cm. Bibliography: - Albert Chubac, MAMAC Nic...

Albert Chubac, Painting on canvas, airbrush, iron and wood, signed and dated 1964 in the right corner, France. Measures: Height 97 cm, width 130 cm, depth 3 cm. Albert Chubac was b...

Troels Marstrand said Jacques Mars, "Ingen", Oil on canvas, Danish, circa 1970. Measures: Height 46 cm, length 68 cm, thickness 4 cm. Born June 20, 1919 in Copenhagen, died...

Important abstract painting by Ingemar Callenberg (1926-1973). Title : Branning, circa 1960. Beautiful colours en effects.

Albert Chubac (1925-2008), painting, paint on canvas and collage, France, circa 1960. Measures: Height 131 cm, width 194 cm, depth 3 cm. Albert Chubac was born in Geneva in 1920...

Troels Marstrand said Jacques Mars, Oil on canvas, Danish, circa 1970. Measures: Height 42 cm, length 61 cm, thickness 4 cm. Born June 20, 1919 in Copenhagen, died in Nice January 23, 1992. Great grand son of Wilhelm Marstrand great Danish painter. Jean March began a career as an illustrator at the age of 17 years. For over 50 years, he published worldwide magazine covers and other illustrations that charmed millions of players. These models in a style unique to Jac Mas often closer to Norman Rockwell conservent but the personality of the Northern School...

Albert CHUBAC (1925-2008), signed, circa 1960, France, mixed media on paper. Height: 100 cm, width: 145 cm, depth: 5 cm. Last painter of the school of Nice. This is an importan...

Troels Marstrand said Jacques Mars, "Anne", oil on canvas, Danish, circa 1970. Measures: Height: 44 cm, length: 69 cm, thickness: 4 cm. Born June 20, 1919 in Copenhagen, died ...

Troels Marstrand said Jacques Mars. Oil on canvas, Danish, circa 1970. Measures: Height 48 cm, length 69 cm, thickness 4 cm. Born June 20, 1919 in Copenhagen, died in Nice January 23, 1992. Great grand son of Wilhelm Marstrand great Danish painter. Jean March began a career as an illustrator at the age of 17 years. For over 50 years, he published worldwide magazine covers and other illustrations that charmed millions of players. These models in a style unique to Jac Mas often closer to Norman Rockwell conservent but the personality of the Northern School...

Albert Chubac (1920-2008), Composition, Oil on canvas, signed, circa 1960, France, Measures : Height: 97 cm, width: 131 cm, depth: 2,5 cm. Albert Chubac was born in Geneva in 192...

Patrick Danion, painting (born 1950 on Paris). Acrylic on wood, signed DANION 87 IX, circa 1987, France. Measures: Height 92 cm, width 75 cm, depth 4 cm.

Semiatin Jacob (1915-2003), painting, Watercolor, circa 1950-1962, USA. Measures: Width 137 cm, height 94 cm. Jacob Semiatin was born to Hungarian Jewish parents in Dublin in 1915....

"Now You Are One of Us" by Joan Gardner in 1984, beautiful vivid colors and thick texture. This is a large scale artwork. Gardner is a multi-media artist based in Connecticut. Joa...

Just in time for the season, an outsider art child like Santa Claus painting done in acrylic on brown paper. Framed in a red lacquered wood and g...

Watercolor / painting signed Hugo Scheiber: Budapest (1873-1950). Hugo Scheiber was born in Budapest in 1873. At the age of eight, he moved with his family from Budapest to Vienna. ...

Henri STEPHANY ( 1880 - 1934 ) Frequently collaborated with Jacques Emile RUHLMANN "Fruits" circa 1933 Gouache on paper H.19"3/4 x W.18"3/8 H.27...

"Ottobre in Cantina" Painting, oil on canvas by Italian artist Sergio Agostini, Rome, 1960. Signed on lower left with sticker from original exhibition at Galleria L'88 on Via M...

Dramatic and lovely watercolor happy depiction of a period 1920s lady at an open window looking out at the follage and potted plants. Realized by William Bradford Green...

Keith Haring, Original poster of an exhibition in 1991 Paper, Italy, circa 1991 Modern baguette frame. Measures: Width 70, height 85 cm.

Victor Vasarely (1906-1997), Dolmen 1947-1950 collage on cardboard on wood, signed lower right, dated and titled on the reverse, photo certificate by Pierre Vasarely. Height: 35 cm, ...