Art Dealers Association of America
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.to
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Item Ships From: New York
Untitled
By Louisa Chase
Located in New York, NY
Signed (at lower right): LC 79
Category
Late 20th Century Contemporary Art Dealers Association of America
Materials
Canvas, Wax, Oil
Our story was a ghostly one
By Angela Fraleigh
Located in New York, NY
Signed on verso
Category
2010s Contemporary Art Dealers Association of America
Materials
Linen, Oil
Untitled
By Louisa Chase
Located in New York, NY
Signed and dated (on verso): Louisa Chase 1985
Category
Late 20th Century American Modern Art Dealers Association of America
Materials
Canvas, Oil
Untitled
By Louisa Chase
Located in New York, NY
Signed (at lower right): Louisa Chase 1989
Category
Late 20th Century American Modern Art Dealers Association of America
Materials
Charcoal, Ink, Watercolor, Pencil
Rainbows
By Anastasia Samoylova
Located in New York, NY
Samoylova's "Landscape Sublime" series explores how landscape imagery in contemporary culture is used to create constructed realities, wholly apart from our lived experiences. Samoyl...
Category
2010s Contemporary Art Dealers Association of America
Materials
Archival Pigment
Ivory-billed Woodpecker
By Elizabeth Turk
Located in New York, NY
Walnut
Category
2010s Contemporary Art Dealers Association of America
Materials
Wood
New York from Hoboken
By William Rickarby Miller
Located in New York, NY
Signed (at lower left): W.R. Miller/ 1851
Category
Mid-19th Century American Realist Art Dealers Association of America
Materials
Canvas, Oil
The Air We Breathe 1, Suite of 3
By Elizabeth Turk
Located in New York, NY
Suite of 3 drawings
Charcoal and Getty Fire Ash on paper, 24 x 18 in (each)
Category
2010s Contemporary Art Dealers Association of America
Materials
Charcoal
DISTILL #5
By Beth Lipman
Located in New York, NY
cast steel sculpture. Can sit tabletop or has a bracket to hang on the wall.
Currently on exhibition and cannot be shipped until February 2021.
Category
2010s Contemporary Art Dealers Association of America
Materials
Steel
Rainy Window Views
By Anastasia Samoylova
Located in New York, NY
Samoylova's "Landscape Sublime" series explores how landscape imagery in contemporary culture is used to create constructed realities, wholly apart from our lived experiences. Samoyl...
Category
2010s Contemporary Art Dealers Association of America
Materials
Archival Pigment
Portraits: Anne
By Alex Katz
Located in New York, NY
Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chal...
Category
Early 2000s Art Dealers Association of America
Materials
Etching
View of Gravesend Bay
Located in New York, NY
Thomas Satterwhite Noble, who studied in France with Thomas Couture for three years, adapted his master’s genre style to American subjects. Born on his parents’ plantation in Kentucky in 1835, Noble was the son of a wealthy rope manufacturer. His early upbringing in Lexington, the center of that state’s slave trade in the antebellum South...
Category
Early 20th Century American Realist Art Dealers Association of America
Materials
Canvas, Oil
Untitled
By Louisa Chase
Located in New York, NY
Signed (at lower right): Louisa Chase
Category
Late 20th Century American Modern Art Dealers Association of America
Materials
Charcoal, Ink, Watercolor, Pencil
South Island Wren (Suspended)
By Elizabeth Turk
Located in New York, NY
Mahogany
Category
2010s Contemporary Art Dealers Association of America
Materials
Wood
Forests
By Anastasia Samoylova
Located in New York, NY
Samoylova's "Landscape Sublime" series explores how landscape imagery in contemporary culture is used to create constructed realities, wholly apart from our lived experiences. Samoyl...
Category
2010s Contemporary Art Dealers Association of America
Materials
Archival Pigment
A late frost drifted back
By Angela Fraleigh
Located in New York, NY
Signed on back
Category
2010s Contemporary Art Dealers Association of America
Materials
Linen, Oil
Untitled (Small Drawing #2)
By Lily Cox-Richard
Located in New York, NY
Hammered lead on paper
Signed and dated (on verso): LCR 2014
Category
2010s Contemporary Art Dealers Association of America
Materials
Metal
Figural Studies
By Thomas Sully
Located in New York, NY
Pen and ink on tan laid paper
Category
19th Century American Realist Art Dealers Association of America
Materials
Ink, Laid Paper
Pinto's Spinetail
By Elizabeth Turk
Located in New York, NY
Anodized aluminum (gold)
Category
2010s Contemporary Art Dealers Association of America
Materials
Metal
Japanese Children with Tortoise
By Harry Humphrey Moore
Located in New York, NY
Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8).
Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly.
In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe...
Category
Late 19th Century Art Dealers Association of America
Materials
Oil, Wood Panel
Bush Wren I
By Elizabeth Turk
Located in New York, NY
Bronze
Category
2010s Contemporary Art Dealers Association of America
Materials
Bronze
Untitled
By Brice Marden
Located in New York, NY
Edition size: 15;
Signed, dated, and numbered in pencil, lower margin
Category
1980s Minimalist Art Dealers Association of America
Materials
Screen
DISTILL #11
By Beth Lipman
Located in New York, NY
cast iron sculpture with custom made pedestal
currently on exhibit and not available to ship until February 2021
Category
2010s Contemporary Art Dealers Association of America
Materials
Iron
Untitled (Fire Study)
By Louisa Chase
Located in New York, NY
Signed and dated (at lower right): L.C. 83; (on verso): Louisa Chase 1983
Category
Late 20th Century American Modern Art Dealers Association of America
Materials
Canvas, Wax, Oil
Untitled (Small Drawing #7)
By Lily Cox-Richard
Located in New York, NY
Hammered lead on paper
Signed and dated (on verso): LCR 2014
Category
2010s Contemporary Art Dealers Association of America
Materials
Metal
Untitled (Large Drawing #3)
By Lily Cox-Richard
Located in New York, NY
Hammered lead on paper
Signed and dated (on verso): LCR 2014
Category
2010s Contemporary Art Dealers Association of America
Materials
Metal
Bush Wren (Model)
By Elizabeth Turk
Located in New York, NY
3D FDM print, ABS filament, with graphene-base white paint
Category
2010s Contemporary Art Dealers Association of America
Materials
ABS
Brace's Emerald (Model)
By Elizabeth Turk
Located in New York, NY
Wood (Cherry, with silver leaf finish), 34 x 7 in.
Category
2010s Contemporary Art Dealers Association of America
Materials
Wood
SUNDAY VISIT
Located in New York, NY
acrylic painting on canvas of people dressed in their Sunday clothing
Category
1980s Other Art Style Art Dealers Association of America
Materials
Acrylic, Canvas
The Air We Breathe 5 and 6
By Elizabeth Turk
Located in New York, NY
Pair of drawings
Charcoal and Getty Fire Ash on paper, 24 x 18 in. (each)
Category
2010s Contemporary Art Dealers Association of America
Materials
Charcoal
FOLDING SCREEN
Located in New York, NY
4 panels hinged together of bronze metalic textured paper over wood.
Category
Late 20th Century Modern Art Dealers Association of America
Materials
Wood
Vase of Flowers
By Charles Warren Eaton
Located in New York, NY
Vase of Flowers
Oil on tin, 13 1/2 x 9 3/4 in.
Signed (at lower left): C. Eaton
Category
19th Century American Realist Art Dealers Association of America
Materials
Oil
Japanese Girl Promenading
By Harry Humphrey Moore
Located in New York, NY
Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8).
Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly.
In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters.
In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23).
In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”).
Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5).
During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...
Category
Late 19th Century Art Dealers Association of America
Materials
Oil, Wood Panel
3800 Barham Boulevard
By Marc Trujillo
Located in New York, NY
Painting from what he calls “the middle ground of common experience,” Trujillo uses his environments as the foundation for a personal vision. He depicts places common to North Americ...
Category
2010s Contemporary Art Dealers Association of America
Materials
Polyester, Oil, Panel
The Air We Breathe 11
By Elizabeth Turk
Located in New York, NY
Charcoal and Getty Fire Ash on paper
Category
2010s Contemporary Art Dealers Association of America
Materials
Charcoal
American Landscape: Houses, Gardens and Trees
By Ralph Rosenborg
Located in New York, NY
Signed (at lower right): Ralph M. Rosenborg 1939; ll: 3/15 Woodcut
Category
Mid-20th Century American Modern Art Dealers Association of America
Materials
Woodcut
FLOATING GREEN APPLES OVER NAPKIN
By Volker Seding
Located in New York, NY
hand colored photograph of green apples. Still-Life.
framed in wood with gold leaf corners.
Category
1970s Post-War Art Dealers Association of America
Materials
Color Pencil, Photographic Paper
Untitled
By Louisa Chase
Located in New York, NY
Signed and dated (on verso): Louisa Chase 1982
Category
Late 20th Century American Modern Art Dealers Association of America
Materials
Canvas, Oil
The Race
By William John Hennessy
Located in New York, NY
William John Hennessy was born in Ireland. He came to America in 1849 with his mother and brother a year after his father had fled their homeland after taking part in the unsuccessful Young Ireland Party uprising. The Hennessys settled in New York, and when young William came of age, he decided upon a career as an artist. At the age of fifteen, he enrolled at the National Academy of Design, where he learned to draw from the antique, and the following year he was granted admission to the Academy’s life-drawing class.
Hennessy first exhibited at the National Academy in 1857, starting a continuous run of appearances in their annuals that lasted until 1870, when he expatriated himself to Europe. During his time in America, Hennessy was principally known as a genre painter and prolific illustrator for such publications as Harper’s Weekly and a number of books, including illustrated works of William Cullen Bryant...
Category
19th Century American Realist Art Dealers Association of America
Materials
Canvas, Oil
Euclid Avenue, Cleveland
By Lawrence Edwin Blazey
Located in New York, NY
Cleveland-born painter, advertising artist, and industrial designer Lawrence Blazey received his professional training at the Cleveland School of Art (now the Cleveland Institute). I...
Category
Mid-20th Century American Modern Art Dealers Association of America
Materials
Paper, Ink, Pencil
Lookout
By Randall Exon
Located in New York, NY
Signed and dated (at lower left): Randall Exon 07
Category
21st Century and Contemporary Contemporary Art Dealers Association of America
Materials
Canvas, Oil
No. 20-1954
By Stanley Twardowicz
Located in New York, NY
Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hardscrabble upbringing in Detroit to become a po...
Category
Mid-20th Century Abstract Art Dealers Association of America
Materials
Enamel
Hemlock--Selden's Neck, Lyme, Connecticut
By Charles De Wolf Brownell
Located in New York, NY
Framed, 5.25 x 8.5 x 1.5 in.
Category
19th Century American Realist Art Dealers Association of America
Materials
Watercolor
Strawberries Strewn on a Forest Floor
By William Mason Brown
Located in New York, NY
William Mason Brown was born in Troy, New York, where he studied for several years with local artists, including the leading portraitist there, Abel Buel Moore. In 1850, he moved to ...
Category
19th Century American Realist Art Dealers Association of America
Materials
Canvas, Oil
Red-browed Parrot
By Elizabeth Turk
Located in New York, NY
Anodized aluminum (green)
Category
2010s Contemporary Art Dealers Association of America
Materials
Metal
You've never seen Gummy Bears like this before! "Trio of Gummy Bears"
By John Schieffer
Located in Scottsdale, AZ
"Candy is so colorful because we are drawn to eat colorful foods like fruit. So much of what I try to do is to create a painting that acts as a giant red shiny button that an observe...
Category
2010s Art Dealers Association of America
Materials
Birch, Oil, Wood Panel
Tree and Fence, East Hartford, Connecticut (New England Landscape)
By Charles De Wolf Brownell
Located in New York, NY
Watercolor and gouache on paper
Category
Mid-19th Century American Realist Art Dealers Association of America
Materials
Watercolor, Gouache
Flox de Pascua-Magnolia (Tropical Trees & Plants)
By Charles De Wolf Brownell
Located in New York, NY
Watercolor on paper
Category
Mid-19th Century American Realist Art Dealers Association of America
Materials
Watercolor
Old Country Bazaar
By William S. Schwartz
Located in New York, NY
Oil on canvas, 36 x 42 in.
Signed, dated, and inscribed (at lower right): WILLIAM S. SCHWARTZ 1926; (on the back): “OLD COUNTRY BAZAAR” / BY / WILLIAM S. SCHWARTZ / 1926
RECORDED: C. H. Bonte, “122nd Annual opens at Pennsylvania Academy,” in The Philadelphia Inquirer, Jan. 30, 1927
EXHIBITED: The Art Institute of Chicago, 1926, The Thirty-Ninth Annual Exhibition of American Paintings and Sculpture, no. 174 // The Pennsylvania Academy of the Fine Arts, Philadelphia, 1927, The One-Hundred-and-Twenty Second Annual Exhibition, p. 37 no. 181 // The Chicago Culture Club...
Category
20th Century American Modern Art Dealers Association of America
Materials
Canvas, Oil
Untitled
By Louisa Chase
Located in New York, NY
Untitled, about 2000
Oil on board, 24 x 24 in.
Category
21st Century and Contemporary American Modern Art Dealers Association of America
Materials
Oil
Untitled (Small Drawing #4)
By Lily Cox-Richard
Located in New York, NY
Hammered lead on paper
Signed and dated (on verso): LCR 2014
Category
2010s Contemporary Art Dealers Association of America
Materials
Metal
Untitled
By Lily Cox-Richard
Located in New York, NY
Hammered lead on gray paper
Signed and dated (on verso): LCR 2014
Category
2010s Contemporary Art Dealers Association of America
Materials
Metal
Untitled
By Lily Cox-Richard
Located in New York, NY
Hammered lead on gray paper
Signed and dated (on verso): LCR 2014
Category
2010s Contemporary Art Dealers Association of America
Materials
Metal
n Memory of the Great Fire at Chicago (Cartoon for the Mural Lunette in the Chic
Located in New York, NY
On October 8, 1871, one of the greatest fires of modern times broke out in Chicago. Engulfing the entire city within hours, it left over 90,000 people homeless and destroyed thousands of buildings, causing many people to flee into the water to escape the flames. Among the property destroyed were the proudest cultural and civic institutions of the city. While the financial center was rebuilt within a year and trade was greater in 1872 than it had been in 1870, it took over a decade for the city’s cultural resources to recover from the disaster. Many of the city’s best artists did not even return to Chicago for several years. Foreign aid poured in from around the world, with half coming from England alone. It is not surprising therefore, that in 1872 it was an English artist that should have designed the mural for City Hall commemorating the Great Fire...
Category
Late 19th Century Realist Art Dealers Association of America
Materials
Paper, Charcoal
Untitled (Sunset with Hands)
By Louisa Chase
Located in New York, NY
Signed (at lower right): Louisa Chase
Category
Late 20th Century American Modern Art Dealers Association of America
Materials
Ink, Watercolor
Basketful
By William Wegman
Located in New York, NY
2015, pigment print photograph, 14 x 11 inches, Edition of 12
Category
2010s Contemporary Art Dealers Association of America
Materials
Pigment
Untitled (Small Drawing #1)
By Lily Cox-Richard
Located in New York, NY
Hammered lead on paper
Signed and dated (on verso): LCR 2014
Category
2010s Contemporary Art Dealers Association of America
Materials
Metal
ONCOMING STORM WITH RAIN
By Adam Straus
Located in New York, NY
landscape oil painting on canvas in painted frame.
waterskape
Category
2010s Contemporary Art Dealers Association of America
Materials
Oil, Canvas
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