Antiques Associations Members Landscape Paintings
Antiques Association Members
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19th Century landscape oil painting of a river glen
By William Mellor
Located in Moreton-In-Marsh, Gloucestershire
William Mellor
British, (1851-1931)
A River Glen
Oil on canvas, signed
Image size: 19 inches x 29 inches
Size including frame: 27.5 inches x 37.5 inches
A lovely landscape painting of a river glen by William Mellor. In the foreground, the river flows over large boulders whilst sheep graze on the banks and beyond the trees in the distance.
William Mellor was a landscape painter who was born in Barnsley, Yorkshire in 1851, the son of Joseph Mellor, an artist and Mary Mellor. Initially, he was employed as a loom turner in the weaving industry before becoming a professional artist. He would have received tuition from his father who clearly influenced his style and subject matter.
In 1876, he married Mary Elizabeth Watson...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century genre oil painting of two gentlemen in a garden
By Frank Moss Bennett
Located in Moreton-In-Marsh, Gloucestershire
Frank Moss Bennett
British, (1874-1952)
In the Garden
Oil on panel, signed & dated 1917
Image size: 11 inches x 13.5 inches
Size including frame: 20 inches x 22.5 inches
A charming genre scene of two gentlemen in 18th century costume in a garden by Frank Moss Bennett. The men drink wine and eat fruit at a linen covered table...
Category
Early 20th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Panel, Oil
Pair of 19th century landscape oil paintings of the River Avon & Berwyn Valley
By John Bates Noel
Located in Moreton-In-Marsh, Gloucestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 19 INCHES X 23 INCHES**
John Bates Noel
British, (1870-1927)
On the Avon & In the Berwin Valley
Oil on canvas, pair, both signed, also signed & inscribed verso
Image size: 12 inches x 16 inches (each)
Size including frame: 19 inches x 23 inches (each)
John Bates Noel was born John Noel Bates in Worcester in 1870. He was the son of the landscape artist David Bates (1840-1921) but later on changed his professional name to avoid confusion. The family lived in Worcestershire as well as in Birmingham and it was highly likely that he was encouraged and taught by his father as their subject matter and style bear similarities, although John’s compositions tend to be more fluid and looser.
By the turn of the century Noel was living in Malvern where he also taught art. He specialised in painting the rugged landscapes in and around the West Midlands, Worcestershire and North Wales. He exhibited at the Royal Academy from 1893-1909 and at the Royal Birmingham Society of Artists between 1892-1919. He also exhibited works at some of the major galleries of the time including the Manchester City Art Gallery and the Walker Art Gallery, Liverpool.
The building in the painting 'On the Avon' is believed to be that of St Margaret's Church at Wolston in Warwickshire. The structures at the front of the church appear to be thatched hay ricks, which are similar to ones seen in an old postcard of the church seen from the river Avon...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of horses near a barn with figures & a dog
By Thomas Blinks
Located in Moreton-In-Marsh, Gloucestershire
Thomas Blinks
British, (1853-1910)
Midday Rest
Oil on canvas, signed & dated (18)87
Image size: 11.5 inches x 17.5 inches
Size including frame: 20.25 inches x 26.25 inches
Thomas Blinks was born in Maidstone, Kent on 29 October 1853 to Richard Blinks and Eleanor Poile. His father was a master butcher in Ticehurst and the family lived above the shop, which is still operates as a butchers today. Thomas initially worked for his father but his talent for art soon took him in another direction.
He married Louisa Anne Winterbottom on 11 April 1874, at Rye, Sussex and together they had 3 children. They lived in Hawkhurst, Kent before moving to Hackney, London in 1878. Whilst largely self- taught, Blinks would have learnt basic anatomy from working with his father, but he also spent time at Tattersalls canine and horse auctions...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of a Welsh river
By William Mellor
Located in Moreton-In-Marsh, Gloucestershire
William Mellor
British, (1851-1931)
On the Llugwy, North Wales
Oil on canvas, signed & further inscribed verso
Image size: 15.5 inches x 23.5 inches
Size including frame: 22.5 inches x 30.5 inches
A pleasing landscape painting of the River Llugwy in North Wales by William Mellor. Sheep can be seen grazing on the bank to the right as the river flows over a rock formation. Beyond is the stunning mountainous backdrop of Capel Curig.
William Mellor was a landscape painter who was born in Barnsley, Yorkshire in 1851, the son of Joseph Mellor, an artist and Mary Mellor. Initially, he was employed as a loom turner in the weaving industry before becoming a professional artist. He would have received tuition from his father who clearly influenced his style and subject matter.
In 1876, he married Mary Elizabeth Watson...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
Sporting oil painting of horses & hounds hunting
By George Wright
Located in Moreton-In-Marsh, Gloucestershire
George Wright
British, (1860-1942)
On the Scent
Oil on canvas, signed
Image size: 9.5 inches x 15.5 inches
Size including frame: 13 inches x 19 inches
George Wright was a sporting and landscape artist who was born in Leeds in 1860. He was the son of George E Wright a cashier and his wife Elizabeth. His brother Gilbert Scott Wright...
Category
Late 19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century river landscape oil painting of boats on a river
By Walter Stuart Lloyd
Located in Moreton-In-Marsh, Gloucestershire
Stuart Lloyd
British, (1858-1926)
Evening Glow
Oil on canvas, signed
Image size: 19.5 inches x 29.5 inches
Size including frame: 27.5 inches x 37.5 inches
Stuart Lloyd or Walter Stuart Lloyd...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
The New Litter
By Heywood Hardy
Located in Belgravia, London, London
Oil on canvas
Canvas size: 19 x 27.25 inches
Signed lower left
Category
19th Century Antiques Associations Members Landscape Paintings
Materials
Canvas, Oil
19th Century pair of French townscape oil paintings
By Henry Schafer
Located in Moreton-In-Marsh, Gloucestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 15 INCHES x 13 INCHES**
Henry Schafer
German/British, (1841-c.1914)
Chartres, France & Metz, Lorraine
Oil on canvas, pair, both signed
Image size: 10 inches x 8 inches (each)
Size including frame: 15 inches x 13 inches (each)
Henry Schafer was born in Hanover, Germany in 1841. Although little is known about his upbringing, he was known to have studied at the l'Ecole National de Beaux-Arts in Paris. After leaving art school, he travelled throughout Europe painting town scenes and buildings of Northern France, Belgium and Germany. By 1864, Schafer had travelled to England with his wife Theresa, to work in London where they settled and started a family. All four of their children were born in England. One of his daughters Emilie Anna Schafer (1871-1937) became a painter and art teacher.
Around 1871, the family were living at 53 Vauxhall Bridge Road and in 1881 were recorded as residing at 6, Sophia Terrace, Beulah Road, Thornton Heath in Surrey, with Henry continuing to work as an artist. By 1891, he had moved to 7 St Peters Road in Islington where he lived for the rest of his life. Sometime around the turn of the century, he became a British subject. Schafer is believed to have died in London c1914.
Many of his works depict the architecture of gothic cathedrals and churches, as in these two fine examples. He also produced interior studies of churches. Schafer's style resembles that of Alfred Montague...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
Pair of 19th Century seascape oil paintings of Malta & Constantinople (Istanbul)
Located in Moreton-In-Marsh, Gloucestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 15.25 INCHES X 23.25 INCHES**
Anton Schoth
Austrian, (1843-1905)
Valetta, Malta & Constantinople
Oil on canvas, pair, both ...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of sheep in a Sussex lane
By William Luker Sr.
Located in Moreton-In-Marsh, Gloucestershire
William Luker Snr
British, (1828-1905)
Sheep in a Sussex Lane with Pevensey Bay in the distance
Oil on canvas, signed & dated 1875
Image size: 17.25 inches x 25.25 inches
Size including frame: 23.25 inches x 31.25 inches
A tranquil landscape scene of a shepherd and his flock resting in a lane near Pevensey Bay, Sussex by William Luker. The ruins of Pevensey Castle can be seen in the distance with the sea beyond.
William Luker Snr was born in 1828 at Faringdon, Berkshire to William and Jane Luker (née Charlwood). His father was a plumber and glazier by trade and the family lived at London Street in Faringdon. Little is known about his early education and it is believed for the most part he was self -taught. However, given the quality of his work and the fact that his family were able to keep a servant, he may well have received some artistic tuition.
By the early 1850’s, he had begun earning a living as an artist by advertising in local directories, earning commissions from local landowners. He made his debut at the Royal Society of British Artists in 1851 and was a prolific exhibitor there for over 40 years. He began exhibiting at the Royal Academy in 1852 and also exhibited at the British Institution.
He married the artist Ada Augusta Margetts (1839-1930) on 27 October 1864. Their eldest son William Luker Jnr (1867-1951) also became a well-known artist. The couple soon moved to London where they lived at 22 Gloucester Terrace, Campden Hill from where they both exhibited. From 1867, they lived at 15 Sheffield Terrace in Kensington until 1874 when they moved for the final time to 22 Notting Hill Square, later renamed Campden Hill Square in 1893. He died at Campden Hill-square on 28 February, 1905.
Luker specialised in landscapes featuring animals such as sheep and cattle, horses and deer. He travelled around visiting areas such as Sussex, Buckinghamshire, Kent, Wales and the Highlands. However, he also made trips to Egypt and Libya producing a series of Oriental scenes in the early 1860’s. His works show a great attention to detail and his use of a lighter palette gives his subjects a luminous quality that instantly attracts the viewer. Examples of his paintings are held by the Atkinson Art Gallery, National Library of Wales, Newstead Abbey...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Canvas, Oil
Military WW1 oil painting of French & German Soldiers
By Paul Emile Léon Perboyre
Located in Moreton-In-Marsh, Gloucestershire
Paul-Emile Perboyre
French, (1851-1929)
The Surrender
Oil on canvas, signed & dated 1916
Image size: 20.5 inches x 25 inches
Size including frame: 26.25 inches x 30.75 inches
Paul-E...
Category
Early 20th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century marine seascape oil painting of shipping off Scarborough
By Hubert Thornley
Located in Moreton-In-Marsh, Gloucestershire
Hubert Thornley
British, (exh. 1858 -1898)
Fresh Breeze off Scarborough
Oil on canvas, signed
Image size: 13.5 inches x 11.5 inches
Size including frame: 19.5 inches x 17.5 inches
H...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century seascape oil painting of a hay barge on the Medway
By Hubert Thornley
Located in Moreton-In-Marsh, Gloucestershire
Hubert Thornley
British, (exh. 1858 -1898)
Hay Barge on the Medway
Oil on canvas, signed
Image size: 23.5 inches x 17.5 inches
Size including frame: 30.5 inches x 24.5 inches
Hubert...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century Highland landscape oil painting of sheep near Loch Awe
Located in Moreton-In-Marsh, Gloucestershire
William Watson Jnr
British, (1847-1921)
On the Mountains, Loch Awe
Oil on canvas, signed & dated 1892, further inscribed verso
Image size: 12.5 inches x 18.5 inches
Size including frame: 18.5 inches x 24.5 inches
A wonderful painting of Highland sheep resting near Loch Awe by William Watson Jnr. Loch Awe is located in Argyll and Bute in the Scottish Highlands and this scene is taken from the mountain side overlooking the loch.
William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s.
As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists.
Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
Gorleston Beach
By Campbell Archibald Mellon
Located in Belgravia, London, London
Oil on canvas
Canvas size: 20 x 24 inches
Framed size: 28.5 x 32.25 inches
Signed lower right
Category
20th Century Impressionist Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
Wayside Rest
By Walter Williams
Located in Belgravia, London, London
Oil on canvas
Canvas size: 28 x 36 inches
Framed size: 35.25 x 43.5 inches
Signed lower left
Category
19th Century Antiques Associations Members Landscape Paintings
Materials
Canvas, Oil
Place de la Bastille
By Eugene Galien-Laloue
Located in Belgravia, London, London
Gouache on paper
Paper size: 14.25 x 8.75 inches
Framed size: 20 x 14.25 inches
Signed lower left
Category
20th Century Impressionist Antiques Associations Members Landscape Paintings
Materials
Paper, Gouache
19th Century landscape oil painting of a duck pond by a cottage
By Joseph Thors
Located in Moreton-In-Marsh, Gloucestershire
Joseph Thors
British, (1835-1920)
Cottage by a Duck Pond
Oil on canvas, signed
Image size: 15.5 inches x 23.5 inches
Size including frame: 23.5 inches x 31.5 inches
A pretty landsc...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
Pair of 19th Century townscape oil paintings of Venice
By Marco Grubacs
Located in Moreton-In-Marsh, Gloucestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 15 INCHES X 10.5 INCHES**
Marco Grubas/Grubacs
Italian, (1839-1910)
The Doge’s Palace, Venice & Piazza San Marco, Venice
O...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Panel, Oil
19th Century seascape oil painting of ships off the Dutch coast
Located in Moreton-In-Marsh, Gloucestershire
Thomas Sewell Robins
British, (1810-1880)
Shipping off the Dutch Coast
Oil on canvas, signed & dated 1844
Image size: 26.5 inches x 45 inches
Size includi...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of figures near Sherwood Forest
By George Turner
Located in Moreton-In-Marsh, Gloucestershire
George Turner
British, (1843-1910)
Near the Major Oak, Sherwood Forest
Oil on canvas, signed, further inscribed verso
Image size: 11.5 inches x 17.5inches
Size including frame: 18 i...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of figures fishing by a river lock
By Robert John Hammond
Located in Moreton-In-Marsh, Gloucestershire
Robert John Hammond
British, (1853-1911)
Fishing by the Lock Gate
Oil on canvas, signed & dated 1893
Image size: 19.5 inches x 14.5 inches
Size including frame: 25.75 inches x 20.75 inches
A picturesque painting by Robert John Hammond of three figures next to a river lock. One of the figures can be seen fishing on the bank as the others take shade under the trees.
Robert John Hammond was a landscape painter born in Blackfriars, London in 1853. By the time he was 18 he had moved to Sutton Coldfield where he initially became an apprentice watchmaker before becoming a full time artist. In 1871, he married Lucy Banner, the sister of the artist Alfred Banner...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of a Yorkshire river
By William Mellor
Located in Moreton-In-Marsh, Gloucestershire
William Mellor
British, (1851-1931)
On the Wharfe, Bolton Woods
Oil on canvas, signed & further inscribed verso
Image size: 15.5 inches x 23.5 inches
Size including frame: 22.5 inches x 30.5 inches
A picturesque landscape painting of the river Wharfe near Bolton Woods by William Mellor. To the left, cattle are shown watering by the river under the shade of the trees. On the opposite bank, a flock of sheep can be seen grazing in the distance.
William Mellor was a landscape painter who was born in Barnsley, Yorkshire in 1851, the son of Joseph Mellor, an artist and Mary Mellor. Initially, he was employed as a loom turner in the weaving industry before becoming a professional artist. He would have received tuition from his father who clearly influenced his style and subject matter.
In 1876, he married Mary Elizabeth Watson...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of children by a Derbyshire river
By David Payne
Located in Moreton-In-Marsh, Gloucestershire
David Payne
British, (1843-1894)
A Derbyshire Idyll
Oil on canvas, signed
Image size: 19.5 inches x 32 inches
Size including frame: 25.5 inches x 38 inches
A lovely landscape painting of children next to a Derbyshire river by David Payne. A little girl can be seen standing on the bank with an apron full of wild flowers, as the others sit and examine their collection.
David Payne was born in 1843 in Annan, Dumfries the son of William Payne...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th century landscape oil painting of figures at Sutton Park
Located in Moreton-In-Marsh, Gloucestershire
William E Harris
British, (1854-1930)
*Sutton Park
Oil on canvas, signed & dated 1884, inscribed verso
Image size: 9.5 inches x 15.5 inches
Size incl...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century seascape oil painting of fishing boats by a Dutch shore
By Pieter Cornelis Dommersen
Located in Moreton-In-Marsh, Gloucestershire
Pieter Cornelis Dommersen
Dutch, (1833-1918)
Launching the Boat
Oil on canvas, signed & dated 1861
Image size: 23 inches x 41 inches
Size including frame: 29.75 inches x 47.75 inches
A beautifully painted marine scene of a boat being launched from a Dutch shore by Pieter Cornelis Dommersen. In the foreground, fishermen can be seen heaving a boat into the water as others look on. Beyond the beach, a number of ships are shown moored next to a windmill whilst further ships are depicted sailing around the harbour.
Pieter Cornelis Dommersen was born Pieter Cornelis Dommershuizen or Dommerhershuisen on 6 December, 1833 in Utrecht, Holland. Little is known about his father and he appears to have been brought up solely by his mother Cornelia into an artistic family. His younger brother was the artist Cornelis Christian...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century exhibition size landscape oil painting of Sheep on a cliff
By Charles Jones (b.1836)
Located in Moreton-In-Marsh, Gloucestershire
Charles Jones
British, (1836-1892)
Sheep Resting
Oil on canvas, signed with monogram & dated 1877, further inscribed verso
Image size: 35 inches x 59 inches
Size including frame: 47 inches x 71 inches
Exhibition Size Painting
A fantastic exhibition sized landscape painting of sheep on a cliff top by the coast by Charles ‘Sheep’ Jones. At the time he produced this painting, Jones was living at Heathercroft, Balham Hill in London. Given the size and quality of the work it was most likely an exhibition piece. The topography and landscape suggest that this is the Dorset coast, one of his favourite places to paint.
Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours.
By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones.
As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Canvas, Oil
Scottish landscape oil painting of sheep resting near a Highland Loch
By Robert Watson
Located in Moreton-In-Marsh, Gloucestershire
Robert Watson
British, (1855-1921)
Sheep Resting, Sunset
Oil on canvas, signed & dated 1901
Image size: 13.5 inches x 20.5 inches
Size including frame: 20.5 inches x 27.5 inches
Robert William Watson was born on 9 March 1855 at 33 Marlborough Place, Brighton, Sussex the son of William John Watson (1807-1871) and Caroline Butcher. He was part of a family of highland landscape painters and his brothers Charles (1857-1923) and William Watson Jnr...
Category
Early 20th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
Pair of landscape hunting scenes with wild boar
Located in Moreton-In-Marsh, Gloucestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 17 INCHES X 20 INCHES**
Godfrey Douglas Giles
British, (1857-1941)
Wild Boar & her Young in an Indian Landscape & Pursuit o...
Category
Early 20th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Panel, Oil
19th Century landscape genre oil painting of ploughmen with horses & a dog
By George Cole
Located in Moreton-In-Marsh, Gloucestershire
George Cole
British, (1810-1883)
Waiting for a Treat
Oil on canvas, signed & dated 1857
Image size: 19.5 inches x 29.5 inches
Size including frame: 26.25 inches x 36.25 inches
A cha...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Canvas, Oil
19th Century landscape oil painting of a country track
By Joseph Thors
Located in Moreton-In-Marsh, Gloucestershire
Joseph Thors
British, (1835-1920)
A Country Track
Oil on canvas, signed
Image size: 15.5 inches x 23.25 inches
Size including frame: 22.75 inches x 30.5 inches
A charming landscape painting of a figure on a country track by Joseph Thors. A woman is shown walking along a lane bordered by with trees on one side. Through the open vista on the left, another figure can be seen in the distance in front of a farmstead and cottages...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of hay making
By John Clayton Adams
Located in Moreton-In-Marsh, Gloucestershire
John Clayton Adams
British, (1840-1906)
Hay Making
Oil on canvas, signed & indistinctly dated 187(5)?
Image size: 19.5 inches x 31.5 inches
Size including frame: 28.5 inches x 40.5 ...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
Early 19th Century sporting dog oil painting of a setter in a landscape
By Francis Calcraft Turner
Located in Moreton-In-Marsh, Gloucestershire
Francis Calcraft Turner
British, (c. 1782-1846)
Standing Proud
Oil on canvas, signed
Image size: 19.5 inches x 23.5 inches
Size including frame: 25 inches x 29 inches
A well-executed early 19th century painting of an Irish red and white setter in a country landscape, by Francis Calcraft Turner. Irish setters were highly popular gundogs bred to hunt gamebirds such as partridges, grouse or pheasants. The Rossmore family of County Monaghan...
Category
Early 19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
The Proposal
Located in Belgravia, London, London
Oil on mahogany panel
Panel size: 47 x 36 inches
Signed lower right
Category
19th Century Antiques Associations Members Landscape Paintings
Materials
Oil, Wood Panel
Place Du Tertre, Paris
Located in Belgravia, London, London
Oil on canvas
Canvas size: 8.5 x 10.5 inches
Framed size: 14.5 x 16.75 inches
Signed lower left
Category
20th Century Antiques Associations Members Landscape Paintings
Materials
Canvas, Oil
19th Century North African river landscape oil painting of a man using a Shadoof
By David Bates b.1840
Located in Moreton-In-Marsh, Gloucestershire
David Bates
British, (1840-1921)
The Shadoof
Oil on canvas, signed, further inscribed verso
Image size: 19.75 inches x 29.75 inches
Size including fram...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century seascape oil painting of ships & boats at the port of Hull
By Francis Moltino
Located in Moreton-In-Marsh, Gloucestershire
Francis Moltino
Italian, (1818-1888)
The Port of Hull
Oil on canvas
Image size: 22 inches x 35 inches
Size including frame: 27.25 inches x 40.25 inches
Provenance: Stacy-Marks
A wo...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of figures near cottages & a pond
By Walter Wallor Caffyn
Located in Moreton-In-Marsh, Gloucestershire
Walter Waller Caffyn
British, (1850–1898)
Walking by the Pond, South Mimms
Oil on canvas, signed & dated 1897
Image size: 11.75 inches x 17.75 inches
Size including frame: 17.75 inches x 23.75 inches
Walter Waller (or Wallor) Caffyn was born in Dorking, Surrey in 1850 the son of a hairdresser also named Walter Waller Caffyn. The family lived at High Street, Dorking where his father probably also conducted his business. Whilst there is no record of which art school he attended, he undoubtedly received an artistic education due to the highly skilled work he produced. He is known to have spent time working with his father as a hairdresser before becoming a professional artist around the age of 22. His skills were not just confined to art; he also had a talent for music and was an excellent violinist.
He married Eliza Beagley at Southwark on 1 June 1873 and they went on to have four children together. The family lived in Dorking at Howard Road before settling at 14 Vincents Road by 1881. He made his debut at the Royal Academy in 1876 and continued to exhibit there throughout his life. He also exhibited at the Society of British Artists in Suffolk Street and the Royal Institute of Oil Painters.
Caffyn was a skilled artist and specialised in river and harvest landscapes of Surrey and the surrounding counties including Kent. He also visited Yorkshire to paint a number of there. He was friends with Henry Leonidas...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Canvas, Oil
19th Century landscape animal oil painting of cattle & sheep by a river
By Thomas Sidney Cooper
Located in Moreton-In-Marsh, Gloucestershire
Thomas Sidney Cooper
British, (1803-1902)
Canterbury Meadows
Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894
Image size: 14.75 inches x 24.75 i...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century seascape oil painting of fishing boats off the Dutch coast
By Abraham Hulk the Elder
Located in Moreton-In-Marsh, Gloucestershire
Abraham Hulk Snr
British, (1813-1897)
Fishing Boats off the Dutch Coast
Oil on canvas, signed
Image size: 11.75 inches x 17.75 inches
Size including frame: 21.25 inches x 27.25 inch...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of figures by a Derbyshire brook
By George Turner
Located in Moreton-In-Marsh, Gloucestershire
George Turner
British, (1843-1910)
A Derbyshire Brook
Oil on canvas, signed, further signed, titled & dated 1899 verso
Image size: 19.5 inches x 29.5 inches
Size including frame: ...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Canvas, Oil
19th Century river landscape oil painting of an Inn by a river
By Walter Stuart Lloyd
Located in Moreton-In-Marsh, Gloucestershire
Stuart Lloyd
British, (1858-1926)
The Ship Inn
Oil on canvas, signed
Image size: 19.5 inches x 29.5 inches
Size including frame: 27.5 inches x 37.5 inches
Stuart Lloyd or Walter Stuart Lloyd...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century seascape oil painting of Penzance harbour, Cornwall
By William Edward Webb
Located in Moreton-In-Marsh, Gloucestershire
William Edward Webb
British, (1862-1903)
Penzance Harbour
Oil on canvas, signed
Image size: 29 inches x 45.5 inches
Size including frame: 38 inches x 54.5 inches
A pleasing coastal painting of Penzance Harbour at low tide by William Edward Webb. In the foreground, a fisherman sells his catch to a woman and her daughter, whilst figures in horses and carts wait for others to unload their boats.
William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871.
By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester.
Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work.
His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
Attributed to John Riley, 17th century English portrait of a girl on a terrace
By John Riley
Located in Bath, Somerset
Portrait of a young girl, full-length, wearing a blue silk gown, standing on a terrace beside a classical urn holding a branch with blossom. Attributed to John Riley...
Category
17th Century Old Masters Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of sheep
Located in Moreton-In-Marsh, Gloucestershire
Henry/Harry Maidment
British, (1868-1942)
Sheep Resting
Oil on canvas signed
Image size: 15.5 inches x 23.5 inches
Size including frame: 22.5 inches x 30.5 inches
Henry or Harry Ma...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Canvas, Oil
19th century landscape oil painting of a village tavern with a windmill
By John Holland Senior
Located in Moreton-In-Marsh, Gloucestershire
John Holland Snr
British, (1830-1886)
The Windmill Tavern
Oil on canvas, signed
Image size: 13 inches x 20.5 inches
Size including frame: 18.25 inches x 25.75 inches
Provenance: Frost & Reed
A pleasing landscape painting of the Windmill Tavern by John Holland Snr. The scene depicts a large group of people conversing outside the inn whilst others make their way along a country track running beside it. The building and windmill pictured here appear very similar to those situated at Reigate Heath in Surrey. The mill at Reigate was built in 1753 and was still used for grinding wheat up until around 1870. The main building is now the Reigate Heath Golf Club. The windmill still stands today and is owned and maintained by Reigate and Banstead Borough Council.
John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists.
By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint.
He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886.
A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears an old label for Frost & Reed. Frost & Reed are a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
Contemporary Bright & Colourful Landscape Painting 'Mountain Villa', Red & Green
By Rosa Canto
Located in Shrewsbury, Shropshire
A bright and beautiful landscape by a highly sought after Spanish contemporary painter, Rosa Canto. Canto is a master of paint and has a loose and free-flowing style, capturing the d...
Category
20th Century Impressionist Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of cattle
By Thomas Baker of Leamington
Located in Moreton-In-Marsh, Gloucestershire
Thomas Baker
British, (1809-1864)
Cows with a Willow Tree
Oil on canvas, signed & dated 1860
Image size: 14 inches x 11.75 inches
Size including frame: 20.5 inches x 18.25 inches
P...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th Century landscape oil painting of swans on a river
By Alfred Augustus Glendening Senior
Located in Moreton-In-Marsh, Gloucestershire
Alfred Augustus Glendening Snr
British, (1840-1921)
Swans on the River
Oil on canvas, signed & dated (18)96
Image size: 17.75 inches x 30.75 inches
Size including frame: 25 inches x 38 inches
Provenance: Ravensbourne Galleries, Beckenham, Kent
A beautiful river landscape painting of swans...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
Gathering Heather Stalks
By David Bates b.1840
Located in Belgravia, London, London
Watercolour on paper
Paper size: 10 x 14 inches
Signed lower right
Category
19th Century Antiques Associations Members Landscape Paintings
Materials
Paper, Watercolor
19th Century genre oil painting of children playing
Located in Moreton-In-Marsh, Gloucestershire
Reuben Hunt
British, (1857-1938)
Taking Aim
Oil on canvas, signed & dated (18)84
Image size: 19.5 inches x 29.5 inches
Size including frame: 25.25 inches ...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
19th century landscape oil painting of a village tavern
By John Holland Senior
Located in Moreton-In-Marsh, Gloucestershire
John Holland Snr
British, (1830-1886)
The Malt Shovel Tavern
Oil on canvas, signed
Image size: 13 inches x 20.5 inches
Size including frame: 18.25 inches x 25.75 inches
Provenance: Frost & Reed
A wonderful painting of figures sat outside a village inn by John Holland Senior. A wagon is shown delivering supplies as another cart drives off towards a windmill in the distance. In the foreground two people cut a log in half whilst their family looks on. The Malt Shovel Inn was most likely the one at Upper Lambourn in Berkshire. Over 500 years old, it was located on Malt Shovel Lane, and was originally a bakery, becoming an inn sometime during the mid 1700’s. It remained as a pub until its closure in 2016. The windmill in the distance was situated outside Lambourn on the road to Baydon. It was built in 1771 but was demolished around 1887 and is now the site of a farm.
John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists.
By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint.
He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886.
A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears an old label for Frost & Reed. Frost & Reed are a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
The Kingfisher's Pool and Fishing in Peaceful Waters (Pair)
By William Mellor
Located in Belgravia, London, London
Oil on board
Board size: 14 x 12 inches each
Both signed lower mid
Category
19th Century Antiques Associations Members Landscape Paintings
Materials
Board, Oil
Grazing Pastures
By William Sidney Cooper
Located in Belgravia, London, London
Oil on canvas
Canvas size: 18 x 30 inches
Framed size: 25.25 x 37.5 inches
Signed lower left
Category
19th Century Antiques Associations Members Landscape Paintings
Materials
Canvas, Oil
19th Century Welsh landscape oil painting of the river Mawddach
By William Henry Mander
Located in Moreton-In-Marsh, Gloucestershire
William Mander
British, (1846-1914)
On the River Mawddach, Dolgellau, North Wales
Oil on canvas, signed & further inscribed & signed verso
Image size: 19.5 inches x 29.5 inches
Size...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Canvas, Oil
Harvest Time
By Walter Heath Williams
Located in Belgravia, London, London
Oil on canvas
Canvas size: 18 x 26 inches
Framed size: 22.5 x 30.5 inches
Signed lower right
Category
19th Century Antiques Associations Members Landscape Paintings
Materials
Canvas, Oil
19th Century landscape oil painting of a busy village
By Georgina Lara
Located in Moreton-In-Marsh, Gloucestershire
Georgina Lara
British, (fl. 1862-1871)
Bustling Village Life
Oil on canvas, signed
Image size: 19.5 inches x 29.5 inches
Size including frame: 25.5 inches x 35.5 inches
Georgina Lara also known as Edwina Lara was a London painter of rustic farmyard and village scenes. Her work also closely resembles that of Edward Masters...
Category
19th Century Victorian Antiques Associations Members Landscape Paintings
Materials
Oil, Canvas
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