Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Period: 1940s
Wagon Crossing a Bridge (Wagen auf einer Brucke)
By Lyonel Feininger
Located in New York, NY
Lyonel Feininger (1871-1956), Wagon Crossing a Bridge (Wagen auf einer Brucke), woodcut, c. 1941, signed in pencil lower left, with the artist’s work number lower center (1867). Reference: Prasser W 82, only state. In very good condition, with margins, 3 1/2 x 4 3/4, the sheet 4 7/8 x 6 7/8 inches.
A fine fresh proof impression of this intricate cubist composition, printed in black ink on a thin Japan wove paper.
Prasser notes a few proofs, on various papers, some unsigned. This print was included as No. 5 of the portfolio Ten Woodcuts by Lyonel Feininger, 1941, edition of 30; as with many of his small woodcuts...
Category
1940s Cubist Ifpda International Fine Print Dealers Association
Materials
Woodcut
'Fantasia Americana - 1880' — Mid-Century American Surrealism
By Lawrence Kupferman
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Archivally matted to museum standards, unframed.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
PERSONNAGE VIRTUEL
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. PERSONNAGE VIRTUEL. BM182. Engraving,
soft-ground etching and scorper, 1947. Edition of 70, signed, dated,
and numbered 42/70, all in pencil. 11 3/4 x 8 7/8...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Engraving, Etching
'Havoc in Heaven' — Mid-Century Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Havoc in Heaven', lithograph, 1948, edition 30-35, Fine and Looney 270. Signed, titled, and numbered 'Ed 35' in pencil. Initialed in the stone, lower right. Printed...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
'European Landscape' —Mid-century American Surrealism
By Lawrence Kupferman
Located in Myrtle Beach, SC
Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition.
Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed.
An impression of this work is included in the permanent collection of the Syracuse University Art Museum.
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Drypoint
Bowling Green, New York
By Louis Conrad Rosenberg
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Bowling Green, New York', etching, 1940. Signed in pencil. A superb, richly-inked impression, with all the fine lines printing c...
Category
1940s American Realist Ifpda International Fine Print Dealers Association
Materials
Drypoint
The Green Sugarbowl — Mid-Century Color Woodcut
Located in Myrtle Beach, SC
William Ross Abrams, 'The Green Sugarbowl', color woodcut, 1949, edition 24. Signed, titled, dated, and annotated 'Artist’s proof' in pencil. A fin...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
CENTERPORT SERIES #23
By Arthur Dove
Located in Portland, ME
Dove, Arthur (American, 1880-1946).
CENTERPORT SERIES #23.
Watercolor on paper, 1940.
Signed "Dove," at the lower center.
Labels identifying the work on the backing paper of the ...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Watercolor
Fillette
By Henri Matisse
Located in London, GB
Lithograph on vellum paper, Edition of 25
Paper size: 33 x 26.5 cms (13 x 10 1/2 ins)
Image size: 31.5 x 21.2 cms (12 3/8 x 8 3/8 ins)
Category
1940s Impressionist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Autumn Landscape — 1940s Post-Impressionism
Located in Myrtle Beach, SC
Henri Pierre Fortier, Untitled (Autumn Landscape), gouache, c. 1940s. Signed in ink. Inscribed 'To my Friend CLINTON R. MULFORD'. A fine, painterly watercolor, with rich, layered colors, on heavy dark brown drawing paper with approximately 1/4 inch margins; an unfinished figurative sketch...
Category
1940s Impressionist Ifpda International Fine Print Dealers Association
Materials
Gouache
CALLE EX CONVENTO, TASCO.
Located in Portland, ME
Pappe, Carl. CALLE EX CONVENTO, TASCO. Woodcut, c.1940s-60s. Edition unstated. This print is one of a series of 16 images, all of scenes in Taxco, distinguished by the strength of the carving and the richness of the blacks. 12 x 14 1/4 inches (image), 13 1/2 x 15 3/4 (sheet). Titled and signed in pencil. In excellent condition.
Carl Pappe...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Woodcut
Ski Fashion Watercolor
Located in New York, NY
Original watercolor on paper, signed in pencil.
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Watercolor, Paper
'Girl with Hands to Face' — Mid-century Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Girl with Hands to Face', two-color lithograph, 1940, edition 30, Fine and Looney 180. Signed, titled, and annotated 'Ed. 30' in pencil. A superb impression, on cr...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Tropical Wash Day' — Mid-Century Modernism
Located in Myrtle Beach, SC
'Tropical Wash Day', aquatint, edition 100, 1946. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, on heavy cream wove paper, with full...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Aquatint
Arbre-Homme (Tree-Man) —Mid-Century Surrealism
By Ferdinand Springer
Located in Myrtle Beach, SC
Ferdinand Springer, 'Arbre-Homme', engraving, 1945, edition 23. Signed and numbered '23/20' in pencil.
A fine, richly-inked impression, on heavy, b...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Engraving
Ship Rock
By Norma Bassett Hall
Located in Santa Monica, CA
NORMA BASSETT HALL (1889 - 1957)
SHIP ROCK, c. 1940
Color woodcut signed and numbered in pencil, edition 40 on stiff fibrous paper.
10 x 14 inches, Sheet size 11 1/8 x 15 inches...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Underwater — Mid-century Modern
By Charles Quest
Located in Myrtle Beach, SC
Charles Quest, 'Underwater', 1948, chiaroscuro wood engraving, edition 12. Signed, titled, dated and numbered '3/12' in pencil. A fine, richly-inked impression, in dark brown and warm black, on off-white wove paper, with full margins (5/8 to 1 1/2 inch), in excellent condition. Scarce.
ABOUT THE ARTIST
Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters.
After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’
In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York.
In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’
At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951.
Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’.
An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Grande masque
By Henri Matisse
Located in London, GB
Henri Matisse
Grande Masque
1948
Aquatint on Marais paper, signed in pencil and numbered 11/25, there were also 5 artist’s proofs.
Signed, dedicated "à Nadia Sednaoui" and inscribed ...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Aquatint
PITCHING HAY - Created for the WPA / Federal Arts Project - (FAP)
By John Turner (b.1916)
Located in Santa Monica, CA
JOHN TURNER (1908 - 1939 per the FDR Presidential Library Collection)
PITCHING HAY no 2, c. 1940
Etching and Carborundum. Signed and numbered 10/25 in pencil. 8 1/2 x 12 inches. Sheet 10 x 13 1/2. Annotated at lower sheet edge "Carbograph and etching".
This print was done for the WPA / Federal Art Project. The editions for the WPA/FAP prints were generally 25 as in this example. It is illustrated in the Newark Museum WPA collection. Their copy has the Pennsylvania WPA label and with a stamped date of March 11. 1940. Also listed in the General Services Administration catalog of WPA prints...
Category
1940s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching
DUELO (Duel)
Located in Santa Monica, CA
FRANCISCO MORA (1922 - 2002)
DUELO (Duel) c. 1945
Lithograph signed in pencil. Published by the TGP Taller de Grafica Popular. Label on verso. 9 5/8 x...
Category
1940s Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Patitcha
By Henri Matisse
Located in London, GB
Henri Matisse
Patitcha
1947
Aquatint on BFK Rives paper, Edition of 25
Paper size: 55.5 x 38 cms (22 x 15 ins)
Image size: 34.9 x 27.6 cm (13 3/4 x 10 7/8 ins)
HM15405
Selected Coll...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Aquatint
Ninth Inning
Located in Myrtle Beach, SC
Sylvia Mayzer Rantz, 'Ninth Inning', lithograph, 1949, edition 24. Signed, dated, titled, and numbered '9/24' in pencil. A fine, richly-inked impression, on cream wove paper. The ful...
Category
1940s American Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
ARP, Jean. Sphere de sable ( RARE LIMITED EDITION), No. 13 of 20 copies .
By Jean Arp
Located in New York, NY
ARP, Jean, poems by Georges HUGNET. Paris; Robert-J. Godet 193. Collection "Pour mes amis" With
35 illustrations integrated with the text (2 full-page), by J. Arp. Small 8vo, [...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Other Medium
Shipping
By Kerr Eby
Located in Myrtle Beach, SC
Kerr Eby 'Shipping' also 'Shipping, Connecticut', etching and sandpaper ground, 1932, edition 100, Giardina 171. Signed in pencil and titled 'Shipping' in the bottom left sheet edge. A superb, atmospheric impression, with skillfully controlled plate tone, on heavy, cream wove paper; the full sheet with wide margins (2 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed.
Image size 8 3/8 x 17 1/4 inches (316 x 176 mm); sheet size 13 7/16 x 8 3/8 inches (341 x 213 mm).
The scene depicted was on the Connecticut coast...
Category
1940s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
Boulder Dam
By Adolf Dehn
Located in Fairlawn, OH
Boulder Dam
Lithograph, 1946
Signed and dated in pencil lower right (see photo)
Titled in pencil lower left (see photo)
Printed by Lawrence Barrett, Colora...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
untitled (Maine Landscape near Mt. Desert Island)
By Greta Allen
Located in Fairlawn, OH
untitled (Maine Landscape near Mt. Desert Island)
Watercolor on paper, c. 1945-1955
Signed by the artist lower left (see photo)
Provenance: Estate of the artist
Condition: Excellent
Image/Sheet size: 12 3/4 x 17 3/4 inches
Regarding the Maine subject matter of her watercolors, we know that Allen taught art in West Gouldsboro, ME, located near Arcadia National Forest. This watercolor was most probably done in that vicinity.
A local Maine newsletter mentions “the artist Greta Allen’s house...
Category
1940s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Watercolor
Untitled (Reclining nude, face down)
Located in Fairlawn, OH
Untitled (Reclining nude, face down)
Lithograph, 1944
Signed and dated lower right in pencil
Image size: 8 13/16 x 11 7/8 inches
Sheet Size: 11 1/8 x 18 3/4 inches
Condition: Aging ...
Category
1940s Art Deco Ifpda International Fine Print Dealers Association
Materials
Lithograph
untitled (Maine Autumn Landscape across the narrows from Mt. Desert)
By Greta Allen
Located in Fairlawn, OH
untitled (Maine Autumn Landscape across the narrows from Mt. Desert)
Watercolor, 1945-1955
Signed by the artist lower left in pencil (see photo)
Provenance: Estate of the artist
Condition: Excellent
Image/Sheet size: 14 1/4 x 19 5/8 inches
Regarding the Maine subject matter of her watercolors, we know that Allen...
Category
1940s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Watercolor
Allen Street El —mid-century modern
By Bernard Brussel-Smith
Located in Myrtle Beach, SC
Bernard Brussel-Smith, 'Allen Street El', chiaroscuro wood engraving, 1941, edition 140. Signed, titled, and numbered '84/140' in pencil. Signed and dated in the block, upper right. ...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Central Park Night
By Adolf Dehn
Located in Fairlawn, OH
Central Park Night
Lithograph, 1946
Signed and dated lower right (see photo)
Titled, lower center
Number lower left (see photo)
Edition: 40, plus trial proofs (23/40)
This image depi...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Psychopathic Ward' — American Socially-Conscious Realism, 1940s
By Robert Riggs
Located in Myrtle Beach, SC
Robert Riggs, 'Psychopathic Ward', 2-color lithograph, c. 1940, edition c. 50, Beall 60, Bassham 78. Signed, titled, and numbered '14' in pencil. Signed in the stone, lower right. A ...
Category
1940s Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Visage de jeune femme
By Henri Matisse
Located in London, GB
Henri Matisse
Visage de jeune femme
1948
Aquatint on BFK Rives paper, signed in pencil and numbered 4/25.
Paper size: 55.5 x 38 cms (21 7/8 x 15 ins)
Image si...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Aquatint
'Child Reaching' — 1940s American Modernism
By Will Barnet
Located in Myrtle Beach, SC
Will barnet, 'Child Reaching', woodcut, 1940, edition 25, Cole 82. Signed and titled in pencil. A fine, black impression, on fibrous Japan paper, with full margins (5/8 to 1 3/4 inch...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Cobwebs and Rocks
By Benjamin G. Benno
Located in Fairlawn, OH
Cobwebs and Rocks
Watercolor, 1940
Signed, dated, and copyrighted lower right
Exhibited: Zimmerli Art Museum, Benjamin Benno: Retrospective Exhibition, 1988
Illustrated: Gustafson, Zimmerli Museum: Benjamin Benno: Retrospective Exhibition, 1988
Color Plate 14 copy copy of the catalog accompanies the watercolor
Condition: excellent
Image size: 14 3/4 x 21 inches
Provenance: Estate of the Artist
Ruth O...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Watercolor
Tanks & Trees — Mid-century American Surrealism
Located in Myrtle Beach, SC
Karl Eugene Fortess, 'Tanks & Trees', lithograph, c. 1940, edition 100. Signed, titled, and numbered '100/P' in pencil. Inscribed 'For Usui - K.' in the bottom left margin. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 2 1/2 inches); a slight crease across the top right sheet corner, well away from the image; otherwise in excellent condition. Image size 13 1/8 x 10 inches; sheet size 17 3/8 x 13 3/16 inches. Matted to museum standards, unframed.
Provenance: Estate of Francis Pratt.
Francis and her husband Bumpei Usui...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Lithograph
City Scene II — mid-century modern
By Bernard Brussel-Smith
Located in Myrtle Beach, SC
Bernard Brussel-Smith, 'City Scene II', wood engraving, 1949, artist's proof, edition 100. Signed, titled, and annotated 'A.P.' in pencil. A superb, richly-inked impression, on whit...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
MATTA - 10 EROTIC ETCHINGS - New School Portfolio
By Roberto Matta
Located in Santa Monica, CA
ROBERTO MATTA (Chilean 1911- 2002)
NEW SCHOOL PORTFOLIO (1943-5) (Sabatier 1-7, 4 prints not recorded by Sabatier)
Portfolio with complete set of 10 etch...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Inkjet, Etching
FISHERMAN - FROM ESTAMPAS DE YUCATAN.
By Alfredo Zalce
Located in Portland, ME
Zalce, Alfredo (Mexican 1908-2003). FISHERMAN - FROM ESTAMPAS DE
YUCATAN. Lithograph, 1945. Edition of 100. From the portfolio of eight
lithographs. Printed in brown on cream colored wove paper by Jose
Sanchez at Taller de Grafica Popular...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Lithograph
untitled (Mt. Desert Narrows)
By Greta Allen
Located in Fairlawn, OH
untitled (Mt. Desert Narrows)
Watercolor on paper, c. 1945-1955
Unsigned
Provenance: Estate of the Artist
Condition: Excellent
Image/sheet size: 11 1/4 x 15 3/8 inches
Regarding the Maine subject matter of her watercolors, we know that Allen taught art in West Gouldsboro, ME, located near Arcadia National Forest. This watercolor was most probably done in that vicinity.
A local Maine newsletter mentions “the artist Greta Allen’s house...
Category
1940s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Watercolor
UNTITLED (RESTING WOMEN; SLEEPING WOMEN)
By Doel Reed
Located in Portland, ME
Reed, Doel (American, 1894-1985). UNTITLED (RESTING WOMEN; SLEEPING WOMEN). Etching and Aquatint, 1940. Signed in pencil, lower right. 10 1/2 x 15 inche...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Aquatint, Etching
Crown of Roses — Mid-century Modern
By Mary Van Blarcom
Located in Myrtle Beach, SC
Mary Van Blarcom, 'Crown of Roses', color serigraph, c. 1945, edition not stated but small. Signed in pencil beneath the image, lower left. Titled in pencil, bottom left sheet corner. A rich painterly impression, with fresh colors, on cream laid paper, with full margins (3/8 to 7/8 inch), in excellent condition. Image size 8 13/16 x 12 11/16 inches; sheet size 9 1/2 x 8 5/16 inches. Matted to museum standards, unframed.
ABOUT THE ARTIST
Painter, printmaker, and craftsperson, Mary Van Blarcom was born in Newark, New Jersey, and studied at Wellesley College. She was a member of the National Serigraph Society, where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today.
Van Blarcom exhibited actively throughout the 1940s at many prominent art organizations, including Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art Traveling Exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952.
Van Blarcom’s work is in the collections of the Newark Public Library, U.S. Library of Congress; the American Association of University Women; New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Screen
EXPRESS STOP
By Douglas Gorsline
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). EXPRESS STOP. Etching, 1948. 6 3/8 x 5 3/4 inches (plate). Signed in pencil. Published by Associated American Artists In excellent condition....
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Engraving
ON LEAVE
By Douglas Gorsline
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). ON LEAVE. Engraving, 1944. 10 7/8 x 8 1/8 inches (plate), 12 1/2 x 10 inches (sheet). Signed, titled and dated in pencil. Edition size not k...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Engraving
BATTLE STATIONS
By Douglas Gorsline
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). BATTLE STATIONS. Engraving, 1941. 9 x 6 7/8 inches (plate), 12 1/2 x 8 3/8 inches (sheet). Signed, titled and dated in pencil, and inscribed ...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Engraving
Tourists — vintage drawing, original 'Superman' artist
By Leonard Nowak
Located in Myrtle Beach, SC
Leonard Nowak, 'Tourists', conté crayon and India ink, c. 1940s. Signed in ink, lower left. Original cartoon drawing, on textured, off-white wove drawing...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
India Ink, Conté
IRT INTERLUDE
By Douglas Gorsline
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). IRT INTERLUDE. Engraving, 1940. 7 7/8 x 5 1/8 inches (plate), 9 1/2 x 8 5/8 inches (sheet). Signed, titled and dated in pencil. Edition size ...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Engraving
INVITATION TO THE LINDY HOP
By Douglas Gorsline
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). INVITATION TO THE LINDY HOP. Engraving, 1942. 7 3/8 x 6 1/8 inches (plate), 8 1/2 x 7 3/8 inches (sheet). Signed, titled and dated in pencil....
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Engraving
'Eyes for the Night' — Mid-century Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'Eyes for the Night', color lithograph, 1948, edition 35, Fine and Looney 261. Signed, dated, and titled, and annotated 'Ed 35' in pencil. A fine impression with fresh colors, on c...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
HUGNET, Georges. Complete set of 4 pamphlets. See Description.
By Georges Hugnet
Located in New York, NY
HUGNET, Georges. Complete set of 4 pamphlets, as follows:
[A] Non Vouloir, poem by G. Hugnet. Paris: [George Hugnet, 1940]. With 1 engraving after JOAN MIRO. 8 pp. One of 26 copies on verge antique de Montval, inscribed from the poet "A Cecile de tout Coeur Georges Hugnet."
[B ] Au"Depens des mots," poem by G. Hugnet. Paris: [Georges Hugnet], 1941. With 1 engraving
in gold after VALENTINE HUGO...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Kanani (Hawaii)— 1940s Polynesian Portrait
By John Melville Kelly 1
Located in Myrtle Beach, SC
John Melville Kelly, 'Kanani (Hawaii)', drypoint, 1946. Signed, titled and annotated 'No 36' in pencil. A superb impression, in dark brown ink, on ...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint
City Scene I — mid-century modern
By Bernard Brussel-Smith
Located in Myrtle Beach, SC
Bernard Brussel-Smith, 'City Scene I', wood engraving, 1949, edition 100. Signed, titled, and numbered '93/100' in pencil. A superb, richly-inked impression, on white wove paper, wi...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
WESTERN PEAKS
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD LUKENS DOOLITTLE (1873 - 1974)
WESTERN PEAKS c. 1945
Aquatint signed and titled in pencil. 6 3/4 x 8 7/8 sheet 9 5/8 x 12 3/4.
Good condition save for just a hint of darkening within the window and small bits if tape on the sheet edge verso.
Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
Category
1940s Realist Ifpda International Fine Print Dealers Association
Materials
Aquatint
Grand Canyon —vintage drawing, original 'Superman' artist
By Leonard Nowak
Located in Myrtle Beach, SC
Leonard Nowak, 'Grand Canyon', conté crayon and India ink, c. 1940s. Signed in ink, lower left. Original cartoon drawing, on textured, off-white wove dra...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
India Ink, Conté
Beauty and the Beast
By Adolf Dehn
Located in Fairlawn, OH
Beauty and the Beast
Lithograph, 1949
Signed, titled and numbered in pencil (see photos)
Edition: 20 (10/20) (see photo)
Condition: Excellent cond...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Going My Way?' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Going My Way?', lithograph, 1946, edition 14. Signed in pen, recto. Titled, numbered '#118 14/14' and dated '5/5/46' in pen, verso. A fine, richly-inked impression, on heavy, off-white wove paper, with full margins (1 5/8 to 2 15/16 inches), in excellent condition. Image size 13 1/8 x 7 3/8 inches; sheet size 17 x 12 3/8 inches. Scarce. Matted to museum standards, unframed.
An impression of this work is in the permanent collection of the National Gallery of Art.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Les Mamelles de Tirésias.
By Erté
Located in New York, NY
Original publicity lithograph for the opera, Les Mamelles de Tirésias. Signature printed lower right. Paris, 1947. The opera premiered at the Opéra-Comique in Paris on 3 June, 1947 ...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Paper
Hairdresser — vintage drawing, original 'Superman' artist
By Leonard Nowak
Located in Myrtle Beach, SC
Leonard Nowak, 'Hairdresser', conté crayon and India ink, c. 1940s. Signed in ink, lower left. Original cartoon drawing, on textured, off-white wove draw...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
India Ink, Conté
Tamas The Power of Bad
By Willy Pogany
Located in Santa Monica, CA
WILLY POGANY (1882 - 1955)
TAMAS THE POWER OF BAD, c. 1940.
Etching, signed and titled and numbered 50 in pencil. Image 12 x 9 inches. Sheet 14 7/8 x 10 3/4 inches. Generally goo...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Surrealist Abstraction II
By Gerome Kamrowski
Located in Myrtle Beach, SC
Gerome Kamroski, Untitled 'Surrealist Abstraction', drypoint, 1946, edition 28 (editioned in 1996). Signed, dated '1946, ed 1996", and numbered '7/28' in pencil.
A fine impression, ...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Drypoint
The Thinker? —vintage drawing, original 'Superman' artist
By Leonard Nowak
Located in Myrtle Beach, SC
Leonard Nowak, 'The Thinker?', conté crayon and India ink, c. 1940s. Signed in ink, lower left. Original cartoon drawing, on textured, off-white wove dra...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
India Ink, Conté
