Modern Abstract Prints

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Vladimir Veličković Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325 inches ...

Teriade, E. (director) Texts by Georges Braque, Paul Valéry, André Gide, André Malraux, James Joyce, Ernest Hemingway, et. al. Verve, Volume One No. 2; Verve for For Spring 1938 (Mar...

Herve Telemaque Untitled Composition (Poligrafa, Redfern, French Modern Art) from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edi...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Grun (Green), from the folio Derriere le miroir, No. 101–103, originates from the 1957 edition published by Maeg...

Eduardo Chillida Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 100 Size: 10 x 7.325 inches (25...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

Artist: Henri Matisse (after) Title: The Sheaf Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Frame Size: 24 1/4" x 21 1/4" Sheet Size: 14" x ...

Joerg Reme Untitled VIII from "von den Stunden" Folio Color Lithograph on handmade paper with deckled edges 1972 Size: 11.75 x 8.325 inches (29.8 × 21.1 cm) Edition: 31 of 250 Signed...

Louise BOURGEOIS (1911-2010) Sheaves, 1985 Original lithograph Signed on the plate On Arches vellum, 31 x 21 cm (c. 12 x 8 in) REFERENCES: Wye Smith Catalogue Raisonné #79-2 INFOR...

Zigzag Ovals is a cyanotype monotype diptych that explores the interplay between fluid forms and structured repetition. Organic white shapes drift across rich blue tonal fields, crea...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeu...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the album Lithographies et eaux-fortes originales, livres illustres originaux, affiches,...

This exquisite lithograph and pochoir after Paul Klee (1879–1940), titled Plan ciner Maschinenanlage (Plan of a Machine Installation), from the folio Paul Klee, 12 aquarelles (Paul K...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Antoni Tapies Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 100 Size: 10 x 7.325 inches (25.4 ×...

This exquisite lithograph and pochoir by Lucio Fontana (1899–1968), titled Concetto Spaziale (Spatial Concept), from the album XXe siecle, Nouvelle serie, XXIe Annee, No. 12, Mai-Jui...

This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Komposition (Composition), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Laz...

Joan Miro Lithographier Originale Original Color Lithograph Year: 1961 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 125-126 Publisher: Maeght Editeur, Paris 1961 Additional text...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Ciel a Honfleur (Sky at Honfleur), from the folio Nicolas de Stael, Peintres d'aujourd'hui (Nicolas de Stael, P...

This exquisite lithograph by Bernard Buffet (1928–1999), titled La piscine (The Swimming Pool), originates from the 1987 album Bernard Buffet, Lithographe II (Bernard Buffet, Lithogr...

This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Zwei Reiter vor Rot (Two Riders Against Red), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Dire...

This exquisite lithograph after Lucio Fontana (1899–1968), titled Concetto Spaziale (Spatial Concept), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe si...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene XII, La Machine Infernale (Scene XII, The Infernal Machine), originates from the 1957 album Jean Cocteau de l'Acad...

This original poster was created for a Georges Braque exhibition at the Maeght Gallery in Zurich. The artwork prominently features two birds in flight, with one outlined in white and...

This exquisite lithograph by Alexander Calder (1898–1976), titled Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This work captures Calder’s mastery of motion, balance, and vibrant color through the spontaneous energy of his abstract forms, embodying the rhythmic harmony and visual poetry that defined his art. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 69–70, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Soleil...

THÉO TOBIASSE (1927–2012) – “THOU ART FAIR, MY LOVE” Lithograph on Japon Paper ⚜ Hand Signed and Numbered ⚜ Gilt Wood Frame A SENSUOUS HYMN TO BEAUTY, BELOVEDNESS, AND THE POETRY O...

This exquisite lithograph after Francis Bacon (1909–1992), titled Three Studies for Portrait of Lucian Freud, originates from the historic 1966 folio Derriere le Miroir, No. 162. Pub...

This etching and aquatint in colours is hand signed in pencil by the artist "Miró" in the lower right margin. It is dated ‘1953’ beneath the signature. It is also hand numbered "20/7...

This exquisite lithograph by Joan Miro (1893–1983), titled La Melodie acide (The Acid Melody), from the folio 14 original lithographs by Joan Miro "La Melodie acide" (The Acid Melody...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published by The Collector's Guild Ltd., New York in association with Th...

This exquisite lithograph by Hans Jean Arp (1886–1966), titled Rouge, bleu, brun (Red, Blue, Brown), from the folio Derriere le miroir, L’art abstrait, No. 21-22, originates from the...

Composition with Red, Blue, Black, Yellow, and Gray by Piet Mondrian was originally painted in 1921. This period falls within Mondrian's mature phase, where he refined his abstract s...

This exquisite lithograph by Alexander Calder (1898–1976), titled Anneaux sur noir (Rings on Black), originates from the historic 1973 folio Derriere le Miroir, No. 201. Published by...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

This exquisite lithograph by Andre Beaudin (1895–1979), titled Cheval (Horse), from Regards Sur Paris (Views of Paris), originates from the January 22, 1963 issue published by Andre ...

An original Joan Miro lithograph on BFK Rives with signature in the plate (printing). Printed and published by Arte Adrien Maeght, Paris. Nicely framed. Artist: Joan Miro, Spanish...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme et Oiseau VIII/X (Woman and Bird VIII/X), from the folio Joan Miro, Femmes (Women), originates from the 1965 editio...

This exquisite lithograph by Joan Miro (1893–1983), titled Personnage et Etoiles (Figure and Stars), from the folio Les Peintres mes amis (The Painters My Friends), originates from t...

This exquisite silkscreen after Paul Klee (1879–1940), titled Ein Genius serviert ein kleines Fruhstuck (A Guardian Angel Serves a Small Breakfast), from the album Paul Klee, Paintin...

This exquisite lithograph by Panayiotis Vassilakis Takis (1925–2019), titled Champ magnetique (Magnetic Field), originates from the historic 1982 folio Derriere le Miroir, No. 250, H...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Josef Albers Homage to the Square: Dedicated 1956 Silkscreen in brilliant Colors on Paper after Oil on Masonite, 1950-1956 From "Josef Albers - Paintings, Prints, Projects", 1956 Im...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie H, var. 4 (Series H, Variation 4), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled La danse (The Dance), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition p...

Oiseau et Lotus is a color lithograph on paper, realized by the French Cubist artist, Georges Braque (1882-1963). Printed by ARTE in 1963 by order of Galerie Maeght in Paris in a ci...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 247, 1981. Published by Aim...

An original lithograph by Alexander Calder that he designed for the Braniff Airlines Flying Colors project. Braniff Airlines Flying Colors Blindstamp, lower right. Convection Alex...

Figure is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence). Lithograph print, mid-20th century. Very good conditions. Not sig...

Artist: Marc Chagall (after) Title: Carnaval of Flowers Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from the editi...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe III Catalogue Raisonne. Nicely framed. Artist: Joan ...

Rene Bertholo Rencontres 1964 Color Lithograph Size: 12.68 × 19.21 inches (32.2 x 48.8 cm) Edition: 1,500 Publisher: Galerie Krugier & Cie, Geneva, Switzerland From "Suite No. 8" Pri...

Miro a l’Encre II Joan Miro, Spanish (1893–1983) Portfolio: Indelible Miro Date: 1972 Lithograph on Wove Paper Size: 14 x 10 in. (35.56 x 25.4 cm) Frame Size: 21.5 x 18 inches Printe...

Jambs is a vintage offset print after Antoni Tàpies, printed on hand made paper. The artwork is one of the deluxe edition of 1982 limited to 2.000 dedicated to Tapies' works. Signe...

This is an original poster designed by Jean Dubuffet for his 1968 exhibition Painted Sculptures at Pace Gallery, held from April 13th to May 18th. Created by the artist specifically ...

Joerg Reme Untitled I (Jörg Remé, Jörg Krichbaum) from "von den Stunden" Folio Color Lithograph on handmade paper with deckled edges 1972 Size: 11.75 x 8.325 inches (29.8 × 21.1 cm) ...