William Arthur Brown

A astounding portrait of a society beauty by Adele Grasset (active ca 1830-1850). With an open face and and lightly smiling lips, she is wearing a gown typical of the romantic period. Drawn in graphite and heightened with white, the drawing is dated 1836 As often with woman artists of the 18th and 19th century, there is little biographical information available on Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...

Hungarian/American artist/illustrator depicts a charming scene of sledding in the snow in Central Park. The work is abstract in its design as it's functional in its narrative - Unpublished New Yorker...

Adams, Cassilly (American 1843-1921). NATIVE AMERICANS HUNTING - TWO DRAWINGS. Charcoal and watercolor, not dated. One signed within the matrix of the drawing, lower right. Each about 7 x 10 inches. Both with a tack hole top and and bottom, center, and with residue from an old mount, verso. One wih a 1/2 x 1/2 inch loss at the top right corner. The images fresh. One shows two hunters with grass head-dress disguises, crouched behind low grasses,each with a rifle, a killed deer between them, and a herd moving across the field on the far side of the grasses. The other depicts two hunters wearing animal-skin disguises, each with a rifle, crouched behind grasses, beyond which a small herd of bison grazes. The Pair: $1750.00 The following is from American Western Art...

SWEETGRASS CARRIERS is a hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the renowned American artist JONATHAN...

French School, Late 18th Century Alexander the Great in the House of Darius Oil on canvas H. 42 cm; W. 53.5 cm without frame Apocryphal signature lower right "Verhag..." This painti...

GARDEN ROMANCE by the artist James Denmark is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) printed on archival Somerset paper using traditional hand lithography techniques. GARDEN ROMANCE is one of Denmark's expressive, colorful collage compositions of everyday African American life - a lovely flower garden scene featuring a romantic black couple, the woman seated amid the blossoming plants wearing a green and yellow paisley print dress and head wrap; her standing male companion with flower in hand, dressed in blue denim jeans, and pastel color patchwork print shirt. Vivid coloration, watercolor patterns, and collage effect textures captivate the eye with visual variety in a striking palette of blues, greens, white, red, orange, magenta, touches of yellow, lavender and dark black - a fine example of the intricacies of hand lithography! Print size - 32 x 21.25 in., archival framing, double mat, excellent condition, pencil signed and numbered - Certificate of Authenticity provided 1 / 15 H.C. by James Denmark, publisher's chop embossed lower left corner Edition size - 250, plus proofs Year published - 1996 Printer - JK Fine Art Editions Co. NJ Publisher - Mojo Portfolio...

GARDEN ROMANCE by the artist James Denmark is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) printed on archival Somerset paper using t...

THE LANTERN is an original, handmade limited edition lithograph printed in 13 colors from hand drawn lithography plates using traditional hand lithography methods on archival Somerse...

TEAR OF TIME (Melting Clock) is a limited edition color lithograph by the Modern master Salvador Dali, after an original Salvador Dali gouache pa...

Exhibited: London, Royal Academy, 1800, no. 93 What was happening in British history painting in around 1800? In recent discussions of the emergence of a British School of history painting following the foundation of the Royal Academy in 1768, this is a question which is rarely posed and one which is not easily answered. Examination of surviving Royal Academy exhibition catalogues reveals a profusion of artists’ names and titles, few of which remain immediately recognizable, whilst endeavours to explain the impact of exhibition culture on painting - such as the 2001 Courtauld show Art on the Line - have tended to focus on the first and second generation of Royal Academician, rather than young or aspiring artists in the early nineteenth century. This makes the discovery and identification of the work under discussion of exceptional importance in making sense of currents in English painting around 1800. Executed by Edward Dayes...

CHARLES LEVIER – [LES VOILES AU REPOS] ⚜ Watercolor on paper ⚜ Hand signed lower right ⚜ Custom frame HARBORFRONT CALM WITH DOCKED SAILS Levier captures a quiet quay where fishing b...

Eugène Modeste LE POITTEVIN (Paris, 1806 - Paris, 1870) Diana Resting Original oil on canvas (E. Picart, 16 rue du Bac) H. 33 cm; W. 40.5 cm Unsigned Red wax seal from the posthumous...