Choose from an assortment of styles, material and more with respect to the alfredo barbini seashell you’re looking for at 1stDibs. Each alfredo barbini seashell for sale was constructed with extraordinary care, often using
glass,
blown glass and
art glass. There are many kinds of the alfredo barbini seashell you’re looking for, from those produced as long ago as the 20th Century to those made as recently as the 20th Century. When you’re browsing for the right alfredo barbini seashell, those designed in
Mid-Century Modern styles are of considerable interest.
Alfredo Barbini,
Murano Glass Sommerso and
Murano each produced at least one beautiful alfredo barbini seashell that is worth considering.
A alfredo barbini seashell can differ in price owing to various characteristics — the average selling price 1stDibs is $650, while the lowest priced sells for $400 and the highest can go for as much as $1,800.
Alfredo Barbini (1912–2007), a glass artist born in 1912 on the islands of Murano in the lagoon of Venice, Italy, was one of Murano's leading figures of the 20th century. His parents were members of families, which had been prominent in the glassmaking industry on Murano for generations as glassblowers and beadmakers.
Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.
ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN
CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN
MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW
ICONIC MID-CENTURY MODERN FURNITURE DESIGNS
VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS
The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.
Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively.
Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer.
Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.
The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.
As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.
Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.
Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.
Vintage, new and antique decorative bowls have been an important part of the home for centuries, although their uses have changed over the years. While functional examples of bowls date back thousands of years, ornamental design on bowls as well as baskets likewise has a rich heritage, from the carved bowls of the Maya to the plaited river-cane baskets of Indigenous people in the Southeast United States.
Decorative objects continue to bring character and art into a space. An outdoor gathering can become a sophisticated garden party with the addition of a few natural-fiber baskets to hold blankets or fruit on a table, as demonstrated in the interior design work by firms such as Alexander Design.
Elsewhere, Richard Haining’s reclaimed wood vases and bowls can express eco-consciousness. Sculptural handmade cast concrete bowls like those made by the Oakland, California–based UMÉ Studio introduce compelling textures to your dining room table.
Minimalist ceramic decorative bowls of varying colors can evoke a feeling of human connectedness through their association with handmade craftsmanship, such as in the rooms envisioned by South African interior designer Kelly Hoppen. And you can elevate any space with ceramic bowls that match the color scheme.
Browse the 1stDibs collection of decorative bowls and explore the endless options available.